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Rhonda Roland Shearer is an American sculptor, scholar, and journalist, who founded the nonprofit organization Art Science Research Laboratory [1] with her late husband Stephen Jay Gould. [2] The mission statement avows that the lab aims to "infuse intellectual rigor and critical thinking in disciplines that range from Academics to Journalism. ASRL researches conventional beliefs and misinformation and transmits its findings by means of scientific methods and state-of-the-art computer technologies." [3] [4]
Following the September 11 attacks in 2001, Shearer and her daughter worked to deliver supplies to firefighters and other personnel at the site of the destroyed World Trade Center in Manhattan. After being disappointed with her attempts to donate through official channels, she converted a 3,000 sq ft art studio about 1 mile from the World Trade Center into a one-stop-shop for crucial supplies that first responders needed. [5] From her Spring Street warehouse, she and a legion of volunteers [6] [7] [8] began distributing supplies directly to emergency workers; donated items included gloves, face masks, hard hats, respirators, T-shirts, underwear, pants, jackets, steel toe boots, and tools. The New York Times reported, “One thing is certain: to many of the workers at the site, she is a heroine.” [5] Shearer later told The Washington Post that she had borrowed $1 million to finance her efforts, repaying the debt after the crisis with the help of money donated from foundations and individuals. [9]
"A lot of this stuff, Rhonda is responsible for,'' said Lt. John Moran of the New York Police Department Emergency Service Unit, pointing out a wall of boxes full of respirators, flashlights, tools and warm winter clothing in the unit's supply station next to ground zero. [5]
Shearer felt called to help those in need once again when the COVID-19 pandemic took root in 2020. [10] Shearer founded Cut Red Tape 4 Heroes and worked to distribute personal protective equipment (PPE), such as masks, gloves, antibacterial wipes, and hazmat suits, to firefighters, hospital workers, organizations focused on helping people with special needs, and low-income individuals. She again faced resistance from officials, as hospitals refused to allow her to donate on their property, forcing her to set up distribution areas nearby. [11] Shearer explained in an interview on WNYC’s Brian Lehrer Show that she used her knowledge from front line work post 9/11 and the contacts she amassed to acquire PPE at notably low prices. She described herself as “highly competitive with sharp elbows.” [12] During an interview with Sharon Osbourne on CBS’ The Talk, Shearer highlighted the comparisons of her post 9/11 work with the time sensitive work in supporting front line workers during the COVID pandemic. [13] As of May 6, 2020, Shearer reportedly borrowed more than $600,000 on a home equity line of credit to fund the donations and was raising additional money through GoFundMe. [9] In recognition of her efforts, Shearer was dubbed the ‘Patron Saint of PPE’. [14] [15] [12]
"Once again, today we see the greatness and decency of our people. Rhonda Roland Shearer and Cut Red Tape 4 Heroes have stepped forward to help the oft-neglected special needs community and its service providers." – NYS Senator Andrew Lanza [16]
Prior to her 2020 founding of Cut Rede Tape 4 Heroes and her 2001 founding of the World Trade Center Ground Zero Relief project, Shearer took a leading role in the creation of Housing Works, which was founded in 1991. New York Magazine states, “Over the years, Housing Works has been touted as one of the most innovative AIDS organizations in the country.” [17] Realizing there was a need to enhance fundraising, Shearer proposed the creation of an upscale thrift store and offered $100,000 to cover its startup costs. [18] According to the Stanford Social Innovation Review, “By 1998, W magazine described the stores as "the place where the city's fashionistas drop off last year's Prada and Comme des Garçons."
