Quality Time (album)

Last updated

Quality Time
Whitehouse - Quality Time.jpg
Studio album by
ReleasedNovember 1995
Recordedat Electrical Audio, Chicago, Illinois, U.S.
Genre Power electronics, noise, avant-garde, dark ambient
Length32:49
Label Susan Lawly
Producer Whitehouse, Steve Albini
Whitehouse chronology
Halogen
(1994)
Quality Time
(1995)
Mummy and Daddy
(1998)
Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [1]
Brainwashed Positive [2]

Quality Time is the fourteenth studio album by power electronics band Whitehouse, released in 1995 through their Susan Lawly label. The cover art was illustrated by Trevor Brown, who made artwork for the band's previous album, Halogen , and their 1991 album, Twice Is Not Enough . The album was reissued on vinyl format in 2009 through Very Friendly.

Contents

The track "Baby" is composed solely of samples of baby noises. When Quality Time was uploaded to the music sharing website MP3.com, the track stirred controversy within the website's community, with users calling the band "extremely pretentious" and the track "one of the worst forms of electronic creations [they'd] ever heard". [3]

Track listing

No.TitleWriter(s)Length
1."Told"William Bennett, Peter Sotos 4:46
2."Quality Time"Bennett, Sotos10:01
3."Baby"Bennett2:58
4."Execution" Philip Best 5:19
5."Just Like A Cunt (PB Vocal Version)"Bennett6:05
6."Once And For All"Bennett3:40

Personnel

Related Research Articles

<span class="mw-page-title-main">Whitehouse (band)</span> British power electronics band

Whitehouse were an English noise music band formed in 1980. The group is largely credited for the founding of the power electronics genre. Whitehouse was founded and ended as a duo consisting of electronics player Philip Best and vocalist William Bennett, however the group is perhaps best–recognized for their 20-year-tenure as a three-piece with synthist Peter Sotos as a member, who joined the band in 1983 and left in 2003.

<i>Godsmack</i> (album) 1998 studio album by Godsmack

Godsmack is the major label debut album by American rock band Godsmack. It was released by Republic Records and Universal Records on August 25, 1998. The album's recording was initially paid for by the band, at a cost of $2,600, at New Alliance Studios in Boston, and released through the band's own record label E. K. Records Company under the title All Wound Up... in February 1997. When the band was signed to Republic/Universal in June 1998, All Wound Up... was partly edited and remixed, fully remastered at Sterling Sound in New York, and given a new artwork and layout before being re-released.

<i>The Big Come Up</i> 2002 studio album by The Black Keys

The Big Come Up is the debut studio album by the American rock duo the Black Keys, released on May 14, 2002, on Alive Records.

<i>Tin Machine II</i> 1991 studio album by Tin Machine

Tin Machine II is the second and final studio album by the Anglo-American rock group Tin Machine, released on 2 September 1991 through Victory Music. The band, composed of David Bowie, Reeves Gabrels on guitar and brothers Tony Fox and Hunt Sales on bass and drums, respectively, recorded it in Sydney, Australia in late 1989 at the conclusion of the Tin Machine Tour. After Bowie completed his solo Sound+Vision Tour in late 1990, recording resumed in Los Angeles, California until March 1991. The production was handled by Tin Machine and Tim Palmer, who produced their debut studio album (1989), with additional production by Hugh Padgham on "One Shot". While the album musically retains a hard rock sound, the songs are more melodic compared to its predecessor, with lyrics focusing on love.

<i>Medazzaland</i> 1997 studio album by Duran Duran

Medazzaland is the ninth studio album by the English pop rock band Duran Duran. It was released on 14 October 1997 by Capitol Records solely in North America, Latin America and Japan. It reached number 58 on the Billboard 200 and number 66 on RPM's albums chart.

<i>Volume 1</i> (CKY album) 1999 studio album by CKY

Volume 1 is the debut studio album by American rock band CKY. Recorded at The Ground Hog Studios in Holland, Pennsylvania, it was produced, engineered and mixed by guitarist Chad I Ginsburg, and originally released on February 27, 1999, by Distant Recordings and Teil Martin International. Since its initial release under the title Camp Kill Yourself, the album has been reissued a number of times by various record labels with different titles and album covers.

<i>New Britain</i> (album) 1982 studio album by Whitehouse

New Britain is the sixth album by Whitehouse released in 1982 by Come Organisation. Much like its title, interior artwork, and lyrical themes suggest, the album mostly deals with the subject of fascism. The album was initially released on vinyl formats, limited to only 500 copies. It was reissued on compact disc in 1996 through Susan Lawly.

<i>Artwork</i> (album) 2009 studio album by The Used

Artwork is the fourth studio album by American rock band the Used, released through Reprise in the United States and the United Kingdom on August 31, 2009.

<i>Welcome to the Masquerade</i> 2009 studio album by Thousand Foot Krutch

Welcome to the Masquerade is the fifth studio album by Canadian Christian rock band Thousand Foot Krutch. Released on September 8, 2009 by Tooth & Nail Records, the album entered the Billboard 200 at No. 35 and the Christian Album charts at No. 2. Before its release, band frontman Trevor McNevan stated that "the new record is definitely more aggressive. In some areas, it's the heaviest we've ever been."

