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"Everybody in the Place" | ||||
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Single by the Prodigy | ||||
from the album Experience | ||||
B-side |
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Released | 23 December 1991 [1] | |||
Studio | C.W.S. (Essex, England) | |||
Genre | ||||
Songwriter(s) | Liam Howlett | |||
Producer(s) |
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The Prodigy singles chronology | ||||
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Music video | ||||
"Everybody in the Place" on YouTube |
"Everybody in the Place" is the second official single released by the British electronic dance band the Prodigy from their debut album, Experience (1992). It was released on 23 December 1991 through XL Recordings in the UK.
The single features the "Fairground Remix" version of the song. The version on the album is the "155 & Rising Version", which is significantly longer and faster in beats per minute than the original mix featured on the What Evil Lurks EP.
The single peaked at number two on the UK Singles Chart, beaten to number one by the re-release of Queen's "Bohemian Rhapsody" following the death of Freddie Mercury. [3]
The original CD single was released with five tracks, which went against British chart regulations. The track "Rip Up the Sound System" was removed on the re-issue to comply with the chart regulations,[ citation needed ] but is still available on the 12" vinyl. The cover features a photograph of the now dismantled Corkscrew roller coaster at Alton Towers. [4]
The song was released six months later on 18 June 1992 as a double A-side with first single "Charly" through Elektra Records in the United States. The single is featured on the band's greatest hits compilation Their Law: The Singles 1990–2005 .
The accompanying music video for "Everybody in the Place" was shot in September 1991 during a trip to New York, during which they also played at the Limelight Club. It features the band dancing in a fast-paced succession of short shots. [5] The video ends with the band appearing to be pursued by the police but escaping.
In 1998, DJ Magazine ranked "Everybody in the Place" number 88 in their "Top 100 Club Tunes". [6] In 2022, Classic Pop ranked it number 31 in their list of the top 40 dance tracks from the 90's. [7]
Weekly charts
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The artist Jeremy Deller used the title for Beats , a film about UK rave culture, even though the band does not appear in it. [17]
Their Law: The Singles 1990–2005 is a singles collection from the UK band the Prodigy. It was released on 17 October 2005, and entered the UK Albums Chart at No. 1 on 23 October.
"Even Flow" is a song by the American rock band Pearl Jam. Featuring lyrics written by vocalist Eddie Vedder and music written by guitarist Stone Gossard, it was released in 1992 as the second single from the band's debut album, Ten (1991). The song peaked at number three on the Billboard Mainstream Rock Tracks chart. The song was included in Pearl Jam's 2004 greatest hits album, rearviewmirror . A remixed version of the song was included on the 2009 Ten reissue.
"Personal Jesus" is a song by the English electronic music band Depeche Mode. It was released as the lead single from their seventh studio album, Violator (1990), in 1989. It reached No. 13 on the UK Singles Chart and No. 28 on the US Billboard Hot 100. The single was their first to enter the US top 40 since 1984's "People Are People" and was their first gold-certified single in the US. In Germany, "Personal Jesus" is one of the band's longest-charting songs, staying on the West German Singles Chart for 23 weeks.
"Charly" is the debut single released by the British electronic act the Prodigy, later included on their debut album, Experience (1992), although the version featured on the album is the significantly different "Trip into Drum & Bass" remix.
"Voodoo People" / "Out of Space" is the seventeenth single released by the British dance act The Prodigy on 3 October 2005, and was the only single released from their compilation album Their Law: The Singles 1990–2005. The single was released as a double A-side, and peaked at number twenty in the UK Singles Chart.
"Fire" and "Jericho" are two songs recorded by English electronica/rave act the Prodigy. It peaked at number eleven on the UK Singles Chart.
"Wind It Up (Rewound)" is a song by British electronica act the Prodigy, released as their fifth single on 5 April 1993. A remix of "Wind It Up", it is significantly different from the version featured on their debut album, Experience (1992), though does appear on CD2 of the Experience Expanded special edition. B-side "We Are the Ruffest" features a sped-up banjo riff. The Elektra Records version of the single in the United States was never re-released as some of the previous singles were, making it a rarity and much sought after. The Elektra version also exclusively contained four remixes never released on any other work by the band.
"One Love" is a song by British electronic music act the Prodigy, released on 4 October 1993 by XL Recordings as the first single from the act's second album, Music for the Jilted Generation (1994). The song peaked at number eight on the UK Singles Chart and number five on the UK Dance Singles Chart. It was also a top 30 hit in Sweden and Switzerland.
"No Good (Start the Dance)" is a song by English electronic music group the Prodigy. Written and produced by group member Liam Howlett, it was released on 16 May 1994 by XL Recordings as the second single from the group's second studio album, Music for the Jilted Generation (1994). Commercially, the track was presented with the slogan, "Hard dance with attitude" and is built around a repeated vocal sample from "You're No Good for Me", a song released by American singer Kelly Charles in 1987. Howlett initially had doubts whether to use the sample because he thought it was too pop for his taste. The song also contains samples from "Funky Nassau" by Bahamian funk group the Beginning of the End. It was certified Gold in Germany for 250,000 sold copies. The music video for the song was directed by Walter Stern and filmed in London.
"Voodoo People" is a song by British electronic music group The Prodigy, released on 12 September 1994 as the third single from their second studio album, Music for the Jilted Generation (1994), and as their eighth single overall. It was released as a 12-inch single and in EP format in the United States in 1995 through Mute Records. The guitar riff, based on "Very Ape" by Nirvana, is played by Lance Riddler. The music video for "Voodoo People" was directed by Walter Stern and Russell Curtis.
