Sound of Joy is an album by Sun Ra and his Arkestra. It features the Arkestral lineup during the last few months of 1956, after trombonist Julian Priester left to join Lionel Hampton, Charles Davis became a regular member of the band, and Victor Sproles took over on bass. It was intended as the follow-up to Jazz By Sun Ra but Transition Records ceased to operate before it could be released.
Four of the tracks were included on Sun Ra and his Solar Arkestra Visits Planet Earth, released in 1966. The entire LP was eventually released in 1968 by Delmark Records, who also re-issued Jazz by Sun Ra. Two ballads, written by Sun Ra and sung by Clyde Williams, were left off the original album, however, because the president of Delmark Records, Bob Koester, "felt they didn't fit with the other pieces on the session."[5] The songs were reinstated when the album was re-issued on CD in 1994.
Track listing
12" Vinyl
All tracks were written by Sun Ra, except "Two Tones", by Pat Patrick and Charles Davis. Side A:
"El is a Sound of Joy" - (4.04)
"Overtones of China" - (3.25)
"Two Tones" - (3.41)
"Paradise" - (4.30)
"Planet Earth" - (4.24)
Side B:
"Ankh" - (6.31)
"Saturn" - (4.01)
"Reflections in Blue" - (6.21)
"El Viktor" - (2.33)
Bonus Tracks on the CD
"As You Once Were"
"Dreams Come True"
Recorded at the Balkan Studios, Chicago, November 1, 1956.
The Heliocentric Worlds of Sun Ra, Volume One is a 1965 album by the jazz musician Sun Ra. The back cover describes it as an "album of compositions and arrangements by Sun Ra played by Sun Ra and his Solar Arkestra".
The Heliocentric Worlds of Sun Ra, Volume Two is a 1965 recording by the jazz musician Sun Ra and his Solar Arkestra. Where Volume One of the Heliocentric Worlds series had predominantly featured short abstract pieces, Volume Two features longer pieces performed by a smaller group, making it closer in spirit to the contemporaneous The Magic City, released on Ra's own Saturn label. The record has been widely bootlegged, some versions of which were retitled The Sun Myth.
Angels and Demons at Play is a jazz album by Sun Ra and his Myth Science Arkestra.
Lanquidity is a 1978 studio album by American jazz musician Sun Ra.
Jazz By Sun Ra is the debut album by Sun Ra. The record label for the first pressing says "07-12-56", presumably when it was recorded. The LP originally appeared on Tom Wilson's short-lived Transition Records. In the mid-1960s it was purchased by Delmark Records owner Bob Koester, finally being reissued in 1967.
Live at Montreux is an album by Sun Ra recorded in the summer of 1976 at the Montreux Jazz Festival in Switzerland under the billing Sun Ra and his Intergalactic Cosmo Arkestra. It was originally issued in 1977 on the Saturn label, with hand-drawn covers and reissued in 1978 on the Inner City label, with new artwork and song titles and musicians credited. It was first issued on CD by Universe Records in Italy, with poor sound quality and the track "On Sound Infinity Spheres" faded out early by about six minutes. The later Japanese P-Vine and US Inner City CDs both use earlier source tapes and are complete and unedited. A segment of the same Montreux concert appears on the 'Solo Piano & Montreux And Lugano' DVD on Transparency Records.
Jazz in Silhouette is the third studio album by pianist-composer Sun Ra and His Arkestra. It was recorded on March 6, 1959, and released in May of the same year. The album was recorded in Chicago during a session that also included the whole of the albums Sound Sun Pleasure!! and "Interstellar Low Ways" from the album of the same name.
Super-Sonic Jazz is the second studio album by Sun Ra, recorded in 1956 at RCA Studios, Chicago. Super-Sonic Jazz was the first album to be released on Saturn Records, the label run by Sun Ra and Alton Abraham, and was one of only three albums by Sun Ra to have been available in the 1950s.
Horizon is a recording by the jazz musician Sun Ra and his Astro-Intergalactic-Infinity Arkestra, forming part of the documentation of their first visit to Egypt.
Sound Sun Pleasure!! is an album by the American Jazz musician Sun Ra and his Astro Infinity Arkestra. Recorded March 6, 1959, it remained unreleased until 1970 when it was issued on the Saturn label. Recorded at the same time and with the same personnel as Jazz in Silhouette, the album is unusual amongst early Ra albums for predominantly featuring jazz standards.
Sun Ra and his Solar Arkestra Visits Planet Earth is a jazz album by the American musician Sun Ra and his Solar Arkestra. Recorded between late 1956 and 1958, the album was originally released on Ra's own Saturn label in 1966, and was reissued on CD by Evidence in 1992. In keeping with many Saturn releases, one side features cuts from the arkestra c.1958, whilst the other side comes from the 1956 sessions originally intended for Sound of Joy but still unreleased in 1966.
