Robin D. G. Kelley | |
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Born | Robin Davis Gibran Kelley March 14, 1962 New York City, US |
Occupation | Historian and academic |
Alma mater | California State University, Long Beach (BA) University of California, Los Angeles (MA, PhD) |
Genre | History |
Employer | UCLA |
Notable works | Race Rebels: Culture, Politics, and the Black Working Class (1994) |
Robin Davis Gibran Kelley (born March 14, 1962) [1] is an American historian and academic, who is the Gary B. Nash Professor of American History at the University of California, Los Angeles (UCLA). [2] [3]
From 2006 to 2011, he was Professor of American Studies and Ethnicity at the University of Southern California (USC), [4] and from 2003 to 2006 he was the William B. Ransford Professor of Cultural and Historical Studies at Columbia University. From 1994 to 2003, he was a professor of history and Africana Studies at New York University (NYU) as well the chair of NYU's history department from 2002 to 2003. [5] Kelley has also served as a Hess Scholar-in-Residence at Brooklyn College. In the summer of 2000, he was honored as a Montgomery Fellow at Dartmouth College, where he taught and mentored a class of sophomores, as well as wrote the majority of the book Freedom Dreams.
During the academic year 2009–10, Kelley served as Harold Vyvyan Harmsworth Professor of American History at Oxford University, [6] the first African-American historian to do so since the chair was established in 1922. He was awarded the Guggenheim Fellowship in 2014. [7] He is also the author of a 2009 biography of Thelonious Monk.
Kelley has described himself as a Marxist surrealist feminist. [8]
Born in New York City, Kelley earned his bachelor's degree from California State University, Long Beach, in 1983. By 1987 he had earned a master's in African history and doctorate in US history from UCLA. [9]
After earning his doctorate, he began his career as an assistant professor at Southeastern Massachusetts University, then to Emory University, and the University of Michigan, where he was promoted to associate professor with tenure. He later moved to the Department of History at New York University (NYU), where he was promoted to the rank of professor and taught courses on U.S. history, African-American history, and popular culture. At the age of 32, he was the youngest full professor at NYU. [9] He is a Distinguished Fellow of the Rothermere American Institute at the University of Oxford.
Kelley has spent most of his career exploring American and African-American history, with a particular emphasis on radical social movements and the political dynamics at work within African-American culture, including jazz, hip-hop, and visual arts. [10] [11] [12]
Although influenced by Marxism, Kelley has eschewed a doctrinaire Marxist approach to aesthetics and culture, preferring a modified surrealist approach. He has described himself in the past as a "Marxist surrealist feminist who is not just anti something but pro-emancipation, pro-liberation." [13]
Kelley has also used the concept of racial capitalism in his work. [14]
Kelley has written several books focusing on African-American history and culture as well as race relations, including Race Rebels: Culture, Politics, and the Black Working Class (1994), and Yo' Mama's DisFunktional!: Fighting the Culture Wars in Urban America (1997). He is also a prolific essayist, having published dozens of articles in scholarly journals, anthologies, and in the popular press, including the Village Voice , Boston Review , and The New York Times .
His book Thelonious Monk: The Life and Times of an American Original (Free Press, 2009), received several honors, including Best Book on Jazz from the Jazz Journalists Association and the Ambassador Award for Book of Special Distinction from the English-Speaking Union. It also received the PEN Open Book Award. The family of Thelonious Monk, notably his son T. S. Monk, granted Kelley access to rare historical documents for his biography.
Kelley's 2012 book, Africa Speaks, America Answers: Modern Jazz in Revolutionary Times (2012), explores the relationship between jazz and Africa in the era of decolonization and Civil Rights. His works in progress include A World to Gain: A History of African Americans, with Earl Lewis and Tera Hunter, and a biography of journalist and adventurer Grace Halsell. [15] [16]
Thelonious Sphere Monk was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including "'Round Midnight", "Blue Monk", "Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington.
Theodore Joans was an American jazz poet