$5 million ($51million in 2023 dollars) $2.5 million (US/Canada)[1]
Pocketful of Miracles is a 1961 American comedy film starring Glenn Ford and Bette Davis, produced and directed by Frank Capra, filmed in Panavision. The screenplay by Hal Kanter and Harry Tugend was based on Robert Riskin's screenplay for the 1933 film Lady for a Day, which was adapted from the 1929 Damon Runyon short story "Madame La Gimp". That original 1933 film was also directed by Capra—one of two films that he originally directed and later remade, the other being Broadway Bill (1934) and its remake Riding High (1950).
"Dave the Dude", a very successful New York City gangster, has one superstition: he believes that the apples he buys from alcoholic street peddler Apple Annie bring him luck. Annie assures the Dude that his latest purchase is especially lucky. He then meets Elizabeth "Queenie" Martin, the daughter of a friend and speakeasy owner recently murdered for owing a lot of money to the wrong people. Queenie offers to pay him $5 a week from her cashier's salary toward the $20,000 owed him. Instead, trusting Annie's claim, he decides to make Queenie a nightclub star. To the astonishment of his right-hand man, "Joy Boy", he succeeds, and Queenie is able to pay off all her father's creditors after two years, just as Prohibition ends.
Dave has an important meeting with a very powerful underworld boss from Chicago, Steve Darcey, aka "Mr. Big". Darcey is debating whether to allow Dave to control the New York territory in exchange for $50,000 "as a token of good faith." Dave counters by demanding $100,000 "as a token of your good faith."
Meanwhile, Annie has an illegitimate daughter named Louise, whom she sent to Europe as a baby. In her letters to Louise, she masquerades as wealthy socialite Mrs. E. Worthington Manville, sending Louise money she gets from the Dude and various "godparents" (her fellow beggars and panhandlers). Louise, now grown up, is bringing her Spanish fiancé Carlos and his father, Count Alfonso Romero, to meet her. Annie has been pretending she resides in a luxurious hotel (writing her letters on stolen hotel stationery) and has Louise's letters mailed there intercepted for her by an employee. However, the employee is fired when this is found out.
Dave's girlfriend Queenie insists he help Annie continue her charade. Dave reluctantly goes along, worried that his luck would run out otherwise. Queenie has the bedraggled Annie made up to look like a sophisticated socialite, while Dave borrows an out-of-town friend's luxurious penthouse suite, complete with Hudgins the butler, and arranges for cultured pool hustler "Judge" Henry G. Blake to pose as Annie's husband.
When Dave keeps postponing finalizing the deal with Mr. Big to help Annie, Joy Boy becomes increasingly exasperated and frightened. Dave manages to engineer a lavish reception, with New York's mayor and governor as guests, the night before Louise and her impressed future husband and father-in-law sail back to Europe, none the wiser about her mother's real identity. Mr. Big agrees to the Dude's terms, but the Dude decides to marry Queenie and settle down.
