The Heliocentric Worlds of Sun Ra, Volume One is a 1965 album by the jazz musician Sun Ra. The back cover describes it as an "album of compositions and arrangements by Sun Ra played by Sun Ra and his Solar Arkestra".
The Magic City is an album by the American jazz musician Sun Ra and his Solar Arkestra. Recorded in two sessions in 1965, the record was released on Ra's own Saturn label in 1966. The record was reissued by Impulse! in 1973, and on compact disc by Evidence in 1993.
Ronald Boykins was a jazz bassist and is best known for his work with pianist/bandleader Sun Ra, although he had played with such disparate musicians as Muddy Waters, Johnny Griffin, and Jimmy Witherspoon prior to joining Sun Ra's Arkestra.
Angels and Demons at Play is a jazz album by Sun Ra and his Myth Science Arkestra.
Sound Sun Pleasure!! is an album by the American Jazz musician Sun Ra and his Astro Infinity Arkestra. Recorded March 6, 1959, it remained unreleased until 1970 when it was issued on the Saturn label. Recorded at the same time and with the same personnel as Jazz in Silhouette, the album is unusual amongst early Ra albums for predominantly featuring jazz standards.
The Nubians of Plutonia is an album recorded by Sun Ra and his Myth Science Arkestra c.1958 - 1959 and released c.1966 on his own Saturn label. Originally released in a blank sleeve under the title The Lady With The Golden Stockings, the album had gained its current title, and sleeve by Richard Pedreguera, by 1969. In common with most releases by Sun Ra at the time, the record was printed in extremely limited numbers and primarily available at concerts and mail-order. The record was reissued by Impulse! in 1974, and on CD by Evidence in 1993, backed with the contemporaneous album Angels and Demons at Play.
"The Nubians of Plutonia... evidence an Arkestra moving into ever looser, more abstract ground. The percussion becomes more varied and moves ever closer to the foreground. 'The Golden Lady' seduces with a swaying groove created by a combination of simple parts: hi-hat, cow bell, wood blocks, rolling floor toms and bass. Ra then sets up a dark melodic theme, and then the Arkestra proceeds to weave a series of jaunty, blues-tinged solos into the fabric of the groove. 'Nubia', 'Africa' and 'Aiethopia' continue this excursion into more mystical, rhythm-based territory. The Arkestra utilizes the same ominous, simmering percussion beds, now augmented by more exotic instruments like Pat Patrick's 'space lute', which gives a playfully sinister sound to 'Africa'.... This powerful, multi-faceted music is a great place to start if you are just beginning to travel with Sun Ra, or a great way to continue the journey." Mathew Wuethrich
Interstellar Low Ways is an album recorded by the American jazz musician Sun Ra and his Myth Science Arkestra, mostly recorded in Chicago, 1960, and released in 1967 on his own El Saturn label. Originally titled Rocket Number Nine, the album had acquired its present name, and the red-on-white sleeve by Claude Dangerfield, by 1969. The album is known particularly for the two songs featuring chants, "Interplanetary Music" and "Rocket Number Nine Take off for the Planet Venus". These would stay in the Arkestra's repertoire for many years:
Rocket Number Nine points toward the music that the Arkestra would be playing on the lower East Side of New York City. The tenor sax solo isn't the work of John Coltrane in 1962, but of John Gilmore in 1960. And not even Ornette Coleman's bassists were playing like Ronnie Boykins at this date.
Fate in a Pleasant Mood is an album by the American jazz musician Sun Ra and his Myth Science Arkestra recorded in Chicago, mid 1960 and originally released on his own Saturn label in 1965. The album was reissued by Impulse! in 1974, and by Evidence in 1993. For the latter reissue, the record was included as the first half of a CD that also featured the whole of When Sun Comes Out, an album recorded by the Arkestra in New York, 1963.
The Futuristic Sounds of Sun Ra is an album by the American jazz musician Sun Ra and his Arkestra, recorded on October 10, 1961, for the Savoy label and released in 1962.
Art Forms of Dimensions Tomorrow is an album by the American jazz musician Sun Ra and his Solar Arkestra. Often considered the first of Ra's 'outside' recordings, the album was the first to make extensive use of a discovery by the Arkestra's drummer and engineer Tommy Hunter:
'Art Forms of Dimensions Tomorrow.... contained "Cluster of Galaxies" and "Solar Drums", two rhythm section exercises with the sound treated with such strange reverberations that they threatened to obliterate the instruments' identity and turn the music into low-budget musique concrète. While testing the tape recorder when the musicians were tuning up one day, Hunter had discovered that if he recorded with the earphones on, he could run a cable from the output jack back into the input on the recorder and produce massive reverberation:
"I wasn't sure what Sun Ra would think of it... I thought he might be mad - but he loved it. It blew his mind! By working the volume of the output on the playback I could control the effect, make it fast or slow, drop it out, or whatever." [Tommy Hunter]
'By the 1950s commercial recording companies had developed a classical style of recording which assured that the recording process itself would be invisible... but Sun Ra began to regularly violate this convention on the Saturn releases by recording live at strange sites, by using feedback, distortion, high delay or reverb, unusual microphone placement, abrupt fades or edits, and any number of other effects or noises which called attention to the recording process. On some recordings you could hear a phone ringing, or someone walking near the microphone. It was a rough style of production, an antistyle, a self-reflexive approach which anticipates both free jazz recording conventions and punk production to come.' John F Szwed
Secrets of the Sun is an album by the American Jazz musician Sun Ra and his Solar Arkestra. The album is considered one of the more accessible recordings from his 'Solar' period. Originally released on Ra's own Saturn label in 1965, the record was unavailable for many years before being reissued on compact disc by Atavistic in 2008.
