Road to Redemption (2001 film)

Last updated

Road to Redemption
Road to Redemption 2001 WWP.jpg
Promotional poster
Directed byRobert Vernon [1]
Written byRobert Vernon [1]
Produced by John Shepherd [1]
John Schmidt [1]
Dave Ross [1]
Gordon Druvenga [1]
Rick Garside, line producer [1]
Jason Behrman, associate producer [1]
Starring Pat Hingle [1]
Julie Condra [1]
Leo Rossi [1]
Jay Underwood [1]
Tony Longo [1]
Wes Studi [1]
CinematographyMichael Balog [1]
Edited byJohn Schmidt [1]
John Pipes [1]
Music byJohn Campbell [1]
Production
companies
Distributed by World Wide Pictures [1]
Release dates
Running time
85 minutes
CountryUnited States
LanguageEnglish
Budget$2.2 million [2]
Box office$236,823 [3]

Road to Redemption was a film produced by John Shepherd and Jason Behrman, [4] and distributed by Billy Graham Ministries' World Wide Pictures and released in select theaters in 2001. [2] It was written and directed by Robert Vernon [1] and starred Pat Hingle, Jay Underwood, Julie Condra, and Leo Rossi. [5] It was released on home video and DVD in June 2001. [6]

Contents

Plot

Amanda Tucker and her live-in boyfriend Alan Fischer steal $250,000 from Sully Santoro, a Las Vegas mob boss who also happens to be Amanda's employer. They bet the money at the races, and subsequently lose it all. While Alan decides to set Sully's office on fire to explain the missing money, Amanda decides to visit her Grandpa Nathan in Flagstaff, Arizona. He happens to be wealthy.

Unfortunately for Amanda, he's also recently found Jesus, and though he agrees to give her the money, he tacks on a caveat: she has to drive him to his favorite fishing hole. Nathan's favorite place to fish is Lake Redemption, Montana. She agrees. The pair load up her VW Beetle and embark on a road trip. Along the way, they're pursued by her boss's thugs, they encounter a rattlesnake and a grizzly bear, they follow a truck full of feathers, and they regularly pray for miracles.

During their cross-country adventure, Nathan plays evangelical broadcasts on the radio that include Billy Graham's "Day of Decision", and regularly discusses his spirituality in an attempt to convert Amanda to Christianity. Eventually, it appears to work.

Cast

Production

Filmed on location in California and Utah, [2] production was completed on the film in 2000. [5] Songs for the film were provided by the Christian music group River, who renamed their album My Life Message to Road to Redemption in order to match the film. [8]

World Wide gave the film a budget of $2.2 million. [2] The film made only $236,823 in box office sales. [3]

Release

Road to Redemption was screened in February 2001. [9] The film was released in two waves to select theaters in the U.S. only: on February 16 (Minneapolis, Phoenix, San Antonio, Austin, Norfolk, Seattle, Nashville, Portland) and March 9 (San Diego, Cincinnati, Denver, Dallas, Kansas City, Tampa). [2] After it had played in select theaters, the film was screened at local churches, both before [10] and after [11] the DVD home video release on June 1, 2001. [6] Prior to the home video release, the film was included alongside other Christian offerings such as The Bibleman Adventure and Escape From Hell , in a free festival that toured several cities, including Toronto, Memphis, and Orlando. [12]

The film began airing on U.S. television the first week of June 2001 [13] and continued to air on U.S. television through November 2002. [14] It played in the U.K. on television in March 2002 [15] and still aired in January 2003. [16]

World Wide stated that the use of select theaters for Road to Redemption was a strategic decision to determine the viability of a national theatrical release. [17]

Road to Redemption was re-released on DVD in 2006 as part of the "Billy Graham Presents" collection of three films. [18]

Reception

Evangelical ratings
Review scores
SourceRating
Bob Waliszewski, for Focus on the Family's PluggedInpositive [19]
Ken James, for ChristianAnswers.netStar full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [4]
Heidi Bortel, for The Register-Heraldpositive [20]
MovieGuide Star full.svgStar full.svgStar full.svgStar empty.svg [21]
General public ratings
Aggregate scores
SourceRating
Amazon Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [22]
IMDb Star full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar half.svgStar empty.svgStar empty.svgStar empty.svgStar empty.svg [23]
Letterboxd 2.24 of 5 [24]
Rotten Tomatoes 62% [25]
Review scores
SourceRating
Margaret A. McGurk, for The Cincinnati Enquirer Star full.svgStar full.svgStar half.svgStar empty.svg [26]
Scott Foundas, for Variety negative [1]
Kathy Cano-Murillo, for The Arizona Republic Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [27]
Rasmi Simhan, for The Kansas City Star Star full.svgStar empty.svgStar empty.svgStar empty.svg [28]
Marc Savlov, for The Austin Chronicle Star half.svgStar empty.svgStar empty.svgStar empty.svgStar empty.svg [7]

Reviews for the film seem to be fairly split between Evangelical audiences and those who aren't strictly Evangelical Christians.

Evangelical reviews

Bob Waliszewski, writing for Focus on the Family's PluggedIn, focused his review on the Christian aspects of the film. He contrasts Amanda's and Nathan's lives, pointing out Nathan's comments to Amanda about true treasure being in heaven whenever Amanda mentions her very real financial situation. Waliszewski's review is also broken down into various objections Evangelicals would have with the content. For example, Alan and Amanda are not married, but live together. Alan, at one point, peeks into a women's bathroom in an attempt to find Amanda. Vincent is physically violent with Alan - and so is Grandpa Nathan. There are other scenes involving violence or near-violence. Waliszewski summed up his review by saying that the film provides "one of the wittiest, smartest, most-colorful scripts to come out of the Christian community in a long, long time." [19]

Ken James, writing for ChristianAnswers.net, gave the film 4 out of 5 stars, and rated it as 'morally excellent'. While he too focused on the film's Christian themes - notably claiming that Amanda's redemption was fulfilling to watch, he also stated that the movie shows "technical achievement". James also lamented that the "secular world" had already decided the film fell into the category of "propagandistic evangelical" fare. [4] Heidi Bortel, writing for The Register-Herald, stated that the film's main message is that "it's never too late to start life over" regardless of the gravity or shame one feels for one's mistakes. [20]

MovieGuide described the film as a "fast-paced comedy with wholesome values", giving a rating of 3 out of 4 stars. The reviewer found the film entertaining and felt the message conveyed was both serious and relevant. [21]

General public ratings

For the general public, the film's ratings skewed more negative, though there were some that were more positive in their outlook. IMDb viewers rated the film 5.5 stars out of 10. [23] Rotten Tomatoes viewers gave the film a score of 62%. [25] Letterboxd viewers gave an average rating of 2.24 out of 5 stars with a total of 46 ratings. [24] Amazon customers have rated the film 4.5 out of 5 stars. [22]

Margaret A. McGurk, writing for The Cincinnati Enquirer , gave the film 2.5 out of 4 stars. Pointing out that humor is a new genre for Christian films of the time, McGurk also notes that most of the comedy within the film is slapstick in nature and that the jokes otherwise under-perform. She also found the production to be more in line with a telefilm than a piece distributed in theaters in both appearance and sound quality. Of the cast, McGurk found everyone except for Hingle to be playing cartoonish or stock characters. [26]

Scott Foundas, writing for Variety , found the entire plot implausible but the contrivance is entirely as expected in a film made with the sole purpose of proselytizing. Foundas described the ideas put forward by Vernon's script as "curiously old-fashioned" and that the biggest mistake of the film is putting forward dogma intentionally rather than developing it dramatically. He also comments on the characters, which he calls "one-dimensional", and says that the performances are "undistinguished" except for Hingle. Foundas does acknowledge the technical skill employed in the production, specifically with camera use which he compares favorably to World Wide's previous cameraman, James F. Collier. [1]

Kathy Cano-Murillo, writing for The Arizona Republic , also commented on the low quality of the production given the venue. She stated that had this been presented as a telefilm, it would have easily received praise for the performances given and the positive messaging, calling it "an extended version of Touched by an Angel ". Cano-Murillo found the discussions between Amanda and Nathan to be cliché and noted that the preaching was a detractor from the film's departure from typical gangster comedy movies. She gave the film 2 out of 5 stars. [27]

Rasmi Simhan, writing for The Kansas City Star , gave the film a 1 out of 4 star rating. The film's biggest flaws in Simhan's view don't center on its incorporation of religion, but rather on things that are typically a movie's downfall: uninspired characters, clichés, and "unbelievable happy endings". Regarding the characters specifically, Simhan found them unrelatable and unsympathetic. But Simhan also took issue with the fact that the film didn't address religious issues that would have given it a deeper meaning, such as the necessity of having faith in a world of "cruelty and injustice". [28]

Marc Savlov, writing for The Austin Chronicle , rated the film 0.5 out of 5 stars. Despite praising the production for being better than many "church-financed films", Savlov described the storyline as unremarkable and plain. His only compliments to the movie were the camera movement, the pacing, and Hingle's performance. [7]

Related Research Articles

<i>Cool Hand Luke</i> 1967 film by Stuart Rosenberg

Cool Hand Luke is a 1967 American prison drama film directed by Stuart Rosenberg, starring Paul Newman and featuring George Kennedy in an Oscar-winning performance. Newman stars in the title role as Luke, a prisoner in a Florida prison camp who refuses to submit to the system. Set in the early 1950s, it is based on Donn Pearce's 1965 novel Cool Hand Luke.

