"Rhythm Bomb" | ||||
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Promotional single by The Prodigy feat. Flux Pavilion | ||||
from the album The Day Is My Enemy | ||||
Released | 25 March 2015 | |||
Genre | Electro house, rave, breakbeat | |||
Length | 4:12(album version) 3:15 (edit) | |||
Label | Take Me to the Hospital, Cooking Vinyl | |||
Songwriter(s) |
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Producer(s) |
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The Prodigy singles chronology | ||||
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"Rhythm Bomb" is a promotional single released by the British electronic band the Prodigy in collaboration with the english DJ and Producer Flux Pavilion. It was released on 25 March 2015 for their album The Day Is My Enemy . [1] The song uses a sample from the 1990 song "Make My Body Rock 1990" by Jomanda.
No. | Title | Length |
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1. | "Rhythm Bomb" | 4:12 |
Public Enemy is an American hip hop group formed by Chuck D and Flavor Flav in Roosevelt, New York, in 1985. The group rose to prominence for their political messages including subjects such as American racism and the American media. Their debut album, Yo! Bum Rush the Show, was released in 1987 to critical acclaim, and their second album, It Takes a Nation of Millions to Hold Us Back (1988), was the first hip hop album to top The Village Voice's Pazz & Jop critics' poll. Their next three albums, Fear of a Black Planet (1990), Apocalypse 91... The Enemy Strikes Black (1991) and Muse Sick-n-Hour Mess Age (1994), were also well received. The group has since released twelve more studio albums, including the soundtrack to the 1998 sports-drama film He Got Game and a collaborative album with Paris, Rebirth of a Nation (2006).
Martina Gillian Topley-Bird is an English singer, songwriter, and multi-instrumentalist who first gained fame as the featured female vocalist on trip hop pioneer Tricky's debut album, Maxinquaye (1995). She also worked with him on his subsequent albums, Nearly God and Pre-Millennium Tension. In 2003, Topley-Bird released her debut solo album, Quixotic, which was critically praised and earned her a Mercury Prize nomination.
Prodigy Present: The Dirtchamber Sessions Volume One is a 1999 solo mix album by Liam Howlett of The Prodigy, initially produced for BBC Radio 1's mix show The Breezeblock.
Pop Will Eat Itself are an English alternative rock band formed in 1986 in Stourbridge in the West Midlands of England with members from Birmingham, Coventry and the Black Country. Initially known as a grebo act, they changed style to incorporate sample-driven indie and industrial rock. Graham Crabb describes their sound as "electronic, punk, alternative hip-hop, hybrid music for fucking, fighting & smoking cigars". Their highest-charting single was the 1993 top-ten hit "Get the Girl! Kill the Baddies!". After initially disbanding in 1996, and having a brief reformation in 2005, they issued their first release in more than five years in 2010.
Keith Charles Flint was an English singer and a vocalist of the electronic dance act The Prodigy. Starting out as a dancer for the group, he became the vocalist and performed on the group's two UK number-one singles, "Firestarter" and "Breathe", both released in 1996. He was also the singer of his own band, Flint.
Keith Andrew Palmer, better known by his stage name Maxim, is a British-Jamaican musician, known for being a vocalist of electronic music band the Prodigy.
Albert Johnson, better known by his stage name Prodigy, was an American rapper and record producer. He was best known for being in the rap duo Mobb Deep along with Havoc, yet Johnson still had a solo career.
Graham Anthony "Gizz" Butt is a British musician, lead vocalist and lead guitarist for Janus Stark best known for being the live guitarist for the band The Prodigy in the late 1990s. His own band Janus Stark, from the same era, enjoyed a minor hit with the song "Every Little Thing Counts" from the album The Great Adventure Cigar.
Mark Summers is the English CEO, sound engineer and music producer of Scorccio, a music production company founded in the UK in 1996. A London DJ since 1979, he is a guest lecturer and masterclass presenter on sample replay production, sound engineering, DJ culture, sampling and the music industry. His productions have been featured on hits for Nicki Minaj, Diplo, Sam Smith, the Prodigy, Pitbull, Fatboy Slim, David Penn, Jess Glynne, Disclosure, Steve Aoki, CamelPhat, Swedish House Mafia, the Shapeshifters and many other notable music artists. He is related to Herbie Flowers, one of the UK's best-known session bass players.
Mobb Deep was an American hip hop duo from Queens, New York formed in 1991. Consisting of rappers/songwriters/record producers Prodigy and Havoc, they are considered to be among the principal progenitors of hardcore East Coast hip hop. Mobb Deep became one of the most successful rap duos of all time, having sold over three million records. Their best-known albums are The Infamous (1995), Hell on Earth (1996) and Murda Muzik (1999), and their most successful singles were "Shook Ones " and "Survival of the Fittest." They were known for their dark and hardcore delivery.
"Smack My Bitch Up" is a song by English rave group The Prodigy. It was released in November 1997 as the third and final single from their third album, The Fat of the Land (1997). In 2013, Mixmag readers voted it the third greatest dance track of all time.
"Rise of the Eagles" is the third single from English rock band The Eighties Matchbox B-Line Disaster's second album, The Royal Society. Despite it being the third single, it was the only single released in time for the album, the previous two being released months before. In 2015 The Prodigy did a cover of the song as a bonus track on their album The Day Is My Enemy.
English electronic music group the Prodigy has released seven studio albums, one live album, one compilation album, one mix album, three extended plays, twenty-one singles, and twenty-two music videos. Hailed as pioneers of genres such as rave, techno, and big beat, the group have sold over 20 million albums worldwide. As of 9 November 2018 their UK album sales stood at 4,707,982.
"Shut 'Em Down" is a song by American hip hop group Public Enemy. It was released in 1991 via Def Jam Recordings as the second single from the group's fourth studio album Apocalypse 91... The Enemy Strikes Black. Recording sessions took place at The Music Palace in Long Island. Production was handled by the Imperial Grand Ministers of Funk, with The Bomb Squad serving as executive producers. An accompanying music video was directed by Mark Pellington.
The Prodigy are an English electronic dance music band formed in Braintree, Essex, in 1990 by producer, keyboardist, and songwriter Liam Howlett. The original line-up also featured dancer and vocalist Keith Flint, dancer and live keyboardist Leeroy Thornhill, dancer Sharky, and MC and vocalist Maxim. They are pioneers of the breakbeat-influenced genre big beat, and describe their style as electronic punk.
"Nasty" is the twenty-second single released by the British electronic band the Prodigy. The song was released on 12 January 2015, for their upcoming album The Day Is My Enemy. The remix EP was subsequently released on 2 February.
The Day Is My Enemy is the sixth studio album by English electronic music group the Prodigy. It was released on 30 March 2015 by the record labels Take Me to the Hospital/Cooking Vinyl in the UK and Three Six Zero Music/Warner Bros. Records in the United States.
"The Day Is My Enemy" is a promotional single released by the British electronic band The Prodigy. It was released on 26 January 2015 and is the title track of their album of the same name.
"Ibiza" is the twenty-fourth single released by English electronic dance music band the Prodigy. It was released through the band's official YouTube channel in March 2015 as a single from their sixth album The Day Is My Enemy. The song features English hip hop duo Sleaford Mods.
No Tourists is the seventh studio album by the English electronic music band the Prodigy, released on November 2, 2018, on Take Me to the Hospital, their independent label managed by BMG. The album debuted at No. 1 on the UK Albums Chart, marking their sixth consecutive studio album to achieve this feat. It ranked at No. 7 on the US Dance Albums chart and attained several Top 20 placements in other European countries.