Reggae Report was a U.S.-based music and culture magazine first published in 1983. The publication offered an abundance of news and information regarding reggae, Caribbean, and world music artists and entertainers, including soca, African, and hip hop. Reggae Report was founded by publisher M. Peggy Quattro and Michael "Zappow" Williams. With combined industry connections and experience that bridged the gap from reggae's beginnings to the artists making the most popular music of the day, Quattro and Williams began Reggae Report to spread the word, educate the fans about its rich history, and bring up-close-and-personal interviews and photographs to a targeted international fan base.
The Miami, Florida-based magazine owed its success to reggae's rising popularity. Its credibility and timeliness resulted in Reggae Report excelling in a market with limited print competition. Its mission was to introduce the music and accompanying culture and lifestyle to a large multi-ethnic US and North American base. The enthusiastic support shown by artists, musicians, and industry professionals in Jamaica, the UK, and the US resulted in increased advertising and distribution, as well as an enthusiastic international subscriber base.
Reggae was still young in the early 1980s, and in the US it was basically undiscovered. [1] By the late '80s, the magazine had achieved regional, national, and international distribution. At its peak, Reggae Report was distributed in 42 countries. Advertisers ranged from record companies and record distributors, to airlines, clothing lines, beverages, food items, restaurants, accessories, and record and gift stores. Its growing popularity brought accolades, articles, and awards, but the dawning of instant Internet news resulted in the publication ceasing its print version. Reggae Report transformed into ReggaeReport.com in 1999 and its online site is active today.
Reggae Report was founded by M. Peggy Quattro, an American reggae fan, writer, and former assistant manager to Bob Marley, Gregory Isaacs, and Jimmy Cliff; and Kingston-born Michael "Zappow" Williams, acclaimed musician, producer, and songwriter, renowned for the band Zap Pow and writing the anthem "This is Reggae Music." In 1983, there wasn't any good press on Reggae, there was no way to get information on the artists—that's where the magazine idea came from—to fill this void. [2] Williams returned to Jamaica in 1985.
Quattro, inspired by the music's spirituality and frustrated that it was misunderstood, [3] continued publishing the magazine, traveling extensively to Jamaica and the Caribbean, as well as to England and major US cities, bringing news to the fans and exposure to the artists. Reggae Report can boast of introducing countless fans to Reggae and functioning as an important source of information. [2]
Reggae Report and M. Peggy Quattro produced the 1986 fan-favorite Small Axe Awards, which showcased performances by the top names in Jamaican Reggae. The publication produced stage and club shows, and promoted events where fans would win prizes, including T-shirts, CDs, and an all-expense-paid trip to Jamaica. "Those fans were supportive and kept me going, because it certainly hasn't been the money," says Quattro. [2] In addition to magazines, Reggae Report also produced annual calendars with artists' photos, birthdays, and events, and a variety of Reggae Report T-shirts and beach bags.
In 1998, after declining sales, brought on by the entrance of the World Wide Web, Quattro closed down the print version and began ReggaeReport.com in 1999. In 2010, plans began to institute the Reggae Report Archive. This online, digital 30 year collection of magazines, photographs, video, audio, and interesting memorabilia documents the history of reggae from the late 1970s to the end of the '90s. Articles, photos, video, and more from 2000 to 2010 are also available.
The magazine covered multiple reggae styles, including Lovers Rock, Roots & Culture, Rock Steady, Ska, Dub, and Dancehall. In the mid-'80s, Reggae Report took a stand against 'slackness,' a form of Dancehall that was raunchy and out of sync with Roots Rock Reggae. "We didn't endorse it or support it," says Quattro [4] The magazine's regular featured segments included articles, interviews, event and CD reviews. Departments included Yard Report, USA Reggae, Fresh on de Scene, New Releases, International Top 10 Charts, World a'Reggae, International Reggae, Poetry, Did U Knows, So Jah Seh, and So Dem Seh (Letters to the Editor.) Other content included discographies and retrospectives.
Reggae Report produced annual special issues, such as Dancehall Rules!, Roots and Culture, and the annual Bob Marley Tribute issue. [5] In addition, there were specials, such as Women in Reggae, the UK Special, and a New York Special. Peter Tosh, Lucky Dube, Third World, Ziggy Marley, and Jimmy Cliff were popular cover features. Fan favorites covered include Maxi Priest, UB40, Toots and the Maytals, Steel Pulse, Buju Banton, Garnett Silk, Aswad, Shaggy, Stephen and Damian Marley, Black Uhuru, Sugar Minott, Dennis Brown, Gregory Isaacs, Burning Spear, Culture, Marcia Griffiths, Diana King, and Pato Banton. Bob Marley's Manager Don Taylor stated, "She's done a lot for Reggae music. Some of [those acts] depend on her for the only magazine exposure they'll get." [3]
Many of today's successful writers and photographers began at Reggae Report and contributed over the years. Writers include Sara Gurgen (Editor), Patricia Meschino, Lee O'Neill, Cynthia Wegmann, Howard Campbell, Amy Wachtel, Ryan MacMichael, and Shelah Moody. Photographers include Lee Abel, Jan Salzman, Thor Olson, Maverick, Tim Barrow, and Barbara Reuther.
