The Faust Tapes | ||||
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Studio album by | ||||
Released | 1973 | |||
Recorded | Wümme, Bremen, Germany June 1971 – June 1973 | |||
Genre | Experimental music, musique concrète, krautrock, sonic collage | |||
Length | 43:26 | |||
Label | Virgin | |||
Producer | Uwe Nettelbeck | |||
Faust chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Faust Tapes is the third album by the German krautrock group Faust, released in 1973. The album sold well in the United Kingdom (60,000 copies) [2] because of a marketing gimmick by Virgin Records that saw it go on sale for the price of a single. [1] This exposure introduced British audiences to Faust.
Recommended Records reissued the album on LP in 1980, and on CD in 1996 and 2001, both mastered from vinyl sources. The Recommended LP reissue used a brand new cover design and was packaged in an oversized plastic bag. Neither CD edition included the original LP artwork; the 1996 CD used the cover art from the second "Faust Party 3" extract single as the front cover and the 2001 CD used the cover art from the Munich and Elsewhere album as the front cover. The Virgin and Recommended LP releases, and the first Recommended CD release had no track titles. In 2021, the German label Bureau B released the box set 1971-1974, in editions of 2000 seven LP/two 7" sets and 1000 eight-CD sets, consisting of their first four albums (including Tapes), the previously "lost" album Punkt, two albums of previously unreleased tracks, and two singles (one previously unreleased). Both editions are now out of print, but the label has released Tapes digitally on their Bandcamp page. For all of these releases, all of the tracks that were previously Untitled or Exercises were given new titles.
The Faust Tapes consists of segments of songs woven together in pieces spread out over two sides of the LP. [1] [3]
Faust's previous record label was Polydor Germany, and when they complained that Faust's second album Faust So Far (1972) was not commercial enough, the group's producer Uwe Nettelbeck signed the band up with Virgin Records in London. Part of the deal between Nettelbeck and Virgin was that he would give Virgin "for nothing" the tapes he had of the music Faust had been working on since So Far, and that Virgin would release a record at as low a price as possible.
The result was The Faust Tapes, a full-length album, which sold at 49 pence, the price of a 7" single at the time. [4] As a result, this gave Faust, who were relatively unknown, a massive audience as the album sold over 60,000 copies. The album also reached number 12 in the charts, but was later redacted its spot on the grounds of the cover price. [5] [6] The sales of the album put Virgin at a £2,000 loss. [2]
In 1998 The Wire placed The Faust Tapes in their (unnumbered) list "One Hundred Records That Set the World on Fire (While No One Was Listening)", where the writers said it "showcases the art of sonic collage at its best". [7]
Region | Certification | Sales |
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United Kingdom (BPI) [2] | Silver | 60,000 |
Faust are a German rock band from Hamburg. Formed in 1971 by producer and former music journalist Uwe Nettelbeck, the group was originally composed of Werner "Zappi" Diermaier (b.1949), Hans Joachim Irmler (b.1950), Arnulf Meifert, Jean-Hervé Péron (b.1949), Rudolf Sosna and Gunther Wüsthoff, working with engineer Kurt Graupner. Their work was oriented around dissonance, improvisation, and experimental electronic approaches, and would influence subsequent ambient and industrial music. They are considered a central act of West Germany's 1970s krautrock movement.
Before and After Science is the fifth studio album by British musician Brian Eno. Produced by Eno and Rhett Davies, it was originally released by Polydor Records in December 1977 in the United Kingdom and by Island U.S. soon after. Musicians from the U.K. and Germany collaborated on the album, including Robert Wyatt of Soft Machine, Fred Frith of Henry Cow, Phil Manzanera of Roxy Music, Paul Rudolph of Hawkwind, Andy Fraser of Free, Dave Mattacks of Fairport Convention, Jaki Liebezeit of Can, and Dieter Moebius and Hans-Joachim Roedelius of Cluster. Over one hundred tracks were written but only ten made the album's final cut. The musical styles range from energetic and jagged to languid and pastoral.
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Slapp Happy is a studio album by German/British avant-pop group Slapp Happy, recorded at Virgin Records' Manor Studio in 1974.
Acnalbasac Noom is a studio album by German-British avant-pop group Slapp Happy, recorded in Wümme, Bremen, Germany in 1973 with Faust as their backing band. It had a working title of Casablanca Moon but was never released at the time because it had been rejected by their record label, Polydor. Slapp Happy later re-recorded the album in 1974 for Virgin Records, who released it in 1974 as Slapp Happy. The original 1973 recording of Casablanca Moon, was released as Slapp Happy or Slapphappy by Recommended Records in 1980, and reissued as Acnalbasac Noom in 1982. The title Acnalbasac Noom appears in the lyrics of the song "Casablanca Moon", and is Casablanca Moon with the words written backwards.
Faust So Far, also simply called So Far, is a 1972 album by German krautrock group Faust. This, the band's second studio album, has a more commercially typical structure than its predecessor; it comprises nine separate tracks, each consisting of an individual and distinct musical style or theme.
Ulan Bator is a French experimental post-rock band founded in 1993 by Amaury Cambuzat and Olivier Manchion. They got their name from Ulan Bator, the capital city of Mongolia. They create lengthy instrumental music with influence from industrial and krautrock bands like Can, Neu! and Faust.
Faust IV is the fourth studio album by the German krautrock group Faust, released in 1973. The album is included in the book 1001 Albums You Must Hear Before You Die, where it is referred to as a "krautrock classic". This was the last album by the first incarnation of the band, they returned in 1994 with the release of Rien featuring a different line-up.
Sort Of is the debut studio album by the avant-rock band Slapp Happy. It was recorded in Wümme, Bremen, Germany in May and June 1972 with Faust as their backing band, and released on LP by Polydor Records in 1972. In 1980 Recommended Records released a limited edition of Sort Of on LP, and the album was reissued on CD by Blueprint Records in 1999 with one bonus track.
Camembert Electrique is the second studio album by the progressive rock band Gong, recorded and originally released in 1971 on the French BYG Actuel label. The album was recorded at Château d'Hérouville near Paris, France, produced by Pierre Lattès and engineered by Gilles Salle. Jean Karakos was executive producer.
Olivier Manchion is a French musician.
Geoff Leigh is an English jazz and progressive rock musician, playing primarily soprano saxophone and flute. He was a member of the English avant-rock group Henry Cow and founded several bands himself, including Red Balune, Random Bob, Black Sheep, Mirage, and Ex-Wise Heads.
Werner Diermaier is a German drummer, best known as one of the founding members of the German krautrock band, Faust. Diermaier has remained with Faust for its entire lifespan and appears on all of their over 30 albums.
Uwe Nettelbeck was a German record producer, journalist and film critic. He was best known as the creator and producer of the German krautrock band Faust and changed the face of German rock music in the early 1970s. He was also one of Germany's leading film critics in the 1960s.
Outside the Dream Syndicate is a 1973 album by United States avant-garde composer Tony Conrad in collaboration with German krautrock group Faust. The album marks Conrad's first and only musical release for many years, and remains his best known musical work. It is considered a classic of minimalist and drone music. Pitchfork exclaims "for a moment in Outside the Dream Syndicate, one forgets what exactly is moving and what is standing still."
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