Frank Capra had directed Lady for a Day in 1933, and for years, he had wanted to film a remake, but executives at Columbia Pictures, which owned the screen rights, felt the original story was too old-fashioned. In the mid-1950s, when Hal Wallis offered to buy it as a Paramount Pictures vehicle for Shirley Booth, Columbia head Harry Cohn decided to offer it to Capra instead, hoping he could lure Booth to his studio. Unable to persuade either Abe Burrows or Garson Kanin to update the plot, Capra began working on the screenplay himself. His modern version, which involved Korean War orphans and an apple farm in Oregon, was filled with Cold War rhetoric and retitled Ride the Pink Cloud. Cohn insisted Capra find a collaborator, but he thought the draft submitted by Harry Tugend was no better, and he dropped the project.[2]
In 1960, Capra bought the screen rights from Columbia for $225,000,[3] and the director made a deal with United Artists, where it was decided to film the story as a period piece set in the 1930s. Capra originally cast Frank Sinatra as Dave the Dude, but the actor walked out due to disagreements about the script. Kirk Douglas, Dean Martin and Jackie Gleason rejected the role. Then Glenn Ford approached Capra with an offer to help finance the film through his production company if he were cast as the lead. The director felt Ford was wrong for the part, but out of desperation, he agreed to the arrangement, which called for each of them to receive 37½ percent of the film's profits. Ford was paid $350,000 upfront, but Capra received only $200,000. Because the film never earned back its cost, he lost an additional $50,000 in deferred salary.[2]
Hope Lange as Queenie Martin
Budgeted at $2.9 million, the film began principal photography on April 20, 1961.[2] Cast as Apple Annie was Bette Davis, who accepted the role after Shirley Booth, Helen Hayes, Katharine Hepburn, and Jean Arthur declined it. Davis was undergoing financial difficulties, and the need for the $100,000 paycheck overshadowed her concern about making her Hollywood comeback (her last American film had been Storm Center in 1956) in the role of an elderly woman.[2][4] From the beginning, she clashed with co-star Glenn Ford, who had demanded Hope Lange, his girlfriend at the time, be given the dressing room adjacent to his, which Davis had already been assigned. Davis graciously insisted any dressing room she was given would be adequate, noting "Dressing rooms have never been responsible for the success of a film."[3] Despite her effort to avoid an unpleasant situation, Davis was given the room Lange had wanted, and from then on Ford began treating her like a supporting player. In an interview, he suggested he was so grateful to Davis for the support she had given him during the filming of A Stolen Life in 1946, he had insisted she be cast as Apple Annie in order to revive her sagging career, a condescending remark Davis never forgot or forgave.[3][4]
Because of Ford's involvement with the financing of the film, Capra refused to intervene in any of the disagreements between the two stars, but he suffered blinding and frequently incapacitating headaches as a result of the stress.
Filming was completed in late June 1961, and Capra painfully struggled to get through the post-production period.[2][3][4] Upon its completion, he professed to prefer the remake to the original, although most critics, and in later years film historians and movie buffs, disagreed with his assessment.[2]
Reception
Motion Picture Herald covered the preview and gave the film good marks, with the review headline "Pocketful of Dollars" predicting an excellent box office performance. Boxoffice confirmed that the film "ranked in the top hit class by exhibitors in the 20 key cities across the nation."[6] The critic for The Hollywood Reporter also looked upon the film favorably, calling it "a Christmas sockful of joy, funny, sentimental, romantic [and] frankly capricious."[2]
Other reviewers were more guarded. In The New York Times, A.H. Weiler noted: "Mr. Capra and his energetic troupe manage to get a fair share of laughs from Mr. Runyon's oddball guys and dolls, but their lampoon is dated and sometimes uneven and listless...Repetition and a world faced by grimmer problems seem to have been excessively tough competition for this plot."[2]Variety thought the plot "alternates uneasily between wit and sentiment" and added "The picture seems too long, considering that there's never any doubt as to the outcome, and it's also too lethargic, but there are sporadic compensations of line and situation that reward the patience. Fortunately Capra has assembled some of Hollywood's outstanding character players for the chore...The best lines in the picture go to Peter Falk...[who] just about walks off with the film when he's on."[7] Veteran publisher Pete Harrison classed the film as only "fair," citing the Bette Davis approach to the May Robson portrayal: "The old Robson touch of wistful poignancy to the role is missing. Miss Davis' sharp, clipped, almost cold delivery gives you the feeling that any minute she'll be calling out to 'Petah.' She fails to beget your sympathy. For all the individual brilliance shown by [the supporting players], this doesn't quite reach its big picture objective. To be sure, it doesn't fail by much."[8] Least impressed was Elaine Rothschild of Films in Review: "This unbelievable and unfunny comedy proves only that director Frank Capra has learned nothing and forgotten nothing in the 28 years that intervened between the two pictures. Pocketful of Miracles is not merely out of whole cloth, but out of date, and watching it is a painful experience."[2]Filmink argued Ann Margret "is sweet in a small but important part, one of the best things about the movie; she certainly made more of an impact than the bloke who plays her fiancee, another 'discovery' Peter Mann."[9]
Exhibitors protested Bette Davis's star billing as they worried it would hurt the box office, and the receipts did fall short of expectations.[10]
"Pocketful of Miracles" Music by Jimmy Van Heusen; Lyrics by Sammy Cahn
Nominated
Home media
MGM Home Entertainment released the film on VHS in 1997 followed by the Region 1 DVD on September 18, 2001. It is in non-anamorphic widescreen format with audio tracks in English and Spanish and subtitles in Spanish and French. It received a US Region A Blu-ray release on November 18, 2014 from Kino Lorber.
