A printer's devil was a young apprentice in a printing establishment who performed a number of tasks, such as mixing tubs of ink and fetching type. Notable writers including Benjamin Franklin, Walt Whitman, Ambrose Bierce, Bret Harte, and Mark Twain served as printer's devils in their youth along with indentured servants.
There are religious, literary, and linguistic hypotheses for the etymology. Printers blamed the mischievous devil Titivillus or confused a name with the legend Faust. Other theories include racism, Gallicisms, or misspellings.
The term "printer's devil" has been ascribed to the apprentices' hands and skin getting stained black with ink when removing sheets of paper from the tympan. [1] In 1683, English printer Joseph Moxon wrote that "devil" was a humorous term for boys who were covered in ink: "whence the Workmen do Jocosely call them Devils; and sometimes Spirits, and sometimes Flies." [2] [3] Once cast metal type was used, worn, or broken, it was thrown into a "hellbox", after which it was the printer's devil's job to either put it back in the job case, or take it to the furnace to be melted down and recast. [4]
Many explanations have been given for the religious or supernatural connotations of the term. [5] From the Middle Ages onward, particularly in Catholic countries, technological inventions such as the printing press were often regarded with suspicion, and associated with Satan and the "Dark Arts". [6] [7] Some have suggested that the term was coined as an epithet by scribes who feared that the printing press would make the hand-copying of manuscripts obsolete. [8] Several theories of the term's origins are included below.
One popular theory is linked to the fanciful belief among printers that a special demon, Titivillus (also referred to as "the original printer's devil" [9] ), haunted every print shop, performing mischief such as inverting type, misspelling words, and removing entire lines of completed type.[ citation needed ] Titivillus was said to execute his pranks by influencing the young apprentices – or "printer's devils" – as they set up type, or by causing errors to occur during the actual casting of metal type. [10] High-profile printing errors "blamed" on Titivillus included the omission of the word not in the 1631 Authorised Version of the Bible, which resulted in Exodus 20:14 appearing as "Thou shalt commit adultery." [10] Often depicted as a creature with claw-like feet and horns on his head, the origins of the Titivillus legend date back to the Middle Ages, when he was said to collect "fragments of words" that were dropped or misspoken by the clergy or laiety in a sack to deliver to Satan daily, and later, to record poorly recited prayers and gossip overheard in church with a pen on parchment, for use on Judgement Day. [10] [11] Over the centuries, Titivillus was also blamed for causing monks to make mistakes while copying manuscripts by hand; meddling with block and plate printing; and eventually, playing pranks with movable type. [10]
Regarding the origins of the term "devil" to refer to "the errand boy or youngest apprentice in a printing office", Pasko's American Dictionary of Printing and Bookmaking (1894) states: "It is said that it is derived from the belief that John Fust was In league with the devil, and the urchin covered with ink certainly made a very good representation of his Satanic majesty." [2] Johann Fust (c.1400–1466), also known as Faust, loaned money to Johannes Gutenberg to perfect his printing process using movable type, and sued Gutenberg for repayment, with interest, in 1455. [12] Fust, together with Gutenberg's son-in-law Peter Schoeffer, then set up their own printing business and published the Mainz Psalter , a Bible which introduced colour printing, in 1457. [12] Over the centuries, biographical accounts of Fust, the printer, have often become confused or intertwined with the legend of Johann Georg Faust (c.1480–1540), the alchemist and necromancer who became the subject of numerous "Faust books" published in Germany starting in 1587, which in turn inspired Christopher Marlowe's work, Doctor Faustus (c.1591–1593). [13] The legendary Faustus is said to have sold his soul to the demon Mephistopheles, in exchange for a book or encyclopedia of magical spells. [13] In 1570, even before publication of the first Faustbuch, English church historian John Foxe credited "a Germaine...named Joan. Faustus, a goldesmith" for the invention of the printing press, in the second edition of Actes and Monuments, although he had previously attributed its invention to "Jhon Guttenbergh". [13] Literary scholar Sarah Wall-Rendell argues that the association of the Doctor Faustus legend with books and printing technology reflected ongoing ambivalence among Reformation writers about the impact that books would have on an increasingly literate populace. [13]
Yet another possible origin is ascribed to Aldus Manutius, a Venetian printer (fl. 1450-1515), who was denounced by detractors for practicing the black arts as early printing was long associated with devilry. [14] The assistant to Manutius was a young boy of African descent who was accused of being the embodiment of Satan and dubbed the printer's devil. [15]
