 | This article needs additional citations for verification .(July 2021) |
| Purple Night | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1990 | |||
| Recorded | November 1989 | |||
| Genre | Free jazz | |||
| Length | 66:02 | |||
| Label | A&M | |||
| Producer | John Snyder | |||
| Sun Ra chronology | ||||
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| Review scores | |
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| Source | Rating |
| Allmusic |    [1] |
| Select |   [2] |
Purple Night is a studio album by free jazz pioneer Sun Ra. It was released in 1990 on A&M Records.
The album was the second in a short-term recording deal with A&M Records, as part of their "Modern Masters Jazz Series" imprint. Sun Ra's profile had risen considerably in the preceding years, partially because of the support given to him in interviews by avant-garde alternative rock band Sonic Youth, who had named him as an influence and played shows with Ra and his Arkestra.[ citation needed ]
The album was recorded in a single session at BMG Studios in New York City, using a 22-piece group that included several Arkestra members or veterans, including three drummers and two bass players (one on upright bass and another on electric bass), plus fellow free jazz musician Don Cherry, who played the pocket trumpet.[ citation needed ]
Seven tracks were used for the album, and the remainder of the master multi-track tapes were given to Sun Ra and his manager Alton Abraham for future release on their own after the A&M deal concluded. Many of these recordings were released three years later by Rounder Records on the album Somewhere Else , released shortly before Sun Ra's death. Purple Night is out of print physically, although the album is available via digital outlets. The copyright on the original album passed on to Sun Ra's estate's holding company, Sun Ra LLC, in 2016.[ citation needed ]
The Magic City is an album by the American jazz musician Sun Ra and his Solar Arkestra. Recorded in two sessions in 1965, the record was released on Ra's own Saturn label in 1966. The record was reissued by Impulse! in 1973, and on compact disc by Evidence in 1993.
Angels and Demons at Play is a jazz album by Sun Ra and his Myth Science Arkestra.
Lanquidity is a 1978 studio album by American jazz musician Sun Ra.
Jazz By Sun Ra is the debut album by Sun Ra. The record label for the first pressing says "07-12-56", presumably when it was recorded. The LP originally appeared on Tom Wilson's short-lived Transition Records. In the mid-1960s it was purchased by Delmark Records owner Bob Koester, finally being reissued in 1967.
Jazz in Silhouette is the third studio album by pianist-composer Sun Ra and His Arkestra. It was recorded on March 6, 1959, and released in May of the same year. The album was recorded in Chicago during a session that also included the whole of the albums Sound Sun Pleasure!! and "Interstellar Low Ways" from the album of the same name.
Featuring Pharoah Sanders and Black Harold is a jazz album by Sun Ra, recorded live on December 31, 1964, but not released until 1976, on Ra and Alton Abraham's El Saturn label. An expanded version of the album was reissued in 2009 by ESP-Disk, and again in 2017 by Superior Viaduct. A complete version of Sun Ra's performances on December 30 and 31, 1964 were released in 2012 on the Pharoah Sanders album In The Beginning 1963-1964.
Blue Delight is a jazz album by free jazz pioneer Sun Ra.
Sound Sun Pleasure!! is an album by the American Jazz musician Sun Ra and his Astro Infinity Arkestra. Recorded March 6, 1959, it remained unreleased until 1970 when it was issued on the Saturn label. Recorded at the same time and with the same personnel as Jazz in Silhouette, the album is unusual amongst early Ra albums for predominantly featuring jazz standards.
Sun Ra and his Solar Arkestra Visits Planet Earth is a jazz album by the American musician Sun Ra and his Solar Arkestra. Recorded between late 1956 and 1958, the album was originally released on Ra's own Saturn label in 1966, and was reissued on CD by Evidence in 1992. In keeping with many Saturn releases, one side features cuts from the arkestra c.1958, whilst the other side comes from the 1956 sessions originally intended for Sound of Joy but still unreleased in 1966.
Interstellar Low Ways is an album recorded by the American jazz musician Sun Ra and his Myth Science Arkestra, mostly recorded in Chicago, 1960, and released in 1967 on his own El Saturn label. Originally titled Rocket Number Nine, the album had acquired its present name, and the red-on-white sleeve by Claude Dangerfield, by 1969. The album is known particularly for the two songs featuring chants, "Interplanetary Music" and "Rocket Number Nine Take off for the Planet Venus". These would stay in the Arkestra's repertoire for many years.
