Rijram Desad | |
---|---|
Genres | Indian classical, film score |
Occupation(s) | Musician, teacher |
Instruments | Jal tarang, various Indian percussion and string instruments |
Rijram Desad, often credited as Rij Ram Desad, was an Indian classical musician, multi-instrumentalist and teacher, based in Bombay. Beginning in the early 1940s, he performed on many Indian film soundtracks and in ballet presentations. He was known for his versatility as a musician and his ability to master a wide range of percussion and string instruments. [1] According to cultural historian Naseem Khan, his skill on the jal tarang had become "legendary" by the mid 1970s. [1]
Desad worked with the Hindi cinema playback singer Lata Mangeshkar [1] and played santoor on recordings by the Hindustani ghazal, dadra and thumri vocalist Begum Akhtar. [2] Among his contributions to orchestral projects, he played hand drums [3] in an ensemble led by Ravi Shankar and filmed in Bombay in 1968 for the Shankar documentary Raga (1971). [4] [5] In January 1968, he was among the musicians selected by Shambhu Das, who ran Shankar's Kinnara School of Music in Bombay, [6] to appear on the Wonderwall Music soundtrack album by George Harrison of the Beatles. [7] Desad's contributions to the album included Indian harmonium and tabla tarang. [8] As a result of this project, Desad played harmonium on the Beatles song "The Inner Light", which Harrison recorded during the same sessions. [9] In his notes detailing the contributions of the musicians he worked with in Bombay, Harrison listed him as "Rij-Ram (Everything) Desad". [10]
In 1974, Desad was one of the musicians and singers handpicked by Shankar for his Music Festival from India revue. [11] Sponsored by Harrison, the eighteen-piece orchestra toured Europe, [12] playing a musical program that mixed Indian classical and a wide variety of regional folk styles. [13] Among the percussion instruments played by Desad, he performed on pakavaj beside fellow drummers Alla Rakha (tabla), T.V. Gopalkrishnan (mridangam) and Kamalesh Maitra (tabla tarang). [14] Harrison also produced a studio album by the Music Festival from India; [15] released in 1976, it included contributions from Desad on pakavaj, madal tarang, dholki, nagada, huduk and duff. [16] Following the Music Festival's European tour, he played on Harrison and Shankar's joint North American tour in November and December 1974. [17] [18] For the finale to the Indian portion of these concerts, Desad and the rest of Shankar's ensemble performed with Harrison's band, [19] [20] which also included jazz percussionist Emil Richards and rock drummers Jim Keltner and Andy Newmark. [14]
Desad's versatility led to him redesigning old folk musical instruments for use in a more modern and varied musical context. [1] Later a teacher, Desad was a mentor to tablist Lalit Mahant, [21] whom he trained in tabla and the tantra vadhya vocal style. [22]
Dark Horse Records is a record label founded by former Beatle George Harrison in 1974. The label's formation coincided with the winding down of the Beatles' Apple Records and allowed Harrison to continue supporting other artists' projects while maintaining his solo career. The initial signings were Indian musician Ravi Shankar and Splinter, the latter of whom provided the label with its only significant commercial success until Harrison himself signed with Dark Horse in 1976. The label was distributed internationally by A&M Records for the first two years of its operation. Following a highly publicised split with A&M, Harrison and Dark Horse formed a long-term partnership with Warner Bros. Records that lasted until the expiration of his contract in 1994.
Wonderwall Music is the debut solo album by English musician George Harrison and the soundtrack to the 1968 film Wonderwall, directed by Joe Massot. Released in November 1968, it was the first solo album by a member of the Beatles, and the first album issued on the band's Apple record label. The songs are all instrumental pieces, except for occasional non-English language vocals, and mostly comprise short musical vignettes. Following his Indian-styled compositions for the Beatles since 1966, he used the film score to further promote Indian classical music by introducing rock audiences to instruments that were relatively little-known in the West – including shehnai, sarod, tar shehnai and santoor. The Indian pieces are contrasted by Western musical selections, in the psychedelic rock, experimental, country and ragtime styles.
"The Inner Light" is a song by the English rock band the Beatles, written by George Harrison. It was released on a non-album single in March 1968, as the B-side to "Lady Madonna". The song was the first Harrison composition to be issued on a Beatles single and reflects the band's embrace of Transcendental Meditation, which they were studying in India under Maharishi Mahesh Yogi at the time of the single's release. After "Love You To" and "Within You Without You", it was the last of Harrison's three songs from the Beatles era that demonstrate an overt Indian classical influence and are styled as Indian pieces. The lyrics are a rendering of a poem from the Taoist Tao Te Ching, which he set to music on the recommendation of Juan Mascaró, a Sanskrit scholar who had translated the passage in his 1958 book Lamps of Fire.
