Richard Lerman (Dec 5, 1944 in San Francisco, CA) is a composer and sound artist whose, "work...centers around his custom-made contact microphones of unusually small size," [1] including, "piezo disks and other transducers". [2] He studied with Alvin Lucier, Gordon Mumma, and David Tudor. [1]
Richard Lerman is the populist of field recording technology. He makes inexpensive (under $1) microphones out of piezoelectric disks (small, flat pieces of metal), attaches them to blades of grass, and lets raindrops fall on them. Sometimes he lets hundreds of ants walk all over them in the desert. The sounds he produces are immediate, shocking, intensified, and brilliant. His work expands the infinitesimal sounds of the natural world into noises that are wide and surrounding, changing our human sense of scale.
— Rothenberg & Ulvaeus (2001), [3]
He was awarded a Guggenheim Fellowship in Sound Art (Video & Audio) for 1987-88. [4] He also works in film, having had a show at MOMA, [1] and is currently working on advanced programming in DVD creation. [2]
Lerman's work is often site-specific. Pieces include Travelon Gamelon, for amplified bicycles; A Seasonal Mapping of the Sonoran Desert, which includes cactus needles plucked by rainfall; and the collaboration (with Mona Higuchi) Threading History, for which he recorded prison camp barbed wire. [1] In the 80s he lived in Boston and taught at the Museum School and the Center for Advanced Visual Studies at MIT. [5]
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ABBA are a Swedish pop supergroup formed in Stockholm in 1972 by Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad. The group's name is an acronym of the first letters of their first names. They became one of the most commercially successful acts in the history of popular music, topping the charts worldwide from 1974 to 1982. ABBA won the Eurovision Song Contest 1974, giving Sweden its first triumph in the contest. They are the most successful group to have taken part in the competition.
Göran BrorBennyAndersson is a Swedish musician, composer, producer, member of the Swedish music group ABBA, and co-composer of the musicals Chess, Kristina från Duvemåla, and Mamma Mia!. For the 2008 film version of Mamma Mia! and its 2018 sequel, Mamma Mia! Here We Go Again, he worked also as an executive producer. Since 2001, he has been active with his own band Benny Anderssons orkester.
Electronic music is music that employs electronic musical instruments, digital instruments and circuitry-based music technology. In general, a distinction can be made between sound produced using electromechanical means, and that produced using electronics only. Electromechanical instruments include mechanical elements, such as strings, hammers, and so on, and electric elements, such as magnetic pickups, power amplifiers and loudspeakers. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, and the electric guitar, which are typically made loud enough for performers and audiences to hear with an instrument amplifier and speaker cabinet. Pure electronic instruments do not have vibrating strings, hammers, or other sound-producing mechanisms. Devices such as the theremin, synthesizer, and computer can produce electronic sounds.
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Audio feedback is a special kind of positive loop gain which occurs when a sound loop exists between an audio input and an audio output. In this example, a signal received by the microphone is amplified and passed out of the loudspeaker. The sound from the loudspeaker can then be received by the microphone again, amplified further, and then passed out through the loudspeaker again. The frequency of the resulting sound is determined by resonance frequencies in the microphone, amplifier, and loudspeaker, the acoustics of the room, the directional pick-up and emission patterns of the microphone and loudspeaker, and the distance between them. For small PA systems the sound is readily recognized as a loud squeal or screech. The principles of audio feedback were first discovered by Danish scientist Søren Absalon Larsen, hence the name "Larsen Effect".
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Minimal music is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units. It may include features such as phase shifting, resulting in what is termed phase music, or process techniques that follow strict rules, usually described as process music. The approach is marked by a non-narrative, non-teleological, and non-representational approach, and calls attention to the activity of listening by focusing on the internal processes of the music.
Sound art is an artistic discipline in which sound is utilised as a primary medium. Like many genres of contemporary art, sound art may be interdisciplinary in nature, or be used in hybrid forms. Sound art can be considered as being an element of many areas such as acoustics, psychoacoustics, electronics, noise music, audio media, found or environmental sound, soundscapes, explorations of the human body, sculpture, architecture, film or video and other aspects of the current discourse of contemporary art.
Frank Sinatra Sings for Only the Lonely is an album by Frank Sinatra.
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David Miles Huber is an American composer and producer in the downtempo, ambient and dance genres. He is also the author of numerous books on recording and electronic music. Huber's CD series Relaxation and Meditation with Music and Nature has sold over one million copies. His latest music and collaborations are available through the 51bpm independent record label. Huber's most prominent book; Modern Recording Techniques was sold over 250,000 copies and became a standard recording industry text.
An audio engineer helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "...technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer ... the nuts and bolts." It's a creative hobby and profession where musical instruments and technology are used to produce sound for film, radio, television, music, and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events.
In sound recording and reproduction, audio mixing is the process of combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product.
Liz Lerman is an American choreographer and founder of Liz Lerman Dance Exchange.
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The sharawadji effect, not to be confused with sharawadgi, is a musical perception or phenomenon regarding timbre and texture described by Claude Shryer as, "a sensation of plenitude sometimes created by the contemplation of a complex soundscape whose beauty is inexplicable." It is important to note that sharawadji is not a stimulus, but rather a reaction to a stimulus. Shryer also elaborated on searching for this, "state of awareness," by the means of, "one tend[ing] an open ear in the hopes of experiencing the sublime beauty of a given sound in an unexpected context." The experience of the sharawadji sonic effect is often heavily dictated by personal context as well as the perception of the listener. One striking example of this effect is the appreciation of the sound of rumbling thunder: those who are being directly exposed to the element would be more likely to fear it compared to those who experience the sound while in a safe environment. Simply understood, "sharawadji sounds belong to everyday life, to a known musical style. They become sharawadji only through decontextualization, through a rupture of meaning."