For Best Reggae Magazine:
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Reggae is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, especially the New Orleans R&B practiced by Fats Domino and Allen Toussaint, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. Reggae spread into a commercialized jazz field, being known first as "rudie blues", then "ska", later "blue beat", and "rock steady". It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.
Raggamuffin music, usually abbreviated as ragga, is a subgenre of dancehall and reggae music. The instrumentals primarily consist of electronic music. Similar to hip hop, sampling often serves a prominent role in raggamuffin music.
In Jamaican music, a deejay (DJ) is a reggae or dancehall musician who sings and "toasts" to an instrumental riddim.
Mark Anthony Myrie, professionally known by his stage name Buju Banton, is a Jamaican reggae dancehall recording artist. He is widely considered one of the most significant and well-regarded artists in Jamaican music. Banton has collaborated with many international artists, including those in the hip hop, Latin and punk rock genres, as well as the sons of Bob Marley.
Roots reggae is a subgenre of reggae that deals with the everyday lives and aspirations of Africans and those in the African Diaspora, including the spiritual side of Rastafari, black liberation, revolution and the honoring of God, called Jah by Rastafarians. It is identified with the life of the ghetto sufferer, and the rural poor. Lyrical themes include spirituality and religion, struggles by artists, poverty, black pride, social issues, resistance to fascism, capitalism, corrupt government and racial oppression. A spiritual repatriation to Africa is a common theme in roots reggae.
The music of Jamaica includes Jamaican folk music and many popular genres, such as mento, ska, rocksteady, reggae, dub music, dancehall, reggae fusion and related styles.
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s. In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals.
Errol Thompson, better known as "ET", was a record producer, audio engineer, and one of the first studio engineers to be involved in dub music.
Heartbeat Records is an independent record label based in Burlington, Massachusetts. The label specializes in Jamaican music.
Reggae Sunsplash is a reggae music festival first staged in 1978 in the northern part of Jamaica. In 1985 it expanded with the addition of an international touring festival. The festival ran annually until 1996, with a final event in 1998, before it was revived in 2006, then returned for a Virtual Staging in 2020.
VP Records is an independent Caribbean-owned record label in Queens, New York. The label is known for releasing music by notable artists in reggae, dancehall and soca.
Reggae fusion is a fusion genre of reggae that mixes reggae or dancehall with other genres, such as pop, rock, R&B, jazz and drum and bass.
John Masouri is a journalist, reviewer, contributor and author for reggae music and several of its musical offshoots including dub, roots and dancehall. He was born in 1953 in Nottingham, England. According to The Caribbean American News, who conducted an interview with him that was published 5 March 2013, he was born to a working-class family. Between 1964 and 1969 he attended Carlton-Le-Willows Grammar School. His love of music flourished during this period and would encompass rock, blues, soul, folk and Blue Beat, which he discovered during visits to illicit house parties known as "blues" or "shubeens", in an area of Nottingham called the Meadows.
Reggae en Español is reggae music recorded in the Spanish language by artists of Latin American origin. It originated in the mid-1970s in Panama. Reggae en Español goes by several names: In Panama it is called La Plena.
Dwight Pinkney OD, also known as Brother Dee, is a Jamaican guitarist best known for his work as a session musician and as a member of Zap Pow and the Roots Radics, who since 1999 has recorded as a solo artist.
Fox Fuse is a leading digital music label for Caribbean music and is the largest label worldwide for soca and chutney music. Based in Tampa, Florida, Fox Fuse has built a strong reputation working with superstar clients such as Pitbull, Lil Jon and Shaggy, and has some of the top performers and producers in Caribbean music exclusively-signed to its roster.
Zimdancehall is a subgenre of reggae/dancehall music from Zimbabwe.
The 9 Mile Music Festival, also known as the Bob Marley Festival, Bob Fest, Marley Fest and Caribbean Festival, is an annual music event which began in 1993 in Miami. 9 Mile was pioneered by Bob Marley's mother, Cedella Marley Booker, to pay tribute to the legacy of her late son, and his messages of peace, love and unity. The festival maintains a tradition of collecting canned goods upon admission, to continue efforts to give back to the community. Donations go towards feeding the less fortunate in South Florida and the Caribbean. Over 2 million cans have been donated over the years.