Music for the Jilted Generation | ||||
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Studio album by | ||||
Released | 4 July 1994 | |||
Studio | Earthbound, The Strongroom | |||
Genre | ||||
Length | 78:07 | |||
Label | ||||
Producer | ||||
The Prodigy chronology | ||||
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Singles from Music for the Jilted Generation | ||||
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Music for the Jilted Generation is the second studio album by English electronic music group the Prodigy. It was first released on 4 July 1994 by XL Recordings in the United Kingdom and by Mute Records in the United States. As with the group's debut album, Experience (1992), Maxim Reality and Liam Howlett were the only official members of the group to contribute to the album. The other two members, Keith Flint and Leeroy Thornhill, were not credited on any tracks (although all four individuals were pictured in the liner notes). [1]
A remastered and expanded edition of the album, titled More Music for the Jilted Generation, was released in 2008. [2]
Music for the Jilted Generation incorporates elements of rave, [3] breakbeat techno, [3] techno, [4] and hardcore techno. [5]
The album is largely a response to the corruption of the rave scene in Britain by its mainstream success, as well as the United Kingdom's Criminal Justice and Public Order Act 1994, which criminalised raves and aspects of rave culture. [3] This is exemplified in the song "Their Law", with the spoken-word intro and the predominant lyric: the "Fuck 'em and their law" sample. Many years later, after the controversy had subsided, Liam Howlett criticised the album's title, referring to it as "stupid", and insisted that the album was never intended to be political. [6]
Many of the samples featured on the album are sound clips from, or inspired by, films. "Full Throttle" contains a reversed sample from the original Star Wars film, and "The Heat (The Energy)" features a sample from Poltergeist III , [6] while "Claustrophobic Sting" includes a recreation of dialogue from 2001: A Space Odyssey .
When Liam Howlett arrived at the cutting room for the final stage of the album's production, he realised that all the tracks he had planned would not fit onto a CD. As a result, "One Love" was edited down to approximately 3 minutes and 53 seconds, "The Heat (The Energy)" was slightly shortened, and "We Eat Rhythm" was omitted. "We Eat Rhythm" was later released on a free cassette with Select magazine in October 1994, titled Select Future Tracks. Howlett later stated that he felt the edited versions of "One Love" and "Full Throttle" could have been omitted from the track listing altogether. [6]
The album artwork for Music for the Jilted Generation was designed by Stewart Haygarth (cover) and Les Edwards (inner). The inner artwork, which alludes to the conflicts between ravers and the police during the era of the 1994 Criminal Justice Act, is particularly well-regarded. [7] [8]
Contemporary reviews | |
---|---|
Review scores | |
Source | Rating |
The Boston Phoenix | [9] |
Christgau's Consumer Guide | A [10] |
The Guardian | [4] |
NME | 9/10 [11] |
Rolling Stone | [5] |
Select | 5/5 [12] |
Smash Hits | 4/5 [13] |
Retrospective reviews | |
---|---|
Review scores | |
Source | Rating |
AllMusic | [3] |
Encyclopedia of Popular Music | [14] |
Q | [15] |
Record Collector | [16] |
Music for the Jilted Generation has received critical acclaim. Rolling Stone awarded it three-and-a-half stars, describing it as "truly trippy" and stating that it "generates universal dance fever". [5] Alternative Press noted that it "throws much darker shapes than its predecessor" and "slams harder and rawer and covers more ground". [17]
Robert Christgau praised the album, calling it "one of the rare records that's damn near everything you want cheap music to be". [10]
Mojo ranked it number 83 in their "100 Modern Classics" list,[ citation needed ] while Spin ranked it number 60 in their "90 Greatest Albums of the '90s". [18] NME placed it at number 9 in their "Top 50 Albums of 1994". [19]
On 4 December 2008, radio presenter Zane Lowe inducted the album into his 'Masterpieces' series by playing it in full on his BBC Radio 1 show.
