Masada is a musical group with rotating personnel led by American saxophonist and composer John Zorn since the early 1990s.
William Winant is an American percussionist.
Adult Themes for Voice is a 1996 album by Mike Patton. Recorded in hotel rooms while touring as a member of Faith No More, the album is solely composed of vocal sounds arranged as noise music. Released on John Zorn's Tzadik Records label, the album has largely met with negative reviews citing its abstruse and inaccessible nature.
Weird Little Boy is a one-off album by a band of the same name, performed by John Zorn, Trey Spruance, William Winant (percussion), Mike Patton and Chris Cochrane (guitar). It was released in 1998 on the Japanese label Avant.
The Circle Maker is a double album by John Zorn featuring Zorn's Masada compositions performed by the Masada String Trio and the Bar Kokhba Sextet which was released in 1998 on the Tzadik label.
Taboo & Exile is an album by John Zorn. It is the second album to appear in Zorn's Music Romance Series following Music for Children (1998). Three of the tracks on this recording are from Zorn's Masada songbook.
Music for Children is the first release in John Zorn's Music Romance Series and features three Naked City compositions performed by Zorn with the band Prelapse; a 20-minute composition for wind machines and controlled feedback systems dedicated to Edgar Varese, and a classical chamber music piece for violin, percussion and piano performed by the Abel-Steinberg-Winant Trio framed by a poly-rhythmic etude for percussion and celeste and a lullaby for music box.
The Gift is an album by John Zorn released in 2001 on the Tzadik label as the third volume of his Music Romance Series and described as an album "for lovers only".
John Zorn appears on over 400 recordings as a composer or performer. This is a selection of recordings released under his name, bands he was/is part of, collaborations with other musicians, and significant albums to which he has contributed. The year indicates when the album was first released and any subsequent years if the following release included additional material.
Filmworks III: 1990–1995 features the scores for film and advertisements by John Zorn. The album was originally released on the Japanese labels Evva in 1995 and Toys Factory in 1996 and subsequently re-released on Zorn's own label, Tzadik Records, in 1997. It features the music that Zorn wrote and recorded for Thieves Quartet (1993), directed by Joe Chappelle, which was performed by the group that would become Masada; nine cues for Kiriko Kubo's Music For Tsunta (1988); eleven tracks for Hollywood Hotel (1994), directed by Mei-Juin Chen; and thirty-two pieces for advertisements by Wieden & Kennedy.
Filmworks IV: S/M + More features film scores by John Zorn. The album was released in Japan on Eva Records in 1996 and on Zorn's own label, Tzadik Records, in 1997. It features the music that Zorn wrote and recorded for Maria Beatty's The Elegant Spanking, Beatty and M.M. Serra's A Lot of Fun for the Evil One, "Credits Included" written for the film of the same name directed by Jalal Toufic and "Maogai," written for a piano scene in a film by Hiroki Ryuichi.
Filmworks VI: 1996 features three scores for film by John Zorn. The album was released on Zorn's own label, Tzadik Records, in 1996. It features the music that Zorn wrote and recorded for Anton, Mailman (1996), a short film directed by Dina Waxman that was never completed due to loss of funding in its final stages, Mechanics of the Brain (1996) directed by Henry Hills and The Black Glove (1996), which was directed by, and starred, Maria Beatty.
Filmworks VIII: 1997 features two scores for film by John Zorn released on Zorn's own label, Tzadik Records, in 1998. It features the music that Zorn wrote and recorded for The Port of Last Resort (1998), a documentary directed by Joan Grossman and Paul Rosdy examining the experiences of Jewish refugees in Shanghai and Latin Boys Go to Hell (1997) which was directed by Ela Troyano.
Filmworks XII: Three Documentaries is an album containing three scores by John Zorn for documentary films released on Zorn's own label, Tzadik Records, in 2002. It features music that Zorn wrote and recorded for Homecoming (2002), a tribute documentary about the dance program at Performance Space 122 in New York by Charles Dennis, Shaolin Ulysses (2002) a film by Mei-Juin Chen and Martha Burr that follows Shaolin monks living and training in the United States, and Family Found (2002), a portrait of outsider artist Morton Bartlett which was directed by Emily Harris.
50th Birthday Celebration Volume 11 is a triple live album by the Bar Kokhba Sextet documenting their performance at Tonic in September 2003 as part of John Zorn's month-long 50th Birthday Celebration.
Lucifer: Book of Angels Volume 10 is an album by the Bar Kokhba Sextet performing compositions from John Zorn's second Masada book, "The Book of Angels".
Masada Anniversary Edition Volume 3: The Unknown Masada is the third album in a series of five releases celebrating the 10th anniversary of John Zorn's Masada songbook project. It features twelve previously unreleased Masada compositions performed by Erik Friedlander's Quake (1), Rashanim (2), Dave Douglas (3), Tatsuya Yoshida (4), Naftule's Dream (5), Jamie Saft (6), Zahava Seewald (7), Koby Israelite (8), Julian Kytasty (9); Fantômas (10), Wadada Leo Smith and Ikue Mori (11), and Eyvind Kang (12).
The Crucible is an album by John Zorn. It is the fourth album to feature the "Moonchild Trio" of Mike Patton, Joey Baron and Trevor Dunn, following Moonchild: Songs Without Words (2005), Astronome (2006) and Six Litanies for Heliogabalus (2007). It also features Marc Ribot on guitar and Zorn on alto saxophone.
Ipsissimus is an album by John Zorn. It is the fifth album to feature the "Moonchild Trio" of Mike Patton, Joey Baron and Trevor Dunn, following Astronome (2006), Moonchild: Songs Without Words (2006), Six Litanies for Heliogabalus (2007) and The Crucible (2008).
Lake Biwa is a studio album by American jazz trumpeter and composer Wadada Leo Smith released on John Zorn's Tzadik label in 2004. The album contains four pieces composed between 2000 and 2004.
