Meet John Doe | |
---|---|
Directed by | Frank Capra |
Screenplay by | Robert Riskin |
Story by | Robert Presnell Sr. |
Based on | A Reputation 1922 story in Century Magazine by Richard Connell |
Produced by | Frank Capra |
Starring | Gary Cooper Barbara Stanwyck Edward Arnold |
Cinematography | George Barnes |
Edited by | Daniel Mandell |
Music by | Dimitri Tiomkin |
Production company | |
Distributed by | Warner Bros. |
Release date |
|
Running time | 122 minutes |
Country | United States |
Language | English |
Box office | $1.8 million (initial U.S. release) [1] |
Meet John Doe is a 1941 American comedy drama film directed and produced by Frank Capra, written by Robert Riskin, and starring Gary Cooper, Barbara Stanwyck and Edward Arnold. The film is about a "grassroots" political campaign created unwittingly by a newspaper columnist with the involvement of a hired homeless man and pursued by the paper's wealthy owner. [2] It became a box-office hit and was nominated for an Academy Award for Best Story. It was ranked No. 49 in AFI's 100 Years ... 100 Cheers. In 1969, the film entered the public domain in the United States because the claimants did not renew its copyright registration in the 28th year after publication. [3] It was the first of two features Capra made for Warner Brothers, after he left Columbia Pictures, the other being Arsenic and Old Lace (1944).
A local newspaper, The Bulletin, is under new management and renamed The New Bulletin, with columnist Ann Mitchell being one of the staffers dismissed to "streamline" the paper, but not before being told to write one final column. Infuriated, Ann prints a letter from a fictional unemployed "John Doe" threatening suicide on Christmas Eve in protest of society's ills. When the letter causes a sensation among readers, and the paper's competition, The Chronicle, suspects a fraud and starts to investigate, editor Henry Connell is persuaded to rehire Ann, who schemes to boost the newspaper's sales by exploiting the fictional John Doe. From a number of derelicts who show up at the paper claiming to have written the original letter, Ann and Henry hire John Willoughby, a former baseball player and tramp in need of money to repair his injured arm, to play the role of John Doe. Ann starts to pen a series of articles in Doe's name, elaborating on the original letter's ideas of society's disregard for people in need.
Willoughby gets $50, a new suit of clothes, and a plush hotel suite with his tramp friend "The Colonel", who launches into an extended diatribe against "helots", people who are trying to sell things, burdening others with ownership, tying them down with responsibilities that require money to pay for them, until they, too, become helots. Proposing to take Doe nationwide via the radio, Ann is given $100 a week by the Bulletin's publisher, D. B. Norton, to write radio speeches for Willoughby. Meanwhile, Willoughby is offered a $5,000 bribe from The Chronicle to admit the whole thing was a publicity stunt, but ultimately turns it down and delivers the speech Ann has written for him instead. Afterward, feeling conflicted, he runs away, riding the rails with the Colonel until they reach Millsville. "John Doe" is recognized at a diner and brought to City Hall, where he is met by Bert Hanson, who explains how he was inspired by Doe's words to start a "John Doe club" with his neighbors.
The John Doe philosophy spreads across the country, developing into a broad grassroots movement whose simple slogan is, "Be a better neighbor". However, Norton secretly plans to channel support for Doe into support for his own national political ambitions. When a John Doe rally is scheduled, with John Doe clubs from throughout the country in attendance, Norton instructs Mitchell to write a speech for Willoughby in which he announces the foundation of a new political party and endorses Norton as its presidential candidate. On the night of the rally, Willoughby, who has come to believe in the John Doe philosophy himself, learns of Norton's treachery from a drunken Henry. He denounces Norton and tries to expose the plot at the rally, but his speech is interrupted by hordes of newsboys carrying a special edition of The New Bulletin exposing Doe as a fake. Norton claims Doe had deceived him and the staff of the newspaper, like everyone else, and cuts off the loudspeakers before Doe can defend himself. Despondent at letting his now-angry followers down, Willoughby attempts suicide by jumping from the roof of the City Hall on Christmas Eve, as indicated in the original John Doe letter. Ann, who has fallen in love with John, desperately tries to talk him out of jumping (saying that the first John Doe has already died for the sake of humanity), and Hanson and his neighbors tell him of their plan to restart their John Doe club. Convinced not to kill himself, John leaves, carrying a fainted Ann in his arms, and Henry turns to Norton and says, "There you are, Norton! The people! Try and lick that!".
The film was screenwriter Robert Riskin's last collaboration with Capra. The screenplay was derived from a 1939 film treatment, titled "The Life and Death of John Doe", written by Richard Connell and Robert Presnell who would go on to be the recipients of the film's sole Academy Award nomination for Best Original Story. The treatment was based upon Connell's 1922 Century Magazine story titled "A Reputation". [2]
Gary Cooper was always Frank Capra's first choice to play John Doe. Cooper had agreed to the part without reading a script for two reasons: He had enjoyed working with Capra on their earlier collaboration, Mr. Deeds Goes to Town (1936), and he wanted to work with Barbara Stanwyck. The role of the hardbitten news reporter, however, was initially offered to Ann Sheridan, but the first choice for the role had been turned down by Warner Bros. due to a contract dispute, and Olivia de Havilland was similarly contacted, albeit unsuccessfully. [2]
The composer selected was frequent Capra collaborator Dimitri Tiomkin, who also did the scores for Capra's Lost Horizon , Mr. Smith Goes to Washington and It's a Wonderful Life . He later won two music Oscars for the non-Capra film High Noon .