As a sculptor, she has exhibited her work in New York City, [19] Los Angeles and London, [20] as well as smaller cities throughout the United States. One of her works reflected her feminist principles by calling attention to the gender disparity in the public art that New York City commissions. Of the hundreds of monuments erected in the city, she emphasized, only three depict real women: Gertrude Stein, Eleanor Roosevelt and Joan of Arc. In the traveling museum exhibition catalogue, Shearer described her exhibition "Woman's Work" by writing, "I depicted large scale images of motherhood and housework in heroic size, as are our most sacred monuments." [21] The New York Times profiled the exhibit in an article "Celebrating Heroines of Drudgery". [22]
In 1996, she exhibited Shapes Of Nature, 10 Years Of Bronze Sculptures in The New York Botanical Garden, which experimented in the use of fractals as a new way to look at space and form. Whereas many mathematicians like Benoit Mandelbrot understood fractals in the form of computerized models of equations, others like Nathaniel Friedman and Shearer recognized that fractals are also found in nature. The Economist quoted her as saying, "For the artists, nothing is more fundamental." [23] [24]
Always fascinated by the intersection between science and art, Shearer exhibited Pangea—inspired by chaos theory—in New York and Los Angeles from 1990 to 1991.
Forbes has called her an expert on Dadaist art. [25] Shearer has posited that many of Marcel Duchamp's supposedly "readymade" works of art were actually created by Duchamp. [26] Research that Shearer published in 1997, "Marcel Duchamp's Impossible Bed and Other 'Not' Readymade Objects: A Possible Route of Influence From Art To Science", lays out these arguments. In the paper, she showed that research of items like snow shovels (In Advance of the Broken Arm) and bottle racks (Bottle Rack) in use at the time failed to turn up any identical matches to photographs of the originals. However, there are accounts of Walter Arensberg and Joseph Stella being with Duchamp when he purchased the original Fountain at J. L. Mott Iron Works. Such investigations are hampered by the fact that few of the original "readymades" survive, having been lost or destroyed. Those that exist today are predominantly reproductions Duchamp authorized or designed in the final two decades of his life. Shearer also asserts that the artwork L.H.O.O.Q. , a poster-copy of the Mona Lisa with a moustache drawn on it, is not the true Mona Lisa, but Duchamp's own slightly-different version that he modelled partly after himself. The inference of Shearer's viewpoint is that Duchamp was creating an even larger joke than he admitted. [27]
The 'accounts' of Walter Arensberg and Joseph Stella are hearsay accounts, no one has any proof of the three actually making a urinal purchase, namely in the form of receipts, other witnesses, etc.
Art Science Research Laboratory also operates the media ethics websites StinkyJournalism.org and CheckYourFacts.org. Both websites use the scientific method to critique the mainstream media and uncover hoaxes.
StinkyJournalism.org gained widespread media attention after it uncovered evidence that the shooting of a "Monster Pig" was, in fact, a hoax. "Monster Pig", also known as "Hogzilla II" and "Pigzilla", is the name of a large domestic farm-raised pig that was shot during a canned hunt on May 3, 2007, by an eleven-year-old boy, Jamison Stone. The location is disclosed as a 150-acre (0.61 km2) low fence enclosure within the larger 2,500-acre (1,000 ha ) commercial hunting preserve called Lost Creek Plantation, [28] outside Anniston, Alabama, USA. According to the hunters (there were no independent witnesses), the pig weighed 1,051 lb (477 kg).
Several days after the story broke, suspicion mounted over the authenticity of the photographic evidence. StinkyJournalism.org interviewed a retired New York University physicist, Dr. Richard Brandt, who used perspective geometry to measure the photograph and showed that, as represented, the pig would be 15 ft (4.57 m) long—much larger than the 9 feet 4 inches (2.84 m) claimed. [29] Brandt's measurements also showed that the boy in the photo was standing several metres behind the pig, creating the optical illusion that the animal was larger than its actual size. [30] Others claim the photographs were digitally altered. [31]
StinkyJournalism.org discovered that although the Lost Creek Plantation web site boasted that the hunting there was "legendary", the operation was only four months old at the time of the hunt. Eddy Borden had big plans for developing his canned-hunt operation, the Clay County Times reported shortly before the hunt. [32]
In the aftermath of the story, an Alabama grand jury investigated the 11-year-old aspiring sharpshooter Jamison Stone on animal cruelty charges, along with his father Mike Stone, expedition leaders Keith O'Neal and Charles Williams, and Lost Creek Plantation grounds owner Eddy Borden. [33]
The article ("Exclusive: Grand jury to investigate 'monster pig' kill") revealed information subpoenaed by the Clay County District Attorney Fred Thompson, which includes hundreds of hours of on-the-record interviews and research by StinkyJournalism.org director Rhonda Roland Shearer. [34]
Shearer was married to investor H. Joseph Allen. [9] [35]
In 1995, she married Stephen Jay Gould. The two lived in the SoHo neighborhood of Manhattan until his death in 2002. [9] [36] [37]
Following Gould's death, Shearer had a fifteen-year relationship with Ronald Spadafora until his death in 2018. Spadafora had supervised the New York City Fire Department recovery efforts after the September 11 attacks, and his death from cancer was attributed to his exposure to the World Trade Center site. [9] [38]
Shearer has two children, London and Jade. [36]
Dada or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire, founded by Hugo Ball with his companion Emmy Hennings, and in Berlin in 1917. New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s.
