Ranjan Ghosh | |
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Nationality | Indian |
Occupations |
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Academic work | |
Institutions | University of North Bengal |
Main interests |
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Website | Official website |
Ranjan Ghosh is an Indian academic and thinker who teaches at the Department of English, University of North Bengal, India. His wide-ranging scholarly work spans across the fields of comparative literature, comparative philosophy, philosophy of education, environmental humanities, critical and cultural theory, and Intellectual history. He has been an Alexander von Humboldt Fellow.
Ghosh teaches at the Department of English, University of North Bengal. Prior to that he taught at Darjeeling Government College, West Bengal. [1] He was a University Professor at the Institute of English Studies, University of Wrocław, Poland during 2005–06, and a Professorial Fellow at the Institute for Cultural Studies at the University of Duisburg-Essen, Germany in 2006. [2] He was elected an Alexander von Humboldt Fellow by the Alexander von Humboldt Foundation in November 2006. [3]
He delivered a distinguished lecture series on Plastic hosted by Beijing Language and Culture University, Shenzhen University and Lanzhou University (2021), and a mini seminar series, Plastic Turn, at the Critical Theory Institute, University of California (2018). He was a visiting professor at the Department of English and Culture, University of Eastern Piedmont, Vercelli, Italy (2019); visiting professor at the Department of English, Ashoka University (2019); visiting faculty member of the South Asia Program at Cornell University; visiting professor at the Department of English and American Studies, University of Würzburg, Germany and guest professor at the Siebold Institute of Advanced Studies (2017). [2]
His wide-ranging scholarly work engages with many fields of comparative literature, comparative philosophy, philosophy of education, environmental humanities, critical and cultural theory and intellectual history. His significant work in these areas include: the critically acclaimed Thinking Literature across Continents (2016) that he co-authored with American literary critic J. Hillis Miller, issued by Duke University Press. The book has been cited in numerous essays, journal forums, and reviews. [4] [5] [6] In particular two special numbers on the book were published by CounterText. [7] [8] Subsequently Penn State University's Interdisciplinary Literary Studies also issued a special number of their work, [9] as did Symploke (University of Nebraska Press), [10] College Literature (Johns Hopkins University Press), [11] and Literary Imagination (Oxford University Press). [12]
His works have been published in journals including Critical Inquiry , Diacritics , SubStance , Oxford Literary Review , The Comparatist , Comparative Education Review , Symploke, Canadian Review of Comparative Literature , The Minnesota Review , History and Theory , Modern Language Notes , College Literature, Comparative Literature Studies , Parallax , University of Toronto Quarterly , Angelaki and others. [3] [13]
Ghosh's thinking on historiography and historical theory comes through in his book A Lover's Quarrel with the Past: Romance, Representation, Reading (2012). [14] His book Thinking Literature Across Continents (2016) examines the function of literature and literariness through the transnational and transcultural basis of critical, scholarly, literary, and artistic voices. [15]
Ghosh's work on education resulted in the exploration of Rabindranath Tagore's ideas of education within the framework of transcultural philosophy of education. His book Aesthetics, Politics, Pedagogy and Tagore: A Transcultural Philosophy of Education (2017) offers "a radical rethinking of Indian thinker Rabindranath Tagore, exploring how his philosophy of education relates to the ideas of Western theorists such as Plato, Aristotle, Kant, Hegel, Heidegger, Martin Buber, Derrida, Deleuze, and others". Ghosh has also introduced new conceptual terms of readings in the critical humanities like 'trans(in)fusion approach' (his recent book is called Trans(in)fusion: Reflections for Critical Thinking from New York, 2020), 'trans-habit' in literary studies (his book Transcultural Poetics and the Concept of the Poet from New York, 2017), and very recently Plastic literature, Plastic Turn and others. [16]
Ghosh is currently the co-editor with Emelia Quinn of the English Association's journal Yearbook on Critical and Cultural Theory published by Oxford University Press. [17]
Comparative literature studies is an academic field dealing with the study of literature and cultural expression across linguistic, national, geographic, and disciplinary boundaries. Comparative literature "performs a role similar to that of the study of international relations but works with languages and artistic traditions, so as to understand cultures 'from the inside'". While most frequently practised with works of different languages, comparative literature may also be performed on works of the same language if the works originate from different nations or cultures in which that language is spoken.
Joseph Hillis Miller Jr. was an American literary critic and scholar who advanced theories of literary deconstruction. He was part of the Yale School along with scholars including Paul de Man, Jacques Derrida, and Geoffrey Hartman, who advocated deconstruction as an analytical means by which the relationship between literary text and the associated meaning could be analyzed. Through his career, Miller was associated with the Johns Hopkins University, Yale University, and University of California, Irvine, and wrote over 50 books studying a wide range of American and British literature using principles of deconstruction.
