Critical reception
Trouser Press called Rien "more a return to form than The Faust Concerts, with droning violins, pounding industrial synthesizers, odd sound effects, trumpet improvisations and, of course, power tools combining in an experimental haze." [5] Meanwhile, Ted Mills wrote for AllMusic that the album "should be taken on a different level as almost a different group. With the weight of nostalgic expectations against them, Faust did what they could to separate themselves from their past." [1]
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