It was nominated for the Mercury Music Prize in 1994 and is included in the book 1001 Albums You Must Hear Before You Die . [20]
"An amazing record," remarked David Bowie. "It impressed me quite a lot." [21]
All tracks are written by Liam Howlett, unless indicated otherwise. Tracks 5-9 from the second CD are previously released
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Intro" | 0:45 | |
2. | "Break & Enter" | 8:24 | |
3. | "Their Law" (featuring Pop Will Eat Itself) | Howlett, Pop Will Eat Itself | 6:40 |
4. | "Full Throttle" | 5:02 | |
5. | "Voodoo People" | 6:27 | |
6. | "Speedway (Theme From Fastlane)" | 8:56 | |
7. | "The Heat (The Energy)" | 4:27 | |
8. | "Poison" | Howlett, Maxim Reality | 6:42 |
9. | "No Good (Start the Dance)" | Howlett, Kelly Charles, James Bratton | 6:17 |
10. | "One Love (Edit)" | 3:53 | |
11. | "The Narcotic Suite: 3 Kilos" | 7:19 | |
12. | "The Narcotic Suite: Skylined" | 5:56 | |
13. | "The Narcotic Suite: Claustrophobic Sting" | 7:13 | |
Total length: | 78:07 |
No. | Title | Length |
---|---|---|
1. | "Voodoo People (Radio 1 Maida Vale Session)" | 4:18 |
2. | "Poison (Radio 1 Maida Vale Session)" | 4:42 |
3. | "Break & Enter (2005 Live Edit)" | 4:56 |
4. | "Their Law (Live at Pukkelpop)" | 5:27 |
5. | "No Good (Start the Dance) (Bad for You Mix)" | 6:49 |
6. | "Scienide" | 5:49 |
7. | "Goa (The Heat The Energy Part 2)" | 6:03 |
8. | "Rat Poison" | 5:31 |
9. | "Voodoo People (Dust Brothers Remix)" | 5:55 |
In addition to the film samples mentioned above, Liam Howlett incorporated a significant amount of musical material from other artists: [22]
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [49] | Platinum | 70,000^ |
Canada (Music Canada) [50] | Gold | 50,000^ |
Finland (Musiikkituottajat) [51] | Gold | 20,830 [51] |
Poland (ZPAV) [52] | Gold | 50,000* |
Sweden (GLF) [53] | Gold | 50,000^ |
United Kingdom (BPI) [54] | 2× Platinum | 600,000^ |
* Sales figures based on certification alone. |
The Prodigy [1]
Other personnel
Experience is the debut studio album by English electronic music group the Prodigy. It was released on 28 September 1992 by XL Recordings in the United Kingdom and by Elektra Records in the United States.
The Fat of the Land is the third studio album by English electronic music group the Prodigy, released on 30 June 1997 through XL Recordings. The album received critical acclaim and topped the UK Albums Chart and the US Billboard 200. It has sold over 10 million copies worldwide as of 2019. It is their best-selling album.
Always Outnumbered, Never Outgunned is the fourth studio album by English electronic music group the Prodigy. It was first released on 11 August 2004 in Japan, on 23 August 2004 in the United Kingdom by XL Recordings, and on 15 September 2004 in the United States by Maverick Records. Recorded almost entirely using Propellerhead Reason and mastered with Pro Tools, the album contrasts with the group's previous releases, and features a larger use of vocals than their previous album The Fat of the Land (1997). Keith Flint and Maxim Reality do not provide any contribution to the official record, which leaves Liam Howlett as the sole band member to do so for the only time in the group's history.
Keith Andrew Palmer, better known by his stage name Maxim, is an English musician, known for being a vocalist of electronic music band the Prodigy.
Their Law: The Singles 1990–2005 is a singles collection from the UK band the Prodigy. It was released on 17 October 2005, and entered the UK Albums Chart at No. 1 on 23 October.
"Charly" is the debut single released by the British electronic act the Prodigy, later included on their debut album, Experience (1992), although the version featured on the album is the significantly different "Trip into Drum & Bass" remix.
"Smack My Bitch Up" is a song by English rave group The Prodigy. It was released in November 1997 as the third and final single from their third album, The Fat of the Land (1997). In 2013, Mixmag readers voted it the third greatest dance track of all time.
"One Love" is a song by British electronic music act the Prodigy, released on 4 October 1993 by XL Recordings as the first single from the act's second album, Music for the Jilted Generation (1994). The song peaked at number eight on the UK Singles Chart and number five on the UK Dance Singles Chart. It was also a top 30 hit in Sweden and Switzerland.
"No Good (Start the Dance)" is a song by English electronic music group the Prodigy. Written and produced by group member Liam Howlett, it was released on 16 May 1994 by XL Recordings as the second single from the group's second studio album, Music for the Jilted Generation (1994). Commercially, the track was presented with the slogan, "Hard dance with attitude" and is built around a repeated vocal sample from "You're No Good for Me", a song released by American singer Kelly Charles in 1987. Howlett initially had doubts whether to use the sample because he thought it was too pop for his taste. The song also contains samples from "Funky Nassau" by Bahamian funk group the Beginning of the End. It was certified Gold in Germany for 250,000 sold copies. The music video for the song was directed by Walter Stern and filmed in London.
"Voodoo People" is a song by British electronic music group The Prodigy, released on 12 September 1994 as the third single from their second studio album, Music for the Jilted Generation (1994), and as their eighth single overall. It was released as a 12-inch single and in EP format in the United States in 1995 through Mute Records. The guitar riff, based on "Very Ape" by Nirvana, is played by Lance Riddler. The music video for "Voodoo People" was directed by Walter Stern and Russell Curtis.
