Rendezvous in Space | |
---|---|
Directed by | Frank Capra |
Produced by | Frank Capra |
Starring | Danny Thomas Mel Blanc June Foray Alan Reed Doodles Weaver Sid Melton Charles Lane |
Distributed by | Paramount Pictures |
Release date | September 10, 1964 |
Running time | 19 minutes |
Rendezvous in Space is a 1964 documentary film about the future of space exploration, directed by Frank Capra. It is notable for being the final film that Frank Capra directed. The film was funded by Martin Marietta and was shown at the Hall of Science Pavilion of the 1964-1965 New York World's Fair. Animated sections illustrate the invention of gunpowder, a space shuttle resupplying a space station, and the problems to be overcome living for long periods in space. [1] [2]
Frank Russell Capra was an Italian-American film director, producer, and screenwriter who became the creative force behind some of the major award-winning films of the 1930s and 1940s. Born in Italy and raised in Los Angeles from the age of five, his rags-to-riches story has led film historians such as Ian Freer to consider him the "American Dream personified".
Why We Fight is a series of seven propaganda films produced by the US Department of War from 1942 to 1945, during World War II. It was originally written for American soldiers to help them understand why the United States was involved in the war, but US President Franklin Roosevelt ordered distribution for public viewing.
It's a Wonderful Life is a 1946 American Christmas supernatural drama film produced and directed by Frank Capra. It is based on the short story and booklet The Greatest Gift self-published by Philip Van Doren Stern in 1943, which itself is loosely based on the 1843 Charles Dickens novella A Christmas Carol. The film stars James Stewart as George Bailey, a man who has given up his personal dreams in order to help others in his community and whose thoughts of suicide on Christmas Eve bring about the intervention of his guardian angel, Clarence Odbody. Clarence shows George all the lives he touched and what the world would be like if he did not exist.
Mr. Deeds Goes to Town is a 1936 American comedy-drama romance film directed by Frank Capra and starring Gary Cooper and Jean Arthur in her first featured role. Based on the 1935 short story "Opera Hat" by Clarence Budington Kelland, which appeared in serial form in The American Magazine, the screenplay was written by Robert Riskin in his fifth collaboration with Frank Capra.
The 1964–1965 New York World's Fair was a world's fair that held over 140 pavilions and 110 restaurants, representing 80 nations, 24 US states, and over 45 corporations with the goal and the final result of building exhibits or attractions at Flushing Meadows–Corona Park in Queens, New York City. The immense fair covered 646 acres (2.61 km2) on half the park, with numerous pools or fountains, and an amusement park with rides near the lake. However, the fair did not receive official support or approval from the Bureau of International Expositions (BIE).
Pocketful of Miracles is a 1961 American comedy film starring Glenn Ford and Bette Davis, produced and directed by Frank Capra, filmed in Panavision. The screenplay by Hal Kanter and Harry Tugend was based on Robert Riskin's screenplay for the 1933 film Lady for a Day, which was adapted from the 1929 Damon Runyon short story "Madame La Gimp". That original 1933 film was also directed by Capra—one of two films that he originally directed and later remade, the other being Broadway Bill (1934) and its remake Riding High (1950).
Meet John Doe is a 1941 American comedy-drama film directed and produced by Frank Capra, written by Robert Riskin, and starring Gary Cooper and Barbara Stanwyck. The film is about a "grassroots" political campaign created unwittingly by a newspaper columnist with the involvement of a hired homeless man and pursued by the paper's wealthy owner. It became a box-office hit and was nominated for an Academy Award for Best Story. It was ranked No. 49 in AFI's 100 Years ... 100 Cheers. In 1969, the film entered the public domain in the United States because the claimants did not renew its copyright registration in the 28th year after publication. It was the first of two features Capra made for Warner Brothers, after he left Columbia Pictures, the other being Arsenic and Old Lace (1944).
Robert Riskin was an American screenwriter. He is best known for his collaborations with Frank Capra.
The Bitter Tea of General Yen is a 1933 American pre-Code drama war film directed by Frank Capra and starring Barbara Stanwyck, and featuring Nils Asther and Walter Connolly. Based on the 1930 novel of the same name by Grace Zaring Stone, the film is about an American missionary in Shanghai during the Chinese Civil War who gets caught in a battle while trying to save a group of orphans. Knocked unconscious, she is saved by a Chinese general warlord who brings her to his palace. When the general falls in love with the naive young woman, she fights her attraction to the powerful general and resists his flirtation, yet remains at his side when his fortune turns.
Circus World is a 1964 American Drama Western film starring John Wayne, Claudia Cardinale and Rita Hayworth. It was directed by Henry Hathaway and produced by Samuel Bronston, with a screenplay by Ben Hecht, Julian Zimet, and James Edward Grant, from a story by Bernard Gordon and Nicholas Ray.
Liberty Films was an independent motion picture production company founded in California by Frank Capra and Samuel J. Briskin in April 1945. It produced only two films, the Christmas classic It's a Wonderful Life (1946), originally released by RKO Radio Pictures, and the film version of the hit play State of the Union (1948), originally released by Metro-Goldwyn-Mayer. Liberty Films' logo was the Liberty Bell ringing loudly.
For the Love of Mike is a 1927 American silent romantic drama film. Directed by Frank Capra, it starred Claudette Colbert and Ben Lyon. It is now considered to be a lost film.
The Bell System Science Series consists of nine television specials made for the AT&T Corporation that were originally broadcast in color between 1956 and 1964. Marcel LaFollette has described them as "specials that combined clever story lines, sophisticated animation, veteran character actors, films of natural phenomena, interviews with scientists, and precise explanation of scientific and technical concepts—all in the pursuit of better public understanding of science." Geoff Alexander and Rick Prelinger have described the films as "among the best known and remembered educational films ever made, and enthroning Dr. Frank Baxter, professor at the University of Southern California, as something of a legend as the omniscient king of academic science films hosts."
You Can't Take It with You is a 1938 American romantic comedy film directed by Frank Capra and starring Jean Arthur, Lionel Barrymore, James Stewart, and Edward Arnold. Adapted by Robert Riskin from the Pulitzer Prize-winning 1936 play of the same name by George S. Kaufman and Moss Hart, the film is about a man from a family of rich snobs who becomes engaged to a woman from a good-natured, but decidedly eccentric family.
Myles Connolly was an American writer and a Hollywood screenwriter/producer.
Fultah Fisher's Boarding House is a 1922 American silent film short and the first film directed by Frank Capra. Based on a poem by Rudyard Kipling, the film is about a prostitute living at a boarding house who provokes a fight that leads to the death of a sailor.
Ladies of Leisure is a 1930 American pre-Code romantic drama film directed by Frank Capra and starring Barbara Stanwyck and Ralph Graves. The screenplay by Jo Swerling is based on the 1924 play Ladies of the Evening by Milton Herbert Gropper, which ran for 159 performances on Broadway.
Frank P. Keller was an American film and television editor with 24 feature film credits from 1958 - 1977. He is noted for the series of films he edited with director Peter Yates, for his four nominations for the Academy Award for Best Film Editing ("Oscars"), and for the "revolutionary" car chase sequence in the film Bullitt (1968) that likely won him the editing Oscar.
Anthony Veiller was an American screenwriter and film producer. He wrote for 41 films between 1934 and 1964.
A list of books and essays about Frank Capra: