Richard Forster | |
---|---|
Born | Geneva, Switzerland | 8 November 1940
Known for | Nude photography |
Website | www |
Richard Forster (born 8 November 1940, in Geneva, Switzerland) is a Swiss photographer and mechanical engineer. He is best known for nude photography in natural environments. His consistency and perseverance produced an opus which brought him recognition beyond Switzerland and France. [1]
Forster was born on 8 November 1940, in Geneva to father Walter, a linotypist and to mother Marie, born Wohlgemuth. They moved to Geneva in 1939 from the canton of Solothurn. He graduated in 1965 from the École Technique Supérieure, also in Geneva, as Ingénieur en mécanique (mechanical engineer).
He worked in chemical construction development, electromechanical and machine-tool sales, armament development. From 1981, he taught mechanics and other subjects in the Technical Vocational Training Center in Geneva. [2]
Forster obtained his first camera at twelve, a Kodak Brownie 127. Later, he switched to Rolleiflex 4x4 (gray) for black and white and the Voigtländer Vito BL for color photography. [2] He designed and made a waterproof box for the Rolleiflex with which he shot his first underwater photos during the summer of 1957, at the French Riviera. [3] In 1958, he took the photography course at the Société Genevoise de Photographie (SGP, Geneva Society of Photography) where he later also participated in teaching and other activities. [4] [5]
According to Forster he decided to advance his photography by traveling on money saved working as a gas station attendant during his school holidays. [2] In the summer of 1961 he hitchhiked to Hamburg, in 1962 to Italy, Yugoslavia and over the Cappadocia to the Syrian border of Turkey. In 1963, he and his future wife Anne-Marie Riedel traveled to Scotland, in 1964 they visited the Expo 64 exhibition in Lausanne and in 1965 the most western point of the continent, Sagres in Portugal. In later years the destinations were Switzerland, Sicily, Cyprus, Venice, Paris, the American West in 1994 and 1999, and Ksar Ghilane in Tunisia. [3] [2] After the death of Anne-Marie in 2007 Forster traveled to Tunisia, in 2008 to China, Kyrgyzstan and Egypt, in 2009 to Vietnam, Kenya and Lanzarote. In 2010 it was Morocco, Paris, Japan; in 2011 India – Rajasthan, Cappadocia and Corsica. In 2012 he visited Indochina (Vietnam, Laos, Cambodia) and Cuba, in 2013 Iceland. In 2014 the destinations were Spain and Peru, in 2015 Myanmar, Tokyo and Brittany. After he met his new partner he traveled with her to Thailand and Jordan in 2016, in 2017 to Corsica, in 2018 to South Africa, China and Tibet, in 2019 to South India and Colombia. [6] [3] [2]
Although Forster's travel opus consists mainly of landscapes and reportage photos, he considers portraits as the best part of his travel photography. [2]
During the honeymoon in Portugal, 1965, he took the first outdoor nude photos on an Algarve beach. In the seventies he and Anne-Marie joined the naturism movement and during the family summer vacations on nude beaches Forster could meet models for nude photography among acquaintances. [3] Later he also did not use professional models, he met them during casual encounters and over the Internet. [3] [2]
For his nude photography he chose the venues close to the water such as the seashore and rocks, sometimes also non-natural outdoor places such as empty urban spaces or abandoned ruins. [3] In 1987, during a vernissage of a photo exhibition of Serge Nazarieff, [7] Forster met Pierre Strinati, a biologist and caver who was also involved in cave nude photography. This led to own cave nudes in one of the Swiss show caves, the Vallorbe caves. [2] [8] He also experimented with striped light effects on the body and with symmetrical, reflected compositions. [9] The issues concerning the nude photography could be illustrated by his citation:
Nude photography is, of course, always on the razor's edge. Everyone perceives the result differently, depending on their education, culture or age. [10]
Forster's works have appeared in photo magazines and books. [11] [12] He has participated in national and international photo contests and his works have also been selected as photo of the year. [13]
As of 2022 Forster had the following personal exhibitions, in Switzerland and in France: [2] [4] [14] [15] [16] [17]
|
Geneva Public Transport operates most of the public transportation system in canton of Geneva, Switzerland, including the city of Geneva. The agency's head office is in Grand-Lancy, Lancy.
Jean Louis Marie Eugène Durieu was an early French amateur nude photographer, primarily known for his early nude photographs of men and women.
Julien Vallou de Villeneuve was a French painter, lithographer and photographer.
Didier Ruef is a Swiss documentary photographer best known for his portrayal of man and waste, recycle and sustainability, Africa, man and animals, Swiss alpine farmers and contemporary Switzerland.