"Poison" is a song by English electronic music group the Prodigy, released on 6 March 1995 by XL and Mute as the fourth and final single from their second studio album, Music for the Jilted Generation (1994). Maxim Reality performs the vocals on the track. It was a number one hit in Finland, while peaking inside the top five in Ireland and Norway. Additionally, it peaked within the top-30 in Sweden and Switzerland. The music video for the song was directed by Walter Stern.
"Firestarter" is a song by British electronic dance music band the Prodigy, released on 18 March 1996 by XL Recordings as the first single from their third album, The Fat of the Land (1997). It was co-written and produced by Liam Howlett and features vocals by Keith Flint. It also was the group's first number-one single on the UK Singles Chart, staying on top for three weeks, and their first big international hit, topping the charts in the Czech Republic, Finland, Hungary, and Norway. The music video was directed by Walter Stern and filmed in the London Underground, in black-and-white. Melody Maker ranked the song number two in their list of "Singles of the Year" in 1996. 24 years later, The Guardian ranked it number eight in their list of "The 100 Greatest UK No 1 Singles".
"Breathe" is a song by English electronic dance music band the Prodigy, released in November 1996 by XL Recordings as the second single from their third album, The Fat of the Land (1997). It was written by band members Liam Howlett, Keith Flint and Maxim Reality, featuring a drum break from the song "Johnny the Fox Meets Jimmy the Weed" by Thin Lizzy. The whiplashing sword sound effect is a sample of "Da Mystery of Chessboxin" by Wu-Tang Clan. As with "Firestarter", Jim Davies played the guitar in the song. "Breathe" became the group's second consecutive number-one in the United Kingdom and also topped the charts in the Czech Republic, Denmark, Finland, Hungary, Ireland, Norway, and Sweden. Its music video was directed by Walter Stern, depicting the band in an abandoned, decrepit apartment building. Melody Maker ranked "Breathe" number 29 in their list of the best singles of 1996, and Q Magazine featured it in their "1001 Best Songs Ever" in 2003.
English electronic music group the Prodigy has released seven studio albums, one live album, one compilation album, one mix album, three extended plays, twenty-one singles, and twenty-two music videos. Hailed as pioneers of genres such as rave, techno, and big beat, the group have sold over 20 million albums worldwide. As of 9 November 2018 their UK album sales stood at 4,707,982.
"Out of Space" is the fourth EP/single released by English electronic music group the Prodigy in 1992. The song is also featured on their debut album, Experience (1992), and is the fourth single from it. The song samples the 1976 song "Chase the Devil" by Max Romeo as well as some lines by rapper Kool Keith on the 1988 track "Critical Beatdown" by Ultramagnetic MCs.
Invaders Must Die is the fifth studio album by English electronic dance music group The Prodigy. The album was released on 23 February 2009 on the band's new record label Take Me to the Hospital, and was distributed by Cooking Vinyl. Although Liam Howlett, Maxim and Keith Flint all contributed material for The Fat of the Land, Invaders Must Die is the first Prodigy record where, given the departure of Leeroy Thornhill, all band members took part in the creative process. It is their first and currently only album to not contain any explicit songs.
The Prodigy are an English electronic dance music band formed in Braintree, Essex, in 1990 by producer, keyboardist, and songwriter Liam Howlett. The original line-up also featured dancer and vocalist Keith Flint, dancer and live keyboardist Leeroy Thornhill, dancer Sharky, and MC and vocalist Maxim. They are pioneers of the breakbeat-influenced genre big beat, and describe their style as electronic punk.
Bangarang is the fourth EP by American electronic music producer Skrillex. It was released on December 23, 2011, via Beatport while being released on other digital retailers on December 27, 2011. It was released on January 24, 2012, as a physical CD. It was announced via Skrillex's Twitter page on December 12, 2011, that the album was completed, while the release date was also announced on December 21. The record is mostly a collection of songs that have been previously performed during The Mothership Tour. It features collaborations with the Doors, Sirah, Wolfgang Gartner, 12th Planet, Kill the Noise and Ellie Goulding. Musically, Bangarang has multiple influences of electro, dubstep and techno, while also incorporating elements of eurodance, drum and bass, rap rock, experimental rock and ska. It features syncopated rhythmic build-ups, technical breakdowns and "chopped-up" vocal hooks, as well as multiple vocal samples. An orchestral song was also featured as a bonus track on the iTunes edition.
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Under the booming breakbeats, thrash guitars and inflammatory soundbites, Howlett's supernova's talent was on overdrive...
specific songwriters for "Their Law