'Marking a transition in its development between the advanced swing of the early Chicago-era recordings and the increased free-form experimentation of its New York tenure, this album also reveals the first recorded versions of two Ra standards, "Friendly Galaxy" and "Love in Outer Space." Accessible, yet segueing into vanguard territory, this album highlights a fertile period in the Arkestra's history. Looser and more aggressive than its Chicago recordings, these pieces find the Arkestra pushing at the limits of harmony and tonality.' Troy Collins
When Sun Comes Out is an album by the American Jazz musician Sun Ra and his Myth Science Arkestra. The album was originally released on Ra's own record label, Saturn, in 1963, and was the fifth album by the Arkestra to be put out, after Jazz by Sun Ra (1957), Super-Sonic Jazz, Jazz in Silhouette (1959) and The Futuristic Sounds of Sun Ra (1961). The album was the first Saturn release to be taken from recordings made at the Choreographer's Workshop, New York. Other albums recorded there include Art Forms of Dimensions Tomorrow, Bad and Beautiful, Cosmic Tones for Mental Therapy and Other Planes of There.
'The New York period saw Ra focusing far more on percussion backdrops as opposed to horn arrangements, and everything from the percussion to the horn solos to Ra's piano playing took a more aggressive stance. John Gilmore's tenor solo on "Calling Planet Earth" throws the bop rule book out the window, and he is heard developing a more extended vocabulary of skronks and squeals. This track exemplifies the change in sound and focus from the Chicago days.... When Sun Comes Out is a first glimpse into an era that would culminate in some of the Arkestra's most renowned recordings.' Sean Westergaard
When Angels Speak of Love is a music album by the American Jazz musician Sun Ra and his Myth Science Arkestra. Originally released in 1966 on Sun Ra's own Saturn label, the record would have only been available by mail order or sold at Arkestra concerts, and is one of the rarest of all Saturn releases. The record was reissued on compact disc by Evidence in 2000.
Cosmic Tones for Mental Therapy is an album by the American Jazz musician Sun Ra and his Myth Science Arkestra. Recorded in 1963, but not released until 1967 on Sun Ra's own Saturn label, the record has become one of the most discussed of Ra's New York recordings. The record was reissued on compact disc by Evidence in 2000.
Other Planes of There is an album by the American Jazz musician Sun Ra and his Solar Arkestra. Recorded in 1964, the album had been released by 1966 on Sun Ra's own Saturn label. The record was reissued on compact disc by Evidence in 1992.
'Granted, the selection is certainly not as abrasive and demanding as later efforts, although there is strident involvement from everyone within the dense arrangement. The brass and reed sections provide emphasis behind an off-kilter and loping waltz backdrop. All the more impressive is how well the material has held up over the decades. Even to seasoned ears, the music is pungent and uninhibited, making Other Planes of There a highly recommended collection.' Lindsay Planer
Strange Strings is an album by the American Jazz musician Sun Ra and his Astro Infinity Arkestra. Recorded in 1966, the album was released by 1967 on Sun Ra's own Saturn label. The record was reissued on compact disc by Atavistic in 2007.
Strange Strings is a somewhat legendary album from the mid-'60s. "Worlds Approaching" is a great tune, anchored by a bass ostinato and timpani and featuring several fantastic solos... Off and on throughout the tune, Bugs Hunter applies near-lethal doses of reverb, giving the piece a very odd but interesting sound. "Strange Strings" is one of those songs that is likely to inspire some sort of "you call that music?" comment from your grandmother, or even from open-minded friends. It sounds like they raided the local pawnshop for anything with strings on it, then passed them out to the bandmembers. It's difficult to tell if some of these instruments have been prepared in some way, or if they're simply being played by untutored hands. There are also lots of drums and some viola playing from Ronnie Boykins that is also treated heavily with reverb. Despite the cacophony, there is a definite ebb and flow to the piece and what seem like different movements or themes. Whatever you think of the music contained, there's no denying that it produced some of the most remarkable sounds of the mid-'60s. If you don't like "out," stay clear of this one.' Sean Westergaard
Nothing Is is a live album by the American composer, bandleader and keyboardist Sun Ra, recorded in 1966 and released on the ESP-Disk label in 1970. In 2010 ESP-Disk released an expanded 2CD edition, restoring the full concert on disc one and adding part of the second set and some tracks from the sound check on disc two.
Pathways to Unknown Worlds is an album by jazz composer, bandleader and keyboardist Sun Ra and his Arkestra recorded in Chicago in 1973 and originally released on his Saturn label and rereleased by the ABC/Impulse! label in 1975. In 2000, Evidence Music released Pathways to Unknown Worlds + Friendly Love, added an untitled track from the same sessions as well as the previously unreleased Friendly Love album.
It's After the End of the World is a live album by American composer, bandleader and keyboardist Sun Ra recorded in 1970 in Donaueschingen and Berlin and released on the MPS label in 1970. The complete concerts were released in 1998 as a 2-CD set entitled Black Myth/Out in Space.
In the Beginning 1963–1964 is a 4-CD compilation album by American free jazz saxophonist Pharoah Sanders recorded in 1963-1964 and released in 2012 on the ESP-Disk label. It features previously-unreleased recordings of Sanders performing with groups led by Don Cherry and Paul Bley, complete concert recordings of Sanders' appearances with Sun Ra, a re-release of Sanders' first album, and various interviews.