Some boys claimed their names descended from an apprentice William Caxton had in the 1470s. [16] His name changed from De Vile, to DeVille and Deville. [16]
While the term "printer's devil" in India may stem from the European legend of Titivillus, another theory is that it might stem from the Malayalam term for "printing error" (achadi pisaku), which is only one change of a Malayalam letter away from "printing devil" (achadi pisachu). [17]
A number of notable men served as printer's devils in their youth, including Ambrose Bierce, William Dean Howells, James Printer, Benjamin Franklin, Raymond C. Hoiles, Samuel Fuller, Thomas Jefferson, Walt Whitman, Mark Twain, Joel Chandler Harris, Warren Harding, Harry Burleigh, Lawrence Tibbett, John Kellogg, Lyndon Johnson, Hoodoo Brown, James Hogg, Geoff Lloyd, Harry Pace, Joseph Lyons, Albert Parsons, Adolph Ochs, [18] and Lázaro Cárdenas. Cole Younger worked as a printer's devil on a prison newspaper while he was incarcerated. [19]
In North America during the late 18th and early 19th centuries, young boys were indentured to printers by their parents, or in the case of orphans, by the municipal or church authorities. [20] More than apprentices in other trades, printer's devils were boys who had expressed an interest in printing. [20] By 1894, American Dictionary of Printing and Bookmaking noted that with the decline of the apprenticeship system in the United States, the term "printer's devil" was going out of use. [2]
The printer's devil is also known in other languages such as Bengali, where it is called Chhapakhanar Bhoot. [17]
Johannes Gensfleisch zur Laden zum Gutenberg was a German inventor and craftsman who invented the movable-type printing press. Though movable type was already in use in East Asia, Gutenberg's invention of the printing press enabled a much faster rate of printing. The printing press later spread across the world, and led to an information revolution and the unprecedented mass-spread of literature throughout Europe. It had a profound impact on the development of the Renaissance, Reformation, and humanist movements.
Laurens Janszoon Coster, or Laurens Jansz Koster, is the purported inventor of a printing press from Haarlem. He allegedly invented printing simultaneously with Johannes Gutenberg and was regarded by some in the Netherlands well into the 20th century as having invented printing first.
A printing press is a mechanical device for applying pressure to an inked surface resting upon a print medium, thereby transferring the ink. It marked a dramatic improvement on earlier printing methods in which the cloth, paper, or other medium was brushed or rubbed repeatedly to achieve the transfer of ink and accelerated the process. Typically used for texts, the invention and global spread of the printing press was one of the most influential events in the second millennium.
Printing is a process for mass reproducing text and images using a master form or template. The earliest non-paper products involving printing include cylinder seals and objects such as the Cyrus Cylinder and the Cylinders of Nabonidus. The earliest known form of printing evolved from ink rubbings made on paper or cloth from texts on stone tablets, used during the sixth century. Printing by pressing an inked image onto paper appeared later that century. Later developments in printing technology include the movable type invented by Bi Sheng around 1040 AD and the printing press invented by Johannes Gutenberg in the 15th century. The technology of printing played a key role in the development of the Renaissance and the Scientific Revolution and laid the material basis for the modern knowledge-based economy and the spread of learning to the masses.
Faust is the protagonist of a classic German legend based on the historical Johann Georg Faust. The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil at a crossroads, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. "Faust" and the adjective "Faustian" imply sacrificing spiritual values for power, knowledge, or material gain and / or making a risky bargain with seemingly good intentions that goes terribly wrong.
Mephistopheles, also known as Mephisto, is a demon featured in German folklore. He originally appeared in literature as the demon in the Faust legend and has since become a stock character appearing in other works of arts and popular culture.
Johann Fust or Faust was an early German printer.
Faust is a tragic play in two parts by Johann Wolfgang von Goethe, usually known in English as Faust, Part One and Faust, Part Two. Nearly all of Part One and the majority of Part Two are written in rhymed verse. Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages. Faust is considered by many to be Goethe's magnum opus and the greatest work of German literature.
Johann Georg Faust, also known in English as John Faustus, was a German itinerant alchemist, astrologer, and magician of the German Renaissance.