Remakes
The film was remade in Persian as Gedayan Tehran (1967), Turkish as Elmacı Kadın (1971). Pocketful of Miracles is the basis for the 1989 Hong Kong film Miracles starring Jackie Chan and Anita Mui, which later was remade as the 2008 Hindi-language Indian film Singh Is Kinng, starring Akshay Kumar and Katrina Kaif.
Frank Russell Capra was an Italian-American film director, producer, and screenwriter who was the creative force behind several major award-winning films of the 1930s and 1940s. Born in Italy and raised in Los Angeles from the age of five, his rags-to-riches story has led film historians such as Ian Freer to consider him the "American Dream personified".
Peter Michael Falk was an American film and television actor, singer and television director and producer. He is best known for his role as Lieutenant Columbo on the NBC/ABC series Columbo, for which he won four Primetime Emmy Awards and a Golden Globe Award (1973). In 1996, TV Guide ranked Falk No. 21 on its 50 Greatest TV Stars of All Time list. He received a posthumous star on the Hollywood Walk of Fame in 2013.
It Happened One Night is a 1934 American pre-Code romantic comedy film with elements of screwball comedy directed and co-produced by Frank Capra, in collaboration with Harry Cohn, in which a pampered socialite tries to get out from under her father's thumb and falls in love with a roguish reporter. The screenplay by Robert Riskin is based on the August 1933 short story "Night Bus" by Samuel Hopkins Adams, which provided the shooting title. Classified as a "pre-Code" production, the film is among the last romantic comedies created before the MPPDA began rigidly enforcing the 1930 Motion Picture Production Code in July 1934. It Happened One Night was released just four months prior to that enforcement.
Lady for a Day is a 1933 American pre-Code comedy-drama film directed by Frank Capra. The screenplay by Robert Riskin is based on the 1929 short story "Madame La Gimp" by Damon Runyon. It was the first film for which Capra received an Academy Award nomination for Best Director and the first Columbia Pictures release to be nominated for Best Picture. Capra also directed its 1961 remake, Pocketful of Miracles.
Dark Victory is a 1939 American melodrama film directed by Edmund Goulding, starring Bette Davis, and featuring George Brent, Humphrey Bogart, Geraldine Fitzgerald, Ronald Reagan, Henry Travers, and Cora Witherspoon. The screenplay by Casey Robinson was based on the 1934 play of the same title by George Brewer and Bertram Bloch, starring Tallulah Bankhead.
Ruth Elizabeth "Bette" Davis was an American actress of film, television, and theater. Regarded as one of the greatest actresses in Hollywood history, she was noted for her willingness to play unsympathetic, sardonic characters and was known for her performances in a range of film genres, from contemporary crime melodramas to historical and period films and occasional comedies, although her greatest successes were her roles in romantic dramas. She won the Academy Award for Best Actress twice, was the first person to accrue ten Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute. In 1999, Davis was placed second on the American Film Institute's list of the greatest female stars of classic Hollywood cinema.
