Isaac Stern was an American violinist.
Joseph Joachim was a Hungarian violinist, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century.
The Violin Concerto in D major, Op. 77, was composed by Johannes Brahms in 1878 and dedicated to his friend, the violinist Joseph Joachim. It is Brahms's only violin concerto, and, according to Joachim, one of the four great German violin concerti:
The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's.
Anne-Sophie Mutter is a German violinist. Born and raised in Rheinfelden, Baden-Württemberg, Mutter started playing the violin at age five and continued studies in Germany and Switzerland. She was supported early in her career by Herbert von Karajan and made her orchestral debut with the Berlin Philharmonic in 1977. Since Mutter gained prominence in the 1970s and 1980s, she has recorded over 50 albums, mostly with the Deutsche Grammophon label, and performed as a soloist with leading orchestras worldwide and as a recitalist. Her primary instrument is the Lord Dunn–Raven Stradivarius violin.
Shlomo Mintz is a Russian-born Israeli violinist and conductor. He regularly appears with orchestras and conductors on the international scene and is heard in recitals and chamber music concerts around the world.
Andrew Manze is a British conductor and violinist, noted for his interpretation of Baroque violin music.
Kyung Wha Chung is a South Korean violinist.
William Steinberg was a German-American conductor.
Steven De Groote was a South African classical pianist.
Leonidas Kavakos is a Greek violinist and conductor. He has won several international violin competition prizes, including the Sibelius, Paganini, Naumburg, and Indianapolis competitions. He is an Onassis Foundation scholar. He has also recorded for record labels such as Sony/BMG and BIS. As a conductor, he was an artistic director of the Camerata Salzburg and has been a guest conductor of the London Symphony Orchestra and Boston Symphony Orchestra.
Mark Kaplan is an American violinist who studied at the Juilliard School under Dorothy DeLay. He is currently a professor at Indiana University's Jacobs School of Music. Before teaching at Indiana, Kaplan taught at UCLA in California.
Jaime Laredo is a violinist and conductor. He was the conductor and Music Director of the Vermont Symphony Orchestra, and he began his musical career when he was five years old.
Yeol Eum Son is a world renowned South Korean classical pianist. She is particularly esteemed as an interpreter of the Classical era of composers, especially Haydn, Mozart, Beethoven, as well as such later composers as Mendelssohn, Schumann, Liszt, Rachmaninoff and Ravel. Son regularly performs as soloist with prominent orchestras and eminent conductors.
Nikolaj Szeps-Znaider is a Danish violinist and conductor.
Marat Bisengaliev is a Kazakh violinist and conductor of both the West Kazakhstan Philharmonic Orchestra and TuranAlem Kazakhstan Philharmonic Orchestra. He is the founding Music Director of the Symphony Orchestra of India. In addition, he is head of the Uralsk International Violin Competition. Most of the time he lives and works in the UK and India.
Raymond Hyam Cohen was an English classical violinist.
Kun-woo Paik is a South Korean pianist. He has performed with multiple orchestras, including the London Symphony Orchestra, the BBC Symphony Orchestra, and the Saint Petersburg Philharmonic.
Nathan "Tossy" Spivakovsky, a Jewish, Russian Empire-born, German-trained violin virtuoso, was considered one of the greatest violinists of the 20th century.
Oliver Schnyder is a Swiss classical pianist.
Hai-Kyung Suh is a South Korean classical pianist living in New York. She is known for her rich, round tone, and singing voice-like phrasing, characteristics of the Romantic style of piano playing that was predominant in the Golden Age of pianism.