"Poison" is a song by English electronic music group the Prodigy, released on 6 March 1995 by XL and Mute as the fourth and final single from their second studio album, Music for the Jilted Generation (1994). It was written by Liam Howlett and Maxim Reality, and produced by Howlett. Reality performs the vocals on the track. "Poison" was a number one hit in Finland, while peaking inside the top five in Ireland and Norway. Additionally, it peaked within the top-30 in Sweden and Switzerland. The music video for the song was directed by Walter Stern.
"Breathe" is a song by English electronic dance music band the Prodigy, released in November 1996 by XL Recordings as the second single from their third album, The Fat of the Land (1997). It was written by band members Liam Howlett, Keith Flint and Maxim Reality, featuring a drum break from the song "Johnny the Fox Meets Jimmy the Weed" by Thin Lizzy. The whiplashing sword sound effect is a sample of "Da Mystery of Chessboxin" by Wu-Tang Clan. As with "Firestarter", Jim Davies played the guitar in the song. "Breathe" became the group's second consecutive number-one in the United Kingdom and also topped the charts in the Czech Republic, Denmark, Finland, Hungary, Ireland, Norway, and Sweden. Its music video was directed by Walter Stern, depicting the band in an abandoned, decrepit apartment building. Melody Maker ranked "Breathe" number 29 in their list of the best singles of 1996, and Q Magazine featured it in their "1001 Best Songs Ever" in 2003.
"Spitfire" is a song by the English electronic dance music group the Prodigy. It was initially released as a 12-inch vinyl record on 4 April 2005, as a digital download from iTunes the following day, and as a CD single on 11 April 2005. It was the third and last single from the album Always Outnumbered, Never Outgunned, on which it appeared as the opening track, and entered the UK Dance Chart at number one despite not charting on the all-genre UK Singles Chart. The backing vocals on "Spitfire" are performed by Juliette Lewis. The song has been included in The Sopranos, Gotham, House of Wax and The Unborn soundtracks. It was previously the intro song at all of the National Hockey League's Calgary Flames home games and is also used as the ringwalk theme of boxer George Groves.
"Out of Space" is the fourth EP/single released by English electronic music group the Prodigy in 1992. The song is also featured on their debut album, Experience (1992), and is the fourth single from it. The song samples the 1976 song "Chase the Devil" by Max Romeo as well as some lines by rapper Kool Keith on the 1988 track "Critical Beatdown" by Ultramagnetic MCs.
"Falling Down" is a song by English rock band Oasis, from their seventh studio album Dig Out Your Soul (2008). Written and sung by lead guitarist Noel Gallagher, it was released on 9 March 2009 as the third single from the album with the digital release occurring a day earlier. It was the final single released by the band before their break-up just over five months later in August 2009. It would remain the last new release from the band for more than eleven years until April 2020 with the release of the promotional single "Don't Stop...".
"Invaders Must Die" is the eighteenth single released by the British electronic band the Prodigy. It was released from the band's website as a free digital download on 26 November 2008. It was the first single from the album Invaders Must Die. The download was announced on 24 November, in a newsletter sent to fans, and first aired on Zane Lowe's Radio 1 show as his 'Hottest Record in the World' on 26 November. The song was co-produced by Does It Offend You, Yeah?'s James Rushent. Liam Howlett described this to the Dubai edition of Time Out as: "a very abrasive-sounding electronic track, kind of different to anything we've done before." Although not being a commercial single the track charted at 49 in the UK Singles Chart on 1 March 2009, whilst the Chase & Status remix reached 53 in the Australian Aria Singles Chart and 7 in the Aria Dance Chart. On 30 November 2009 the re-amped version by Liam was released as an EP with the B-side Mescaline, and Thunder remixes.
"Omen" is the nineteenth single released by the British electronic band The Prodigy. It was released on 16 February 2009, and it is the first commercial single from the album Invaders Must Die.
The Prodigy are an English electronic dance music band formed in Braintree, Essex, in 1990 by producer, keyboardist, and songwriter Liam Howlett. The original line-up also featured dancer and vocalist Keith Flint, dancer and live keyboardist Leeroy Thornhill, dancer Sharky, and MC and vocalist Maxim. They are pioneers of the breakbeat-influenced genre big beat, and describe their style as electronic punk.
"Warrior's Dance" is the 20th single released by the British electronic band the Prodigy on 11 May 2009, and it is the second commercial single from the album Invaders Must Die after "Omen" and the free promotional single "Invaders Must Die".
"Everybody's Free (To Feel Good)" is a song by Zambian-born Zimbabwean singer Rozalla, released in August 1991 by label Pulse-8 as the second single from her second album, Everybody's Free (1992). The song was written by Nigel Swanston and Tim Cox, and produced by Band of Gypsies. It had been a staple in the clubs in Ibiza and Mallorca in the summer of 1991, and hordes of recovering ravers were delighted to find "that tune about being free to feel good and stuff" was available to buy back home. Upon its release, the song reached number two in Belgium, the Netherlands and Spain, while entering the top 10 in Denmark, France, Germany, Ireland, Sweden, Switzerland and the United Kingdom. On the Eurochart Hot 100, the single reached number six, and in Zimbabwe, it peaked at number four. It also topped the US Billboard Hot Dance Club Play chart. Several music videos have been made to promote the song. It is widely regarded as one of the biggest dance anthems of the 1990s and it has been remixed and re-released several times.
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