Henri-Robert-Marcel Duchamp was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. He is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. He has had an immense impact on 20th- and 21st-century art, and a seminal influence on the development of conceptual art. By the time of World War I, he had rejected the work of many of his fellow artists as "retinal", intended only to please the eye. Instead, he wanted to use art to serve the mind.
Man Ray was an American visual artist who spent most of his career in Paris. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. He produced major works in a variety of media but considered himself a painter above all. He was best known for his pioneering photography, and was a renowned fashion and portrait photographer. He is also noted for his work with photograms, which he called "rayographs" in reference to himself.
A found object, or found art, is art created from undisguised, but often modified, items or products that are not normally considered materials from which art is made, often because they already have a non-art function. Pablo Picasso first publicly utilized the idea when he pasted a printed image of chair caning onto his painting titled Still Life with Chair Caning (1912). Marcel Duchamp is thought to have perfected the concept several years later when he made a series of ready-mades, consisting of completely unaltered everyday objects selected by Duchamp and designated as art. The most famous example is Fountain (1917), a standard urinal purchased from a hardware store and displayed on a pedestal, resting on its back. In its strictest sense the term "ready-made" is applied exclusively to works produced by Marcel Duchamp, who borrowed the term from the clothing industry while living in New York, and especially to works dating from 1913 to 1921.
Suzanne Duchamp-Crotti was a French Dadaist painter, collagist, sculptor, and draughtsman. Her work was significant to the development of Paris Dada and modernism and her drawings and collages explore fascinating gender dynamics. Due to the fact that she was a woman in the male prominent Dada movement, she was rarely considered an artist in her own right. She constantly lived in the shadows of her famous older brothers, who were also artists, or she was referred to as "the wife of." Her work in painting turns out to be significantly influential to the landscape of Dada in Paris and to the interests of women in Dada. She took a large role as an avant-garde artist, working through a career that spanned five decades, during a turbulent time of great societal change. She used her work to express certain subject matter such as personal concerns about modern society, her role as a modern woman artist, and the effects of the First World War. Her work often weaves painting, collage, and language together in complex ways.
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work are prioritized equally to or more than traditional aesthetic, technical, and material concerns. Some works of conceptual art may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print:
In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.
Alison Knowles is an American visual artist known for her installations, performances, soundworks, and publications. Knowles was a founding member of the Fluxus movement, an international network of artists who aspired to merge different artistic media and disciplines. Criteria that have come to distinguish her work as an artist are the arena of performance, the indeterminacy of her event scores resulting in the deauthorization of the work, and the element of tactile participation. She graduated from Pratt Institute in New York with an honors degree in fine art. In May 2015, she was awarded an honorary doctorate degree by Pratt.
Fountain is a readymade sculpture by Marcel Duchamp in 1917, consisting of a porcelain urinal signed "R. Mutt". In April 1917, an ordinary piece of plumbing chosen by Duchamp was submitted for the inaugural exhibition of the Society of Independent Artists, to be staged at the Grand Central Palace in New York. When explaining the purpose of his readymade sculpture, Duchamp stated they are "everyday objects raised to the dignity of a work of art by the artist's act of choice." In Duchamp's presentation, the urinal's orientation was altered from its usual positioning. Fountain was not rejected by the committee, since Society rules stated that all works would be accepted from artists who paid the fee, but the work was never placed in the show area. Following that removal, Fountain was photographed at Alfred Stieglitz's studio, and the photo published in the Dada journal The Blind Man. The original has been lost.