Ann-Margret Olsson, credited as Ann-Margret, is a Swedish actress and singer with a career spanning seven decades. Initially gaining notoriety in 1961 as a singer with a sultry, vibrant contralto voice, she quickly rose to Hollywood stardom.
Gwyllyn Samuel Newton Ford, known as Glenn Ford, was a Canadian-American actor. He was most prominent during Hollywood's Golden Age as one of the biggest box-office draws of the 1940s, 1950s, and 1960s, and had a career that lasted more than 50 years.
A Stolen Life is a 1946 American drama film starring Bette Davis, who also produced it. The film, based on the 1935 novel A Stolen Life by Karel Josef Benes, was directed by Curtis Bernhardt. Among the supporting cast are Glenn Ford, Dane Clark, Peggy Knudsen, Charlie Ruggles, and Bruce Bennett. It is a remake of the 1939 British film Stolen Life starring Elisabeth Bergner and Michael Redgrave.
Robert Riskin was an American screenwriter. He is best known for his collaborations with Frank Capra.
The Bitter Tea of General Yen is a 1933 American pre-Code drama war film directed by Frank Capra and starring Barbara Stanwyck, and featuring Nils Asther and Walter Connolly. Based on the 1930 novel of the same name by Grace Zaring Stone, the film is about an American missionary in Shanghai during the Chinese Civil War who gets caught in a battle while trying to save a group of orphans. Knocked unconscious, she is saved by a Chinese general warlord who brings her to his palace. When the general falls in love with the naive young woman, she fights her attraction to the powerful general and resists his flirtation, yet remains at his side when his fortune turns.
The 12th Academy Awards ceremony, held on February 29, 1940, by the Academy of Motion Picture Arts and Sciences (AMPAS), honored the best in film for 1939 at a banquet in the Coconut Grove at The Ambassador Hotel in Los Angeles. It was hosted by Bob Hope, in his first of nineteen turns as host.
The 35th Academy Awards, honoring the best in film for 1962, were held on April 8, 1963, at the Santa Monica Civic Auditorium in Santa Monica, California, hosted by Frank Sinatra.
The 34th Academy Awards, honoring the best in film for 1961, were held on April 9, 1962, hosted by Bob Hope at the Santa Monica Civic Auditorium in Santa Monica, California.
The 14th Academy Awards honored film achievements in 1941 and were held at the Biltmore Hotel in Los Angeles, California. The ceremony was briefly cancelled due to the Pearl Harbor attack on December 7, 1941.
"The Riddle Song", also known as "I Gave My Love a Cherry", is an English-language folk song, a lullaby most likely originating in England and carried over by settlers to the American Appalachians.
Kid Galahad is a 1937 American sports drama film directed by Michael Curtiz and starring Edward G. Robinson, Bette Davis, Humphrey Bogart and, in the title role, rising newcomer Wayne Morris. A boxing film, it was scripted by Seton I. Miller and distributed by Warner Brothers. It was remade in 1941, this time in a circus setting, as The Wagons Roll at Night, also with Bogart, and in 1962 as an Elvis Presley musical. The original version was re-titled The Battling Bellhop for television distribution in order to avoid confusion with the Presley remake.
The Sisters is a 1938 American drama film produced and directed by Anatole Litvak and starring Errol Flynn and Bette Davis. The screenplay by Milton Krims is based on the 1937 novel of the same title by Myron Brinig.
That Certain Woman is a 1937 American melodramatic film written and directed by Edmund Goulding and starring Bette Davis, Henry Fonda and Anita Louise. It is a remake of Goulding's 1929 film The Trespasser, Gloria Swanson's first sound film.
The Swinger is a 1966 American sex comedy film directed by George Sidney and starring Ann-Margret and Anthony Franciosa.
↑ Kelsey, David H. (April 7, 1964). "Meet Ann-Margret: Hard Work, Ambition Propel a Young Actress To the Top in Hollywood". The Wall Street Journal. 1.
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