Rocket Number Nine points toward the music that the Arkestra would be playing on the lower East Side of New York City. The tenor sax solo isn't the work of John Coltrane in 1962, but of John Gilmore in 1960. And not even Ornette Coleman's bassists were playing like Ronnie Boykins at this date.
Fate in a Pleasant Mood is an album by the American jazz musician Sun Ra and his Myth Science Arkestra recorded in Chicago, mid 1960 and originally released on his own Saturn label in 1965. The album was reissued by Impulse! in 1974, and by Evidence in 1993. For the latter reissue, the record was included as the first half of a CD that also featured the whole of When Sun Comes Out, an album recorded by the Arkestra in New York, 1963.
Art Forms of Dimensions Tomorrow is an album by the American jazz musician Sun Ra and his Solar Arkestra. Often considered the first of Ra's 'outside' recordings, the album was the first to make extensive use of a discovery by the Arkestra's drummer and engineer Tommy Hunter:
'Art Forms of Dimensions Tomorrow.... contained "Cluster of Galaxies" and "Solar Drums", two rhythm section exercises with the sound treated with such strange reverberations that they threatened to obliterate the instruments' identity and turn the music into low-budget musique concrète. While testing the tape recorder when the musicians were tuning up one day, Hunter had discovered that if he recorded with the earphones on, he could run a cable from the output jack back into the input on the recorder and produce massive reverberation:
"I wasn't sure what Sun Ra would think of it... I thought he might be mad - but he loved it. It blew his mind! By working the volume of the output on the playback I could control the effect, make it fast or slow, drop it out, or whatever." [Tommy Hunter]
'By the 1950s commercial recording companies had developed a classical style of recording which assured that the recording process itself would be invisible... but Sun Ra began to regularly violate this convention on the Saturn releases by recording live at strange sites, by using feedback, distortion, high delay or reverb, unusual microphone placement, abrupt fades or edits, and any number of other effects or noises which called attention to the recording process. On some recordings you could hear a phone ringing, or someone walking near the microphone. It was a rough style of production, an antistyle, a self-reflexive approach which anticipates both free jazz recording conventions and punk production to come.' John F Szwed
Secrets of the Sun is an album by the American Jazz musician Sun Ra and his Solar Arkestra. The album is considered one of the more accessible recordings from his 'Solar' period. Originally released on Ra's own Saturn label in 1965, the record was unavailable for many years before being reissued on compact disc by Atavistic in 2008.
'Marking a transition in its development between the advanced swing of the early Chicago-era recordings and the increased free-form experimentation of its New York tenure, this album also reveals the first recorded versions of two Ra standards, "Friendly Galaxy" and "Love in Outer Space." Accessible, yet segueing into vanguard territory, this album highlights a fertile period in the Arkestra's history. Looser and more aggressive than its Chicago recordings, these pieces find the Arkestra pushing at the limits of harmony and tonality.' Troy Collins
For the song by Harold Arden and Ted Koehler, see When the Sun Comes Out
Cosmic Tones for Mental Therapy is an album by the American Jazz musician Sun Ra and his Myth Science Arkestra recorded in 1963, but not released until 1967 on Sun Ra's own Saturn label. The record was reissued on compact disc by Evidence in 2000.
Other Planes of There is an album by the American Jazz musician Sun Ra and his Solar Arkestra. Recorded in 1964, the album had been released by 1966 on Sun Ra's own Saturn label. The record was reissued on compact disc by Evidence in 1992.
'Granted, the selection is certainly not as abrasive and demanding as later efforts, although there is strident involvement from everyone within the dense arrangement. The brass and reed sections provide emphasis behind an off-kilter and loping waltz backdrop. All the more impressive is how well the material has held up over the decades. Even to seasoned ears, the music is pungent and uninhibited, making Other Planes of There a highly recommended collection.' Lindsay Planer
Somewhere Else is a 1993 album by free jazz composer, bandleader and keyboardist Sun Ra released on the Rounder label. The album consists of tracks recorded in late 1989, at the same sessions which produced the albums Blue Delight and Purple Night, but it was not released until shortly before Sun Ra's death, over three years later.
Sunrise in the Tone World is an album by American jazz double bassist William Parker, which was recorded live in 1995 and released on the AUM Fidelity label.
Sleeping Beauty is an album by jazz composer, bandleader and keyboardist Sun Ra and his Intergalactic Myth Science Solar Arkestra recorded in 1979 and originally released on Ra's Saturn label and rereleased on CD on Art Yard in 2008.
Strange Celestial Road is an album by jazz composer, bandleader and keyboardist Sun Ra and his Arkestra, recorded in New York in 1979 and originally released on the Rounder label.