Raga is a 1971 documentary film about the life and music of Indian sitarist Ravi Shankar, produced and directed by Howard Worth. It includes scenes featuring Western musicians Yehudi Menuhin and George Harrison, as well as footage of Shankar returning to Maihar in central India, where as a young man he trained under the mentorship of Allauddin Khan. The film also features a portion of Shankar and tabla player Alla Rakha's acclaimed performance at the 1967 Monterey Pop Festival.
John Barham is an English classical pianist, composer, arranger, producer and educator. He is best known for his orchestration of George Harrison albums such as All Things Must Pass (1970) and for his association with Indian sitar maestro Ravi Shankar. Barham trained at the Royal College of Music and the School of Oriental and African Studies in London, before establishing himself during the mid 1960s as a composer of piano interpretations of Indian classical ragas. He became a student of Shankar, for whose East–West collaborations with Yehudi Menuhin and others he transcribed Indian melodies into Western musical annotation. Through Shankar, Barham began a long friendship with Harrison in 1966, then a member of the Beatles, which assisted Harrison's own education in Indian music as well as his promotion of the genre to Western audiences. Barham collaborated with Harrison on the latter's Wonderwall Music soundtrack album (1968), before providing the orchestral arrangements for All Things Must Pass songs such as "Isn't It a Pity" and "My Sweet Lord", and for Harrison's 1973 album Living in the Material World.
Ravi Shankar's Music Festival from India was an Indian classical music revue led by sitarist and composer Ravi Shankar intended for Western concert audiences and performed in 1974. Its presentation was the first project undertaken by the Material World Charitable Foundation, set up the previous year by ex-Beatle George Harrison. Long a champion of Indian music, Harrison also produced an eponymous studio album by the Music Festival orchestra, which was released in 1976 on his Dark Horse record label. Both the CD format of the Ravi Shankar's Music Festival from India album and a DVD of their performance at the Royal Albert Hall in London were issued for the first time on the 2010 Shankar–Harrison box set Collaborations.
In Concert 1972 is a double live album by sitar virtuoso Ravi Shankar and sarodya Ali Akbar Khan, released in 1973 on Apple Records. It was recorded at the Philharmonic Hall, New York City, in October 1972, and is a noted example of the two Hindustani classical musicians' celebrated jugalbandi (duet) style of playing. With accompaniment from tabla player Alla Rakha, the performance reflects the two artists' sorrow at the recent death of their revered guru, and Khan's father, Allauddin Khan. The latter was responsible for many innovations in Indian music during the twentieth century, including the call-and-response dialogue that musicians such as Shankar, Khan and Rakha popularised among Western audiences in the 1960s.
The Material World Charitable Foundation, also known as the Material World Foundation (MWF), is a charitable organisation founded by English musician George Harrison in April 1973. Its launch coincided with the release of Harrison's album Living in the Material World and came about in reaction to the taxation issues that had hindered his 1971–72 aid project for refugees of the Bangladesh Liberation War. Harrison assigned his publishing royalties from nine of the eleven songs on Living in the Material World, including the hit single "Give Me Love ", to the foundation, in perpetuity.
"I Am Missing You" is a song by Indian musician Ravi Shankar, sung by his sister-in-law Lakshmi Shankar and released as the lead single from his 1974 album Shankar Family & Friends. The song is a rare Shankar composition in the Western pop genre, with English lyrics, and was written as a love song to the Hindu god Krishna. The recording was produced and arranged by George Harrison, in a style similar to Phil Spector's signature sound, and it was the first single issued on Harrison's Dark Horse record label. Other contributing musicians include Tom Scott, Nicky Hopkins, Billy Preston, Ringo Starr and Jim Keltner. A second version appears on Shankar Family & Friends, titled "I Am Missing You (Reprise)", featuring an arrangement closer to a folk ballad.
Chants of India is an album by Indian musician Ravi Shankar released in 1997 on Angel Records. Produced by his friend and sometime collaborator George Harrison, the album consists of Vedic and other Hindu sacred prayers set to music, marking a departure from Shankar's more familiar work in the field of Hindustani classical music. The lyrical themes of the recorded chants are peace and harmony among nature and all creatures. Sessions for the album took place in the Indian city of Madras and at Harrison's home in Henley-on-Thames, Oxfordshire, following his work on The Beatles' Anthology (1995). Anoushka Shankar, John Barham, Bikram Ghosh, Tarun Bhatacharaya and Ronu Majumdar are among the many musicians who contributed to the recording.