Kallol refers to one of the most influential literary movements in Bengali literature, which can be placed approximately between 1923 and 1935. The name Kallol of the Kallol group derives from a magazine of the same name. Kallol was the main mouthpiece for a group of young writers starting their careers around that time including Premendra Mitra, Kazi Nazrul Islam, and Buddhadeb Basu. A number of other magazines that followed Kallol can also be placed as part of the general movement. These include Uttara (1925), Pragati (1926), Kalikolom (1926), and Purbasha (1932).
Supriya Chaudhuri is an Indian scholar of English literature. She is Professor Emerita at Kolkata's Jadavpur University.
Brian Kim Stefans is an American poet known for his work in experimental poetry and electronic literature. He is a professor of poetry, new media and screenplay studies in the English department of UCLA.
Santidev Ghose was an Indian author, singer, actor, dancer and maestro of Rabindra Sangeet.
Rita Felski is an academic and critic, who holds the John Stewart Bryan Professorship of English at the University of Virginia and is a former editor of New Literary History. She is also Niels Bohr Professor at the University of Southern Denmark (2016–2021).
Ananta Charan Sukla was an Indian scholar of comparative literature, literary criticism, aesthetics, philosophy, and art history. He was the Founding Editor of Journal of Comparative Literature and Aesthetics and edited and published the journal for over 40 years. He specialized in comparative aesthetics, literary theory, philosophy of art, philosophy of literature, religion, mythology, and cultural studies. He was a professor of English and Comparative Literature at Sambalpur University, Sambalpur, Odisha.
Jeffrey R. Di Leo is a Professor of English and Philosophy at the University of Houston–Victoria. He is editor and founder of the critical theory journal symplokē, editor-in-chief of the American Book Review, and Executive Director of the Society for Critical Exchange and its Winter Theory Institute.
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Tom Dana Cohen is an American media and cultural theorist, currently a professor at the University at Albany, State University of New York. He has published books on film studies, comparative literature, theory, cultural studies, Alfred Hitchcock, and Paul de Man. Cohen has also published broadly on American authors and ideology, including Edgar Allan Poe, Walt Whitman, Mikhail Bakhtin, William Faulkner and pragmatism, as well as on Alfred Hitchcock, Greek philosophy and continental philosophy.
William Franke is an American academic and philosopher, professor of Comparative Literature at Vanderbilt University. A main exposition of his philosophical thinking is A Philosophy of the Unsayable (2014), a book which dwells on the limits of language in order to open thought to the inconceivable. On this basis, the discourses of myth, mysticism, metaphysics, and the arts take on new and previously unsuspected types of meaning. This book is the object of a Syndicate Forum and of a collective volume of essays by diverse hands in the series “Palgrave Frontiers in Philosophy of Religion”: Contemporary Debates in Negative Theology and Philosophy. Franke's apophatic philosophy is based on his two-volume On What Cannot Be Said: Apophatic Discourses in Philosophy, Religion, Literature, and the Arts (2007), which reconstructs in the margins of philosophy a counter-tradition to the thought and culture of the Logos. Franke extends this philosophy in an intercultural direction, entering the field of comparative philosophy, with Apophatic Paths from Europe to China: Regions Without Borders. In On the Universality of What is Not: The Apophatic Turn in Critical Thinking, Franke argues for application of apophatic thinking in a variety of fields and across disciplines, from humanities to cognitive science, as key to reaching peaceful mutual understanding in a multicultural world riven by racial and gender conflict, religious antagonisms, and national and regional rivalries.
An Artist in Life is a biography of Rabindranath Tagore first published in 1967 by the University of Kerala. The book, written by Niharranjan Ray took 15 years to research and publish. The biography also presents a critical study of all Tagore's works.
Ming Dong Gu is Katherine R. Cecil Professor in the School of Arts, Humanities, and Technology at the University of Texas at Dallas. He is a Chinese-born scholar of comparative literature and thought. He received his doctorate from the University of Chicago and has taught at various U.S. universities and colleges. He has a wide range of scholarly interests covering English literature, Chinese literature, comparative literature, literary theory, comparative thought East and West, fiction theory, hermeneutics, postcolonial studies, psychoanalytic criticism, and cross-cultural studies.
Subodh Chandra Sengupta was an Indian scholar, academic and critic of English literature, known for his scholarship on Shakespearean works. His books on William Shakespeare, which included Aspects of Shakespearian Tragedy, Shakespearian Comedy and Shakespeare's Historical Plays are critically acclaimed for scholarship and academic rigor. He was a professor in the Department of English Language and Literature at Presidency College, Calcutta, and after retirement from Presidency College, became Professor of English Language and Literature at Jadavpur University, Calcutta, as well as a professor of English literature at Ramakrishna Mission Residential College, Narendrapur, an autonomous college in Greater Calcutta under the University of Calcutta. The Government of India awarded him the third highest civilian honour of the Padma Bhushan, in 1983, for his contributions to literature and education.
Gerald James Larson was an Indologist known for his writings about Indian religions. He was the Rabindranath Tagore Professor Emeritus of Indian Cultures and Civilization at Indiana University, Bloomington as well as Professor Emeritus of Religious Studies at the University of California, Santa Barbara.
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