Bosley Crowther, the film critic for The New York Times wrote that John Willoughby was just the latest of the everyman that Frank Capra had portrayed in earlier films:
With an excellent script by Mr. Riskin—overwritten in many spots, it is true—Mr. Capra has produced a film which is eloquent with affection for gentle people, for the plain, unimpressive little people who want reassurance and faith. Many of his camera devices are magnificent in the scope of their suggestion, and always he tells his story well, with his customary expert spacing of comedy and serious drama. Only space prevents us from enthusing loudly about individual "touches". [4]
In the Variety review, there was a more critical look at the plot:
The synthetic fabric of the story is the weakness of the production, despite the magnificence of the Frank Capra-directed superstructure. But Robert Riskin, who wrote the screenplay from an original story by Richard Connell and Robert Presnell, leaves the audience at the finale with scarcely more than the hope that some day selfishness, fraud and deceit will be expunged from human affairs." [5]
The film is recognized by American Film Institute in these lists:
Meet John Doe was dramatized as a radio play on the September 28, 1941 broadcast of The Screen Guild Theater , starring Gary Cooper, Barbara Stanwyck and Edward Arnold in their original roles.
A musical stage version of the film, written by Eddie Sugarman and composed by Andrew Gerle, was produced by Ford's Theatre in Washington, DC, from March 16 to May 20, 2007, featuring Heidi Blickenstaff as Ann Mitchell and James Moye as John Willoughby/John Doe. Donna Lynne Champlin had previously appeared as Ann Mitchell in workshop versions of the show. [7] After an off-Broadway stint, the Chicago production of the musical was presented at the Porchlight Music Theatre from March 5 to April 17, 2011, under the direction of Jim Beaudry, musical direction by Eugene Dizon, featuring Elizabeth Lanza as Ann Mitchell and Karl Hamilton as John Willoughby/John Doe, garnering a Jeff Award nomination for Actress in a Principal Role – Musical for Elizabeth Lanza. Due to this production, R&H Theatricals has licensed the show for future productions. [8]
A Bollywood remake, Main Azaad Hoon , was released in 1989, starring Amitabh Bachchan. [9]
In 1945 Capra and Riskin sold all rights in Meet John Doe to Sherman S. Krellberg's Goodwill Pictures, a New York distributor. While in Goodwill's possession, the original camera negative deteriorated due to poor storage and was eventually destroyed. Copyright in the film was not renewed and it fell into the public domain in 1969. [10]
The Library of Congress created a fresh preservation negative in the 1970s by combining Goodwill's surviving 35mm prints with the Warner Bros. studio print. [10]
Poor quality copies of Meet John Doe have proliferated on home video for years, sourced from inferior quality prints, while the restored LoC print remains in storage. In 2001 Ken Barnes' Laureate Presentations undertook a digital restoration of the best available European print. [10] This was released on DVD by Sanctuary in the UK and by VCI in the US. [11] To date these are the best quality commercially available releases. [12]
Frank Russell Capra was an Italian-American film director, producer, and screenwriter who was the creative force behind several major award-winning films of the 1930s and 1940s. Born in Italy and raised in Los Angeles from the age of five, his rags-to-riches story has led film historians such as Ian Freer to consider him the "American Dream personified".
Barbara Stanwyck was an American actress, model and dancer. A stage, film, and television star, during her 60-year professional career she was known for her strong, realistic screen presence and versatility. She was a favorite of directors, including Cecil B. DeMille, Fritz Lang, and Frank Capra, and made 85 films in 38 years before turning to television.
Gary Cooper was an American actor known for his strong, quiet screen persona and understated acting style. He won the Academy Award for Best Actor twice and had a further three nominations, as well as an Academy Honorary Award in 1961 for his career achievements. He was one of the top-10 film personalities for 23 consecutive years and one of the top money-making stars for 18 years. The American Film Institute (AFI) ranked Cooper at number 11 on its list of the 50 greatest screen legends.
Lady for a Day is a 1933 American pre-Code comedy-drama film directed by Frank Capra. The screenplay by Robert Riskin is based on the 1929 short story "Madame La Gimp" by Damon Runyon. It was the first film for which Capra received an Academy Award nomination for Best Director and the first Columbia Pictures release to be nominated for Best Picture. Capra also directed its 1961 remake, Pocketful of Miracles.
Mr. Deeds Goes to Town is a 1936 American comedy-drama romance film directed by Frank Capra and starring Gary Cooper and Jean Arthur in her first featured role. Based on the 1935 short story "Opera Hat" by Clarence Budington Kelland, which appeared in serial form in The American Magazine, the screenplay was written by Robert Riskin in his fifth collaboration with Frank Capra.