Joi Bangla is an EP by Indian sitar virtuoso Ravi Shankar, issued in August 1971 on Apple Records. The recording was produced by George Harrison and its release marked the first in a series of occasional collaborations between the two musicians that lasted until the Chants of India album in 1997. Shankar recorded the EP in Los Angeles, to help raise international awareness of the plight faced by refugees of the Bangladesh Liberation War, in advance of his and Harrison's Concert for Bangladesh shows at Madison Square Garden, New York. Side one of the disc consists of two vocal compositions sung in Bengali, of which the title track was a message of unity to the newly independent nation, formerly known as East Pakistan. The third selection is a duet by Shankar and sarodya Ali Akbar Khan, supported by Alla Rakha on tabla, a performance that presaged their opening set at the Concert for Bangladesh.
Kamalesh Maitra, often referred to by the title Pandit, was an Indian classical musician, composer and teacher. He is recognised as the last master of the tabla tarang – a melodic percussion instrument consisting of numerous individually tuned hand drums, set in a semicircle. Maitra grew up in Calcutta and played the tabla until joining Uday Shankar's ballet company in 1950 and taking up the tabla tarang. He became the company's musical director and toured internationally with the troupe through to the mid 1970s.
Kamala Chakravarty is an Indian classical musician and former dancer, known for her association with sitar maestro Ravi Shankar. From 1967 until the late 1970s, she accompanied Shankar, in the role of tambura player and singer, in a number of acclaimed performances, including the Monterey International Pop Festival (1967), his Human Rights Day duet with violinist Yehudi Menuhin (1967), the Concert for Bangladesh (1971) and the Music Festival from India (1974). She also lived with Shankar as his wife from 1967 to 1981, during which he was still married to musician and teacher Annapurna Devi.
The Asian Music Circle was an organisation founded in London, England, in 1946, that promoted Indian and other Asian styles of music, dance and culture in the West. The AMC is credited with having facilitated the assimilation of the Indian subcontinent's artistic traditions into mainstream British culture. Founded by Indian writer and former political activist Ayana Angadi and his English wife, Patricia Fell-Clarke, a painter and later a novelist, the organisation was run from their family home in the north London suburb of Finchley.
George Harrison and Ravi Shankar's 1974 North American tour was a 45-show concert tour of the United States and Canada, undertaken by English musician George Harrison and Indian sitarist Ravi Shankar in November and December 1974. It is often referred to as the Dark Horse Tour, since the concerts served as a launch for Harrison's record label Dark Horse Records, to which Shankar was one of the inaugural signings, and Harrison's concurrent single was the song "Dark Horse". The release of his delayed album, also titled Dark Horse, followed towards the end of the tour. The shows featured guest spots by Harrison's band members Billy Preston and Tom Scott.
Viji Subramaniam, also known as Viji Shankar, was an Indian singer. She was the daughter of North Indian singer Lakshmi Shankar and Rajendra Shankar. Like her mother and uncle, Viji was a musician and trained in both the Indian classical systems.
Collaborations is a four-disc compilation box set by Indian classical musician Ravi Shankar and former Beatle George Harrison. Released in October 2010 on Dark Horse Records, it compiles two studio albums originally issued on that label – the long-unavailable Shankar Family & Friends (1974) and Ravi Shankar's Music Festival from India (1976) – and Chants of India, first issued on Angel Records in 1997. Although all three albums were originally Shankar releases, for which Harrison served in the role of music producer and guest musician, both Shankar and Harrison are credited as artists on the box set. Each of the collaborative projects represents a departure from Shankar's more typical work as a sitarist and performer of Hindustani classical ragas, with the box set showcasing his forays into, variously, jazz and rock, Indian folk and orchestral ensembles, and devotional music.
Raga Mala is an autobiographic work by Indian classical musician Ravi Shankar, published in 1997 as a hand-bound, limited edition book by Genesis Publications. The initial print run was limited to 2000 signed and individually numbered copies, with a foreword by George Harrison, who also served as Shankar's editor. In addition, Oliver Craske was credited with providing "additional narrative".
Ravi Shankar's Festival from India is a double album by Indian musician and composer Ravi Shankar, released on World Pacific Records in December 1968. It contains studio recordings made by a large ensemble of performers, many of whom Shankar had brought to the United States from India. Among the musicians were Shivkumar Sharma, Jitendra Abhisheki, Palghat Raghu, Lakshmi Shankar, Aashish Khan and Alla Rakha. The project presented Indian classical music in an orchestral setting, so recalling Shankar's work as musical director of All India Radio in the years before he achieved international fame as a soloist during the 1960s.
Shambhu Das is an Indian classical musician and educator. He is best known for his long association with Ravi Shankar, on whose behalf Das has acted as an ambassador for Indian music in Canada since the early 1970s, and his friendship with George Harrison of the Beatles, whom Das helped teach sitar in 1966. His assistance in Harrison's immersion in Indian culture helped inspire the Beatles' career direction and, due to the band's popularity and influence, the direction of the 1960s counterculture. In 1970, Das established the Indian Music Department at Toronto's York University, where he taught for four years.