<i>The King of Limbs: Live from the Basement</i> 2011 video by Radiohead

The King of Limbs: Live from the Basement is a 2011 live video album by the English rock band Radiohead, comprising songs their eighth album, The King of Limbs (2011). It was Radiohead's second performance for the series From the Basement, following In Rainbows – From the Basement (2008). Radiohead's producer, Nigel Godrich, described it as an effort to record a different version of TheKing of Limbs and show it in a "different light".

<i>Total Sex</i> 1980 studio album by Whitehouse

Total Sex is the second full-length studio album by power electronics band Whitehouse, which was released in November 1980 through Come Organisation, only a few months after the band's debut, Birthdeath Experience. The album was reissued twice, first on CD in 1994 through Susan Lawly, and again in 2008 on double vinyl format through Very Friendly. The original release was limited to 1,200 copies on vinyl, the first pressing consisted of 800 copies, the second consisted of 400 copies on translucent green vinyl.

<i>Erector</i> (album) 1981 studio album by Whitehouse

Erector is the third full-length studio album by power electronics band Whitehouse, released in February 1981 through Come Organization. The record was reissued twice: once in 1995 on CD through Susan Lawly, and again in 2008 on vinyl through Very Friendly.

<i>Cruise</i> (Whitehouse album) 2001 studio album by Whitehouse

Cruise is the sixteenth studio album by power electronics band Whitehouse, released in 2001 through the band's Susan Lawly label. The album was reissued on double vinyl format through Very Friendly in 2007, and was the first of a series of limited edition vinyl reissues of the band's catalog.

<i>Great White Death</i> (album) 1985 studio album by Whitehouse

Great White Death is the ninth studio album by power electronics band Whitehouse, released in February 1985. It was the last Whitehouse record to be released through Come Organization, a label which dissolved after the band went on hiatus after the record's release. The album was reissued on CD format in 1991 through the band's new label, Susan Lawly. A special edition was issued in 1997 which came with a bonus track, an extended version of the song "My Cock Is On Fire". In 2010, a vinyl reissue of the album was released through Very Friendly.

<i>Thank Your Lucky Stars</i> (Whitehouse album) 1990 studio album by Whitehouse

Thank Your Lucky Stars is the tenth studio album by power electronics band Whitehouse, released in 1990 through the newly formed Susan Lawly label. Recorded in September 1988, it was the group's first studio album after a period of inactivity during the later half of the 1980s and the first to feature contributions from writer and musician Peter Sotos and production work from Steve Albini. A special edition was issued in 1997 on CD format that contained bonus tracks previously released on other Whitehouse albums and singles.

<i>Twice Is Not Enough</i> 1992 studio album by Whitehouse

Twice Is Not Enough is the eleventh studio album by power electronics band Whitehouse, released in 1991 through Susan Lawly. The album cover, depicting a dog sitting on a bed, was drawn by Trevor Brown, and references multiple different murders performed by serial killers. In 1999, the album was reissued as a special edition CD with bonus tracks, all of which originated from the band's 1992 album Never Forget Death, which was out-of-print by that point in time.

<i>Halogen</i> (album) 1994 studio album by Whitehouse

Halogen CD is the thirteenth studio album by power electronics band Whitehouse, released in April 1994 through their Susan Lawly label. The album's cover was made by artist Trevor Brown, who previously collaborated with the band on their 1991 album Twice Is Not Enough.

<i>Mummy and Daddy</i> 1998 studio album by Whitehouse

Mummy and Daddy is the fifteenth studio album by power electronics band Whitehouse, released in early 1998 through Susan Lawly. The album mostly focuses on domestic violence and is considered by many to be one of the band's darkest recordings. The cover art was illustrated by Trevor Brown, who previously worked with the band for their albums Quality Time, Halogen, and Twice Is Not Enough.

<i>Racket</i> (album) 2007 studio album by Whitehouse

Racket is the nineteenth and final studio album by power electronics band Whitehouse, released on 31 May 2007 through the Susan Lawly label. The album was originally supposed to come out on 13 March of that year, but due to issues with recording, the album's release date was set back by a couple of weeks. Instruments used in the album were synthesizers, the djembe, doundouns, and ksings.

<i>Right to Kill</i> 1983 studio album by Whitehouse

Right to Kill is the eighth studio album by the British power electronics band Whitehouse, released in 1983 through Come Organisation. It was released as a special limited edition album, with only approximately 300 copies made on vinyl formats. Because of this, the recording has never been reissued since, for the band feels that it would be of great importance to "preserve its original intent", although numerous bootleg copies of the album have been made.

References

  1. Ravelin, Antti. "Quality Time - Whitehouse". AllMusic . Retrieved 25 March 2015.
  2. Whitney, Jon. "Whitehouse, Quality Time review". Brainwashed. Archived from the original on 4 March 2016.
  3. "The 'Baby' controversy..." Susan Lawly. Archived from the original on 6 June 2023. Retrieved 4 November 2024.