Lost Horizon is a 1937 American adventure drama fantasy film directed by Frank Capra. The screenplay by Robert Riskin is based on the 1933 novel of the same name by James Hilton.
Ball of Fire is a 1941 American screwball comedy film directed by Howard Hawks and starring Gary Cooper and Barbara Stanwyck. The Samuel Goldwyn Productions film concerns a group of professors laboring to write an encyclopedia and their encounter with a nightclub performer who provides her own unique knowledge. The supporting cast includes Oscar Homolka, S. Z. Sakall, Henry Travers, Richard Haydn, Dana Andrews, and Dan Duryea.
Richard Edward Connell Jr. was an American author and journalist. He is most notable for his short story "The Most Dangerous Game" (1924). Connell was one of the most popular American short story writers of his time. His stories were published in The Saturday Evening Post and Collier's magazines. He had equal success as a journalist and screenwriter, and was nominated for an Academy Award in 1942 for the movie Meet John Doe (1941), directed by Frank Capra and based on his 1922 short story "A Reputation".
Pocketful of Miracles is a 1961 American comedy film starring Glenn Ford and Bette Davis, produced and directed by Frank Capra, filmed in Panavision. The screenplay by Hal Kanter and Harry Tugend was based on Robert Riskin's screenplay for the 1933 film Lady for a Day, which was adapted from the 1929 Damon Runyon short story "Madame La Gimp". That original 1933 film was also directed by Capra—one of two films that he originally directed and later remade, the other being Broadway Bill (1934) and its remake Riding High (1950).
Robert Riskin was an American screenwriter. He is best known for his collaborations with Frank Capra.
Lottie Williams was an American character actress whose career spanned both the silent and sound film eras.
Broadway Bill is a 1934 American comedy-drama film directed by Frank Capra and starring Warner Baxter and Myrna Loy. Screenplay by Robert Riskin and based on the short story "Strictly Confidential" by Mark Hellinger, the film is about a man's love for his thoroughbred race horse and the woman who helps him achieve his dreams. Capra disliked the final product, and in an effort to make it more to his liking, he remade the film in 1950 as Riding High. In later years, the distributor of Riding High, Paramount Pictures, acquired the rights to Broadway Bill. The film was released in the United Kingdom as Strictly Confidential.
The Miracle Woman is a 1931 American pre-Code drama film directed by Frank Capra and starring Barbara Stanwyck, David Manners, and Sam Hardy. Based on the play Bless You Sister by John Meehan and Robert Riskin, the film is about a clergyman’s daughter who becomes disillusioned by the mistreatment of her dying father by his church. Having grown cynical about religion, she teams up with a con man and performs fake miracles for profit. The love and trust of a blind veteran, however, restores her faith in God and her fellow man. The Miracle Woman was the second of five film collaborations between Capra and Stanwyck. Produced and distributed by Columbia Pictures, the film was reportedly inspired by the life of Aimee Semple McPherson.
Barbara Stanwyck was a prolific American actress and dancer who appeared in a total of 95 theatrically released full-length motion pictures. Orphaned before she was old enough to attend school, she became fascinated by the burgeoning film industry, and actress Pearl White in particular, whom she would mimic on the playgrounds. "Pearl White was my goddess, and her courage, her grace, and her triumphs lifted me out of this world."
You Can't Take It with You is a 1938 American romantic comedy film directed by Frank Capra, and starring Jean Arthur, Lionel Barrymore, James Stewart, and Edward Arnold. Adapted by Robert Riskin from the Pulitzer Prize-winning 1936 play of the same name by George S. Kaufman and Moss Hart, the film is about a man from a family of rich snobs who becomes engaged to a woman from a good-natured but decidedly eccentric family.
Ladies of Leisure is a 1930 American pre-Code romantic drama film directed by Frank Capra and starring Barbara Stanwyck and Ralph Graves. The screenplay by Jo Swerling is based on the 1924 play Ladies of the Evening by Milton Herbert Gropper, which ran for 159 performances on Broadway.
Frank Capra was an Italian American film director, producer and writer who became the creative force behind some of the major award-winning films of the 1930s and 1940s. Capra directed a total of 36 feature-length films and 16 documentary films during his lifetime.
The Secret Bride is a 1934 American drama film directed by William Dieterle and starring Barbara Stanwyck and Warren William. Based on the play Concealment by Leonard Ide, the film is about the attorney general of an unnamed state and the daughter of the governor who are forced to keep their recent elopement secret after the governor is accused of a crime. The initial plot concerns the governor taking a bribe in exchange for pardoning a white collar criminal. The investigation is about political corruption.
John Preston Cheatham was an American character actor of the 1930s and 1940s. During his career he appeared in almost 200 films, with 100 of them being features.
Mystery Ship is a 1941 American spy thriller film directed by Lew Landers and starring Paul Kelly, Lola Lane and Larry Parks. It was produced and distributed by Columbia Pictures.