Coline Serreau is a French actress, film director and writer.
Art intervention is an interaction with a previously existing artwork, audience, venue/space or situation. It is in the category of conceptual art and is commonly a form of performance art. It is associated with Letterist International, Situationist International, Viennese Actionists, the Dada movement and Neo-Dadaists. More latterly, intervention art has delivered Guerrilla art, street art plus the Stuckists have made extensive use of it to affect perceptions of artworks they oppose and as a protest against existing interventions.
The readymades of Marcel Duchamp are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art". By simply choosing the object and repositioning or joining, titling and signing it, the found object became art.
L.H.O.O.Q. is a work of art by Marcel Duchamp. First conceived in 1919, the work is one of what Duchamp referred to as readymades, or more specifically a rectified ready-made. The readymade involves taking mundane, often utilitarian objects not generally considered to be art and transforming them, by adding to them, changing them, or simply renaming and reorienting them and placing them in an appropriate setting. In L.H.O.O.Q. the found object is a cheap postcard reproduction of Leonardo da Vinci's early 16th-century painting Mona Lisa onto which Duchamp drew a moustache and beard in pencil and appended the title.
Monster Pig was the subject of a controversial 2007 story that initially ran in the news media as a report of an 11-year-old boy shooting a massive feral pig. The pig was claimed to have been shot during a hunt on May 3, 2007, by an 11-year-old boy named Jamison Stone. The location of the shooting was the Lost Creek Plantation, a commercial hunting preserve outside Anniston, Alabama, US. According to the hunters, the pig weighed 1,051 pounds (477 kg) and measured 9 feet 4 inches (2.84 m) in length.
The Bottle Rack is a proto-Dada artwork created in 1914 by Marcel Duchamp. Duchamp labeled the piece a "readymade", a term he used to describe his collection of ordinary, manufactured objects not commonly associated with art. The readymades did not have the serious tone of European Dada works, which criticized the violence of World War I, and instead focused on a more nonsensical nature, chosen purely on the basis of a "visual indifference".
H. Joseph Allen is an American businessman and Thoroughbred racehorse owner and breeder.
In art, appropriation is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the history of the arts. In the visual arts, "to appropriate" means to properly adopt, borrow, recycle or sample aspects of human-made visual culture. Notable in this respect are the readymades of Marcel Duchamp.
In Advance of the Broken Arm, also called Prelude to a Broken Arm, is a 1915 sculpture by Dada artist Marcel Duchamp that consisted of a regular snow shovel with "from Marcel Duchamp 1915" painted on the handle. One explanation for the title is that without the shovel to remove snow, one might fall and break an arm. This type of humor is not atypical of dadaist work.
Rebecca Blumenstein is an American journalist. She was named President - Editorial of NBC News on January 10, 2023. Prior to that, Blumenstein was one of the highest-ranking women in the newsroom at The New York Times. She is the chair of the board of the Columbia Journalism Review.
Elizabeth Colomba is a French painter of Martinique heritage known for her paintings of black people in historic settings. Her work has been shown at the Gracie Mansion, the Wallach Art Gallery at Columbia University, the Museum of Contemporary African Diasporan Arts, the Musée d'Orsay, Los Angeles County Museum of Art, and the Metropolitan Museum of Art.
Sarah Boxer is a writer, cartoonist, and critic born in Denver, Colorado. Her critical essays and reviews have appeared in The Atlantic, The New York Review of Books, The Comics Journal, The New Yorker, Slate,Artforum, Bookforum, and The New York Times Book Review. At the New York Times (1989–2006), she was an editor for The Book Review and the Week in Review, a photography critic, a theater critic, a critic of arts and culture on the Web, and a culture reporter covering visual culture, philosophy, literature, psychoanalysis, and sex. She is the author and illustrator of four graphic novels.