John Bernhard is a Swiss American artist and photographer best known for his surrealist nude studies. Rather than merely showing women's bodies, Bernhard overlaid elements of the earth through projections and worked with myths of metamorphosis as a subtext for his model photography. The resulting images include allusions to the material by which the models are absorbed or into which they disappear.
Raymond Cauchetier was a French photographer, known for his work as the set photographer from 1959 to 1968 on many films of the French New Wave. His photographs are an important record of the New Wave directors at the beginning of their careers, and of their unconventional and groundbreaking production methods. A 2009 profile of Cauchetier in Aperture magazine declared that his photographs "are themselves central works of the New Wave."
Michel Poivert is a professor of the history of contemporary art and photography at the Sorbonne. He has taken a special interest in pictorialism, the subject of his doctorate thesis. From 1995 to 2010, he was president of Société française de photographie, the French Photography Society. In 2018, he founded the International College of Photography (CIP). In 2020, he was awarded Officier des Arts et des Lettres.
André Villers was a French photographer and artist "best known for his pictures of Pablo Picasso in the south of France in the 1950s."
François Rousseau is a professional French painter and photographer born in 1967.
Catherine Gfeller is a Swiss artist. She currently lives and works in Paris and Southern France after having lived in New York from 1995 to 1999.
Vu, stylized as VU, was a weekly French pictorial magazine, created and directed by Lucien Vogel, which was published from 21 March 1928 to 29 May 1940; it ran for 638 issues.
Jacques Pugin is an artist-photographer. He is one of the precursors of the Light Painting technique, which consists in capturing luminous traces during the photographic process, either via direct exposure of the sensor to the light source, or else to a lit subject. Jacques constructs his images by intervening either in the actual capturing process (incamera) or in post-production, using various techniques, such as drawing, painting or digital tools. If the subject of his early work was the Body, since then he primarily photographs Nature. A feature of Jacques Pugin's work is his particular focus on traces or signs, that indicate the presence of human or natural elements in the landscape. His photographs are a reflection on time, space and the complex relation between man and nature.
Nora Dumas was a Hungarian photographer who worked mainly in Paris in the Humanist genre.
Marcel Bolomet, né Bolomey, was a Swiss-French photographer who photographed many of the pivotal events during the 1930s and 1940s. He was the first official photographer for the United Nations, photographed the League of Nations, the first World Jewish Congress, and the last World Zionist Congress before the outbreak of World War II. He was a freelance photojournalist during the War and he photographed Benito Mussolini's death as well as the liberation of Paris. His work has been described as "having the humor, warmth and sensuality of Kertesz and is far more formal and design oriented than Doisneau." His work is “reminiscent of the work of fellow European photographers Robert Doisneau, Jacques Henri Lartigue, André Kertész, and Henri Cartier-Bresson … The significance of Bolomet's images resides not only in their historic value but in their sensitivity and humanity."
Roger Schall was a French photographer and photojournalist who practiced from the end of the 1920s until the 1970s. During World War II, Schall secretly documented the Nazi occupation of Paris. The studio he opened in Montmartre with his brother in 1931 worked as an agency, distributing images in numerous magazines: Vu, Vogue Paris, L'Illustration, Life, Paris Match… 150 covers and 10,000 photos published. Roger Schall produced fashion photography for the fetish clothing company Diana Slip. He photographed many celebrities of his time including Gabrielle Chanel, Colette and Marlène Dietrich.
François-Étienne de La Roche was a Genevan physician, naturalist, chemist, botanist and ichthyologist.
François Tuefferd was a French photographer, active from the 1930s to the 1950s. He also ran a darkroom and gallery in Paris, Le Chasseur d'Images, where he printed and exhibited the works of his contemporaries. His best-known imagery features the French circus.
René Groebli, sometimes spelt Gröbli, is an exhibiting and published Swiss industrial and advertising photographer, expert in dye transfer and colour lithography.
Patrick Kinigamazi is a Rwandan former professional boxer who competed from 2006 to 2020. He held the African lightweight title in 2016 and the WBF super featherweight title from 2017 to 2020.
The Société de Lecture of Geneva is a private non-profit association founded in 1818. Over the last two centuries, it has preserved and developed an encyclopaedic library of 200,000 volumes. It is an active cultural centre of European renown. Located in the heart of the old town of Geneva, the Société de Lecture was originally an exclusive meeting place for scholars. Nowadays, it is no longer the "salon de conversation" of Geneva's patrician society, as it was during the Restoration, nor, the thinktank of political refugees and would-be revolutionaries as it was at the beginning of the nineteenth century. Today, it is a place of exchange, research, conferences and learning open to the public, mainly in the fields of literature, as well as music, science, geopolitics, history and the fine arts. In 1947, the novelist Robert de Traz defined it as "a haven of grace for the body and the mind, a flight path for the imagination, a kind of intellectual hammam, a fabulous cave where the treasures of literature accumulate".