The Nubians of Plutonia is an album recorded by Sun Ra and his Myth Science Arkestra c.1958 – 1959 and released c.1966 on his own Saturn label. Originally released in a blank sleeve under the title The Lady With The Golden Stockings, the album had gained its current title, and sleeve by Richard Pedreguera, by 1969. In common with most releases by Sun Ra at the time, the record was printed in extremely limited numbers and primarily available at concerts and mail-order. The record was reissued by Impulse! in 1974, and on CD by Evidence in 1993, backed with the contemporaneous album Angels and Demons at Play.
"The Nubians of Plutonia... evidence an Arkestra moving into ever looser, more abstract ground. The percussion becomes more varied and moves ever closer to the foreground. 'The Golden Lady' seduces with a swaying groove created by a combination of simple parts: hi-hat, cow bell, wood blocks, rolling floor toms and bass. Ra then sets up a dark melodic theme, and then the Arkestra proceeds to weave a series of jaunty, blues-tinged solos into the fabric of the groove. 'Nubia', 'Africa' and 'Aiethopia' continue this excursion into more mystical, rhythm-based territory. The Arkestra utilizes the same ominous, simmering percussion beds, now augmented by more exotic instruments like Pat Patrick's 'space lute', which gives a playfully sinister sound to 'Africa'.... This powerful, multi-faceted music is a great place to start if you are just beginning to travel with Sun Ra, or a great way to continue the journey." Mathew Wuethrich
Interstellar Low Ways is an album recorded by the American jazz musician Sun Ra and his Myth Science Arkestra, mostly recorded in Chicago, 1960, and released in 1967 on his own El Saturn label. Originally titled Rocket Number Nine, the album had acquired its present name, and the red-on-white sleeve by Claude Dangerfield, by 1969. The album is known particularly for the two songs featuring chants, "Interplanetary Music" and "Rocket Number Nine Take off for the Planet Venus". These would stay in the Arkestra's repertoire for many years.
Rocket Number Nine points toward the music that the Arkestra would be playing on the lower East Side of New York City. The tenor sax solo isn't the work of John Coltrane in 1962, but of John Gilmore in 1960. And not even Ornette Coleman's bassists were playing like Ronnie Boykins at this date.
Art Forms of Dimensions Tomorrow is an album by the American jazz musician Sun Ra and his Solar Arkestra. Often considered the first of Ra's 'outside' recordings, the album was the first to make extensive use of a discovery by the Arkestra's drummer and engineer Tommy Hunter:
'Art Forms of Dimensions Tomorrow.... contained "Cluster of Galaxies" and "Solar Drums", two rhythm section exercises with the sound treated with such strange reverberations that they threatened to obliterate the instruments' identity and turn the music into low-budget musique concrète. While testing the tape recorder when the musicians were tuning up one day, Hunter had discovered that if he recorded with the earphones on, he could run a cable from the output jack back into the input on the recorder and produce massive reverberation:
"I wasn't sure what Sun Ra would think of it... I thought he might be mad - but he loved it. It blew his mind! By working the volume of the output on the playback I could control the effect, make it fast or slow, drop it out, or whatever." [Tommy Hunter]
'By the 1950s commercial recording companies had developed a classical style of recording which assured that the recording process itself would be invisible... but Sun Ra began to regularly violate this convention on the Saturn releases by recording live at strange sites, by using feedback, distortion, high delay or reverb, unusual microphone placement, abrupt fades or edits, and any number of other effects or noises which called attention to the recording process. On some recordings you could hear a phone ringing, or someone walking near the microphone. It was a rough style of production, an antistyle, a self-reflexive approach which anticipates both free jazz recording conventions and punk production to come.' John F Szwed
For the song by Harold Arden and Ted Koehler, see When the Sun Comes Out
When Angels Speak of Love is a music album by the American Jazz musician Sun Ra and his Myth Science Arkestra. Originally released in 1966 on Sun Ra's own Saturn label, the record would have only been available by mail order or sold at Arkestra concerts, and is one of the rarest of all Saturn releases. The record was reissued on compact disc by Evidence in 2000.
Other Planes of There is an album by the American Jazz musician Sun Ra and his Solar Arkestra. Recorded in 1964, the album had been released by 1966 on Sun Ra's own Saturn label. The record was reissued on compact disc by Evidence in 1992.
'Granted, the selection is certainly not as abrasive and demanding as later efforts, although there is strident involvement from everyone within the dense arrangement. The brass and reed sections provide emphasis behind an off-kilter and loping waltz backdrop. All the more impressive is how well the material has held up over the decades. Even to seasoned ears, the music is pungent and uninhibited, making Other Planes of There a highly recommended collection.' Lindsay Planer
Hours After is an album by American composer, bandleader and keyboardist Sun Ra recorded in 1986 in Italy and released on the Black Saint label in 1989. The album was recorded at the same sessions the produced Reflections in Blue which was released in 1987.
The Big Soul-Band is an album by the Johnny Griffin Orchestra, led by jazz saxophonist Johnny Griffin, featuring arrangements by Norman Simmons. It was released on the Riverside label in 1960.
Blue Stroll is an album by American jazz multi-instrumentalist Ira Sullivan, which was recorded in 1959 and released on Delmark. He leads a quintet with saxophonist Johnny Griffin, pianist Jodie Christian, bassist Victor Sproles and drummer Wilbur Campbell.
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