<i>The Glass Menagerie</i> 1944 play by Tennessee Williams

The Glass Menagerie is a memory play by Tennessee Williams that premiered in 1944 and catapulted Williams from obscurity to fame. The play has strong autobiographical elements, featuring characters based on its author, his histrionic mother, and his mentally fragile sister. In writing the play, Williams drew on an earlier short story, as well as a screenplay he had written under the title of The Gentleman Caller.

<span class="mw-page-title-main">Pat Hingle</span> American actor (1924–2009)

Martin Patterson Hingle was an American character actor who appeared in stage productions and in hundreds of television shows and feature films. His first film was On the Waterfront in 1954. He often played tough authority figures. Hingle was a close friend of Clint Eastwood and appeared in the Eastwood films Hang 'Em High, The Gauntlet, and Sudden Impact. He also portrayed Jim Gordon in the Batman film franchise from 1989 to 1997.

Frank Edward Peretti is a New York Times best-selling author of Christian fiction, whose novels primarily focus on the supernatural. As of 2012, his works have sold over 15 million copies worldwide. He has been described by the New York Times as creating the Christian thriller genre. Peretti is best known for his novels This Present Darkness (1986) and Piercing the Darkness (1989). Peretti has held ministry credentials with the Assemblies of God, and formerly played the banjo in a bluegrass band called Northern Cross. He now lives in Coeur d'Alene, Idaho with his wife, Barbara.

<span class="mw-page-title-main">Joe Flaherty</span> American actor (1941–2024)

Joseph Flaherty was an American actor, writer, and comedian. He is best known for his work on the Canadian sketch comedy SCTV from 1976 to 1984, his role as Harold Weir on Freaks and Geeks (1999), and as the heckler in Happy Gilmore (1996).

<i>Mission to Mars</i> 2000 film by Brian De Palma

Mission to Mars is a 2000 American science fiction adventure film directed by Brian De Palma, written by Jim Thomas, John Thomas, and Graham Yost, and suggested by Disney's theme park attraction of the same name. The film depicts the first crewed Mars exploration mission going awry; American astronaut Jim McConnell helps to coordinate a rescue mission for a colleague. Principal support actors were Tim Robbins, Don Cheadle, Connie Nielsen, Jerry O'Connell, and Kim Delaney.

World Wide Pictures (WWP) is a film distributor and production company established as a subsidiary of the Billy Graham Evangelistic Association (BGEA) in 1951. It is involved in the production and distribution of evangelistic films, the production of Graham crusade films, and publicity for Graham crusades.

<i>The Return of the Texas Chainsaw Massacre</i> 1995 film by Kim Henkel

The Return of the Texas Chainsaw Massacre is a 1995 American slasher black comedy film written, co-produced, & directed by Kim Henkel. It is the fourth installment in The Texas Chainsaw Massacre film series. The film stars Renée Zellweger, Matthew McConaughey, and Robert Jacks. The plot follows four teenagers who encounter Leatherface and his murderous family in backwoods Texas on the night of their prom. It features cameo appearances from Marilyn Burns, Paul A. Partain, and John Dugan, all stars of the original film.

<i>Thinner</i> (film) 1996 American horror film

Thinner is a 1996 American body horror film directed by Tom Holland and written by Michael McDowell and Holland. The film is based on Stephen King's 1984 novel of the same name and stars Robert John Burke, Joe Mantegna, Lucinda Jenney, Michael Constantine, Kari Wuhrer, and Bethany Joy Lenz. In the film, an obese lawyer who accidentally kills a Romani woman is cursed by the woman's father to rapidly lose weight.