A deal with the Devil is a cultural motif exemplified by the legend of Faust and the figure of Mephistopheles, as well as being elemental to many Christian traditions. According to traditional Christian belief about witchcraft, the pact is between a person and the Devil or another demon, trading a soul for diabolical favours, which vary by the tale, but tend to include youth, knowledge, wealth, fame and power.
The Devil, appears frequently as a character in literature and various other media, beginning in the 6th century when the Council of Constantinople officially recognized Satan as part of their belief system. In Abrahamic religions, the figure of the Devil, Satan personifies evil. In music, the Devil is referenced across both classical and popular music. Connecting the devil to certain music can be used to associate the music with immorality, either by critics or by the musicians themselves. In television and film, the Devil has a long history of being used and often appears as an extremely powerful, purely evil, antagonist. He also may appear working behind the scenes, in disguise, or in secrecy to influence a story in the forefront. In narrative works, the Devil is often associated with concepts such as the Antichrist, Hell and the afterlife, and the apocalypse. Especially in media from the early 1900s, creators might have been compelled to portray the Devil with another name or in a non-classical fashion to skirt censorship laws that discouraged showing the Devil as a character. Occasionally the Devil appears not as an entity but rather is used as a name for something that is very sinister or malevolent in a narrative such that the characters feel it is the Devil.
Peter Schöffer or Petrus Schoeffer was an early German printer, who studied in Paris and worked as a manuscript copyist in 1451 before apprenticing with Johannes Gutenberg and joining Johann Fust, a goldsmith, lawyer, and money lender.
Endymion Spring is a children's fantasy novel by English Canadian author Matthew Skelton. It was first published in 2006.
The global spread of the printing press began with the invention of the printing press with movable type by Johannes Gutenberg in Mainz, Germany c. 1439. Western printing technology was adopted in all world regions by the end of the 19th century, displacing the manuscript and block printing.
Faust has inspired artistic and cultural works for over four centuries. The following lists cover various media to include items of historic interest, enduring works of high art, and recent representations in popular culture. The entries represent works that a reader has a reasonable chance of encountering rather than a complete catalog.
The history of printing starts as early as 3000 BCE, when the proto-Elamite and Sumerian civilizations used cylinder seals to certify documents written in clay tablets. Other early forms include block seals, hammered coinage, pottery imprints, and cloth printing. Initially a method of printing patterns on cloth such as silk, woodblock printing for texts on paper originated in China by the 7th century during the Tang dynasty, leading to the spread of book production and woodblock printing in other parts of Asia such as Korea and Japan. The Chinese Buddhist Diamond Sutra, printed by woodblock on 11 May 868, is the earliest known printed book with a precise publishing date. Movable type was invented by Chinese artisan Bi Sheng in the 11th century during the Song dynasty, but it received limited use compared to woodblock printing. However, the use of copper movable types was documented in a Song-era book from 1193, and the earliest printed paper money using movable metal type to print the identifying codes were made in 1161. The technology also spread outside China, with the oldest extant printed book using metal movable type being the Jikji, printed in Korea in 1377 during the Goryeo era.
Johann Spies was a German printer who published an anonymous book of tales about a legendary Doctor Faust who made a pact with the Devil. The story became the basis for several notable literary works, including Marlowe's Tragedy of Doctor Faustus and Goethe's Faust.
The Mainz Psalter was the second major book printed with movable type in the West; the first was the Gutenberg Bible. It is a psalter commissioned by the Mainz archbishop in 1457. The Psalter introduced several innovations: it was the first book to feature a printed date of publication, a printed colophon, two sizes of type, printed decorative initials, and the first to be printed in three colours. The colophon also contains the first example of a printer's mark. It was the first important publication issued by Johann Fust and Peter Schoeffer following their split from Johannes Gutenberg.
The idea of making a deal with the devil has appeared many times in works of popular culture. These pacts with the Devil can be found in many genres, including: books, music, comics, theater, movies, TV shows and games. When it comes to making a contract with the Devil, they all share the same prevailing desire, a mortal wants some worldly good for their own selfish gain, but in exchange, they must give up their soul for eternity.
An ink ball, inking ball, or dabber was a tool used in printmaking and letterpress printing to apply ink to the plate or type to be printed.