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The Dirtchamber Sessions Volume One | ||||
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Compilation album (Mixtape)by | ||||
Released | 22 February 1999 | |||
Recorded | 1998 | |||
Genre | ||||
Length | 51:21 | |||
Label | XL | |||
Producer | Liam Howlett | |||
The Prodigy chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Entertainment Weekly | C+ [2] |
Hot Press | 9/12 [3] |
Mojo | [4] |
NME | 7/10 [5] |
Rolling Stone | [6] |
Release Magazine | 7/10 [7] |
Sputnikmusic | 4.5/5 [8] |
Tom Hull – on the Web | A− [9] |
Prodigy Present: The Dirtchamber Sessions Volume One is a 1999 solo mix album by Liam Howlett of The Prodigy (the latter used as a moniker in this case), initially produced for BBC Radio 1's mix show The Breezeblock .
There are more than 48 tunes from many artists mixed, scratched and cut. The album came about as a result of a 1998 guest DJ appearance by Howlett on Mary Anne Hobbs's Breezeblock show on BBC Radio 1, producing a similar set.
In a bid to stop popular bootleg copies of the show, an official album was released, essentially an extended version of the Breezeblock mix. The two mixes are not exactly the same as permission to use certain tracks was not forthcoming. Most notable is the removal of The Beatles' "Sgt. Peppers Lonely Hearts Club Band", which was also left off The Chemical Brothers' Brothers Gonna Work It Out DJ Mix but was included in the earlier promo release, Radio 1 Anti-Nazi Mix .
Marlon Lu'Ree Williams, better known by his stage name Marley Marl, is an American DJ, record producer, rapper and record label founder, primarily operating in hip hop music. Marlon grew up in Queensbridge housing projects located in Queens, New York. He performed in local talent shows during the early days of rap music, further fueling his interest.
The new school of hip hop was a movement in hip hop music, beginning in 1983–84 with the early records of Run–D.M.C., Whodini, and LL Cool J. Predominantly from Queens and Brooklyn, it was characterized by drum machine-led minimalism, often tinged with elements of rock; rapped taunts, boasts, and socio-political commentary; and aggressive, self-assertive delivery. In song and image, its artists projected a tough, cool, street b-boy attitude. These elements contrasted sharply with funk and disco, novelty hits, live bands, synthesizers, and party rhymes of artists prevalent in the early 1980s. Compared to their older hip hop counterparts, new school artists crafted more cohesive LPs and shorter songs more amenable to airplay. By 1986, their releases began to establish hip hop in the mainstream.
Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles.
Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system and/or broadcasting equipment so that a wider audience can hear the turntablist's music. Turntablists typically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth, all while using a DJ mixer's crossfader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and headphones to cue up desired start points on different records.
Unkle is a British musical outfit founded in 1992 by James Lavelle. Originally categorised as trip hop, the group once included producer DJ Shadow and have employed a variety of guest artists and producers.
The Invisibl Skratch Piklz are an American group of turntablists.
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Hip hop production is the creation of hip hop music in a recording studio. While the term encompasses all aspects of hip hop music creation, including recording the rapping of an MC, a turntablist or DJ providing a beat, playing samples and "scratching" using record players and the creation of a rhythmic backing track, using a drum machine or sequencer, it is most commonly used to refer to recording the instrumental, non-lyrical and non-vocal aspects of hip hop.
DJ Flare is an American turntablist. He has been a scratch DJ since 1983 with many vinyl releases and was a member of the turntablist group the Invisibl Skratch Piklz, appearing in many of their Turntable TV videos and DJ Qbert's animated film Wave Twisters. He released battle records under the pseudonym "DJ Butchwax" on the Thud Rumble and Dirtstyle Records labels. He also created the Flare Skratch, a scratching technique in which a sound is split in two parts leaving limitless sound possibilities to be created. He released a Skratch DVD called Magnifrying Glass. He is also credited for creating the modern day style of Skratch Flare Skratching. Notable mentions, Flare was also a member of Sound Odyssey, The Bulletproof Skratch Hamsters and N.C.A "no clickers allowed" DJ crew and has worked with such music artists as RUN D.M.C, Third Eye Blind, El' Stew, Buckethead, Moonraker, MCM & The Monster and singer Mike Patton from Faith No More amongst others.
Back in Business is the fifth studio album by American hip hop duo EPMD. It was released on September 16, 1997, through Def Jam Recordings. Recording sessions took place at Mirror Image and Soundtrack Studios in New York. Production was handled by members Erick Sermon and PMD, as well as DJ Scratch, with Agallah and Rockwilder serving as co-producers. It features guest appearances from Das EFX, Keith Murray, Nocturnal and Redman.
Double Dee and Steinski is a duo of hip hop producers, composed of Doug "Double Dee" DiFranco and Steven "Steinski" Stein. They achieved notoriety in the early 1980s for a series of underground hip-hop sample-based collages known as the "Lessons".
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The Prodigy are an English electronic dance music band formed in Braintree, Essex, in 1990 by producer, keyboardist, and songwriter Liam Howlett. The original line-up also featured dancer and vocalist Keith Flint, dancer and occasional live keyboardist Leeroy Thornhill, dancer Sharky, and MC and vocalist Maxim. They are pioneers of the breakbeat-influenced genre big beat, and describe their style as electronic punk.
Ronald K. Keys Jr. aka DJ Swamp is an American hip hop DJ, turntablist, producer and vocalist. He was born in Cleveland, Ohio, United States. He currently resides in Los Angeles, United States. In 1996, he won the title of US DMC Champion, his first year entering the tournament. Swamp toured with Beck for four years and later broke away into a solo career with his release "Never is Now" in 2001. Alternative Press gave "Never is Now" an 8/10 rating.
Boom bap is a subgenre and music production style that was prominent in East Coast hip hop during the golden age of hip hop from the late 1980s to the early 1990s.
"Sucker M.C.'s" is a song by American hip hop group Run-D.M.C. It was first released in 1983 as B-side to "It's Like That". The two-sided release marked the start of Run-D.M.C.'s career as their first single, and it is widely regarded as ushering in a new school of hip hop artists with a street image and an abrasive, minimalist sound that marked them out from their predecessors. Both tracks were collected on the trio's self-titled debut album in 1984. WBAU was the first station to play the two songs.
The Big Beat is a 1980 song by Billy Squier from his debut album The Tale of the Tape. While it never charted, the song has become a sampling staple in hip-hop music. As of 2020, the song has been sampled in almost 300 recordings. The "big beat" itself was performed by drummer Bobby Chouinard overdubbed with Squier himself beating a snare case with his hands.
Golden Ticket is the third studio album of DJ/producer and musician Danny Byrd. It was released on 24 June 2013 through Hospital Records.