<i>Begotten</i> (film) 1989 American experimental horror film

Begotten is a 1989 American experimental silent horror film written, directed, and produced by E. Elias Merhige. It stars Brian Salsberg, Donna Dempsy, Stephen Charles Barry, and members of Merhige's theatre company, Theatreofmaterial. Its unconventional narrative depicts the suicide of a godlike figure and the resulting births of Mother Earth and the Son of Earth, who set out on a journey across a barren landscape. The film does not contain dialogue, with its visual style evoking early silent films.

<span class="mw-page-title-main">Carolyn Banks</span> American writer

Carolyn Banks is an American novelist, short-story writer, editor, and screenwriter residing in Bastrop, Texas.

<i>The Cutting Edge: The Magic of Movie Editing</i> 2004 film

The Cutting Edge: The Magic of Movie Editing is a 2004 documentary film about the history and art of film editing, directed by filmmaker Wendy Apple. The film brings up many topics, including the collaborative nature of filmmaking, female representation in the editing field, and emerging technologies of the 21st century. Clips shown in the documentary were taken from feature films of the past century noted for their innovations in editing, ranging from 1903's Life of an American Fireman to 2003's Cold Mountain.

<i>Mixed Blessings</i> (film) 1995 American TV series or program

Mixed Blessings, also known as Danielle Steel's Mixed Blessings, is a 1995 American made-for-television romantic drama film directed by Bethany Rooney. The film is based upon the 1993 novel of the same name written by Danielle Steel. It contains three stories of couples who are facing parenthood for the first time. Scott Baio, Bess Armstrong, Gabrielle Carteris, and Bruce Greenwood lead the all-star cast.

<i>The Ring</i> (1996 film) American TV series or program

The Ring, also known as Danielle Steel's The Ring, is a 1996 American made-for-television romantic drama film directed by Armand Mastroianni and written by Danielle Steel, based on her 1981 novel of the same name. It stars Nastassja Kinski and Michael York.

<i>Gods Not Dead</i> (film) 2014 film by Harold Cronk

God's Not Dead is a 2014 American Christian drama film directed by Harold Cronk and starring Kevin Sorbo, Shane Harper, David A. R. White, and Dean Cain. Written by Cary Solomon and Chuck Konzelman from a story they co-wrote with Hunter Dennis, and based on Rice Broocks' book God's Not Dead: Evidence for God in an Age of Uncertainty, the film follows a Christian college student (Harper) whose faith is challenged by a misotheist philosophy professor (Sorbo), who declares God a pre-scientific fiction. The film was produced by Pure Flix Entertainment in association with Check the Gate Productions, Red Entertainment Group, and Faith Family Films, and released theatrically on March 21, 2014, by Freestyle Releasing.

<i>Lucky Boy</i> (1929 film) 1929 film by Norman Taurog

Lucky Boy is a 1929 American sound part-talkie musical comedy-drama film directed by Norman Taurog and Charles C. Wilson, most notable for starring George Jessel in his first known surviving feature picture. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score, singing and sound effects along with English intertitles. The sound was recorded using the Tiffany-Tone system using RCA Photophone equipment. The film's plot bore strong similarities to that of the hit 1927 film The Jazz Singer, which had originally been intended to star Jessel before Al Jolson took over the role.

<i>Do You Believe?</i> (film) 2015 American film

Do You Believe? is a 2015 American Christian drama film directed by Jon Gunn and stars an ensemble cast featuring Ted McGinley, Mira Sorvino, Andrea Logan White, Lee Majors, Alexa PenaVega, Sean Astin, Madison Pettis, Cybill Shepherd, and Brian Bosworth. The film is distributed by Pure Flix, who released it on March 20, 2015.

<i>Full Circle</i> (novel) 1996 American TV series or program

Full Circle is a 1984 romance novel by American Danielle Steel. It was adapted by Karol Ann Hoeffner into a 1996 television film starring Teri Polo. It is Steel's seventeenth novel.

A Wonderful Life is a 1951 black-and-white short drama film produced by the National Council of Churches of Christ and distributed by the Protestant Film Commission. It is an adaptation of Frank Capra's 1946 film It's a Wonderful Life for the Christian film industry. Directed by William Beaudine, it stars James Dunn, Allene Roberts, and Arthur Shields. The film retells the life of an ordinary Christian family man in flashback as his family and friends remember all the good he did through his devotion to church and community. The film emphasizes the power of faith, love, and community service for living a meaningful life, together with the message that people do not realize the true worth of others until after they have died. The film was not released commercially, but was distributed to some 30,000 churches throughout the United States and Canada.

References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 Foundas, Scott (March 4, 2001). "Road to Redemption". Variety . Vol. 382, no. 3. Retrieved May 30, 2024.
  2. 1 2 3 4 5 6 7 Ruble, Renee (February 1, 2001). "New release for faithful youngsters not preachy" . Lebanon Daily News . Associated Press. p. 2B. Retrieved May 30, 2024 via Newspapers.com.
  3. 1 2 "Road to Redemption (2001)". The Numbers . Retrieved May 30, 2024.
  4. 1 2 3 James, Ken. "Moview Review: Road to Redemption". ChristianAnswers.net. Retrieved May 30, 2024.
  5. 1 2 Ruscigno, Anna (October 24, 2000). "Product Listings". Hollywood Reporter . Vol. 365, no. 18.
  6. 1 2 "'Road to Redemption'" . Lancaster New Era. Vol. 125, no. 38, 853. Lancaster, PA. June 1, 2001. p. C-9. Retrieved May 30, 2024 via Newspapers.com.
  7. 1 2 3 Savlov, Marc (February 16, 2001). "Road to Redemption". The Austin Chronicle . Retrieved May 30, 2024.
  8. Harlow, Tim (February 10, 2001). "River widens its vistas with 'Redemption' track" . Star Tribune . Vol. 19, no. 312. p. B7. Retrieved May 30, 2024 via Newspapers.com.
  9. "Vendors & Product". Variety . Vol. 382, no. 1 (Supplement ed.). February 19, 2001.
  10. Moore, Roger (May 11, 2001). "Touring Christian films will stop by for a week" . The Orlando Sentinel . Vol. 125, no. 131. p. Calendar 22. Retrieved May 30, 2024 via Newspapers.com.
  11. Paine-Brooks, Lesia (May 27, 2001). "Film brainchild of Graham company" . Johnson City Press. Vol. 81, no. 289. Johnson City, TN. p. 32. Retrieved May 30, 2024 via Newspapers.com.
  12. "Monday Evening" . The Leaf-Chronicle . Vol. 192, no. 307. November 3, 2002. p. TVWeek 8. Retrieved May 30, 2024 via Newspapers.com.
  13. "Sattelite, cable & digital" . The Guardian . March 8, 2002. p. G17. Retrieved May 30, 2024 via Newspapers.com.
  14. "Sattelite, cable & digital" . The Guardian . January 18, 2003. p. G88. Retrieved May 30, 2024 via Newspapers.com.
  15. Parks, Ted (February 16, 2001). "Graham film group releases Christian comedy" . The News and Observer . Vol. 2001, no. 47. p. 4E. Retrieved May 30, 2024 via Newspapers.com.
  16. "Tales of faith and inspiration available on DVD" . Asheville Citizen-Times . Vol. 137, no. 7. January 7, 2006. p. C3. Retrieved May 30, 2024 via Newspapers.com.
  17. 1 2 Waliszewski, Bob. "Movie Review: Road to Redemption". PluggedIn . Retrieved May 30, 2024.
  18. 1 2 Bortel, Heidi (October 17, 2001). "Church of the Brethren hosting 'Road to Redemption'" . The Register-Herald. Vol. 181, no. 83. Eaton, OH. p. 5-C. Retrieved May 30, 2024 via Newspapers.com.
  19. 1 2 "Road to Redemption: A Lively Comedy for Christ". MovieGuide . Retrieved May 30, 2024.
  20. 1 2 "Road to Redemption". Amazon . Retrieved May 30, 2024.
  21. 1 2 "Road to Redemption". IMDb . Retrieved May 30, 2024.
  22. 1 2 "Road to Redemption 2001". Letterboxd . Retrieved May 30, 2024.
  23. 1 2 "Road to Redemption". Rotten Tomatoes . Retrieved May 30, 2024.
  24. 1 2 McGurk, Margaret A. (March 9, 2001). "'Redemption' saved by gentle actor" . The Cincinnati Enquirer . Vol. 160, no. 334. p. Weekend 6. Retrieved May 30, 2024 via Newspapers.com.
  25. 1 2 Cano-Murillo, Kathy (February 16, 2001). "'Redemption' made for wrong screen" . Arizona Republic. Vol. 111, no. 274. pp.  P1, P4 . Retrieved May 30, 2024 via Newspapers.com.
  26. 1 2 Simhan, Rasmi (March 9, 2011). "A 'Road' paved with good intentions: Scenery uplifting in movie that takes several wrong turns" . The Kansas City Star . Vol. 121, no. 173. pp.  P10, P13 . Retrieved May 30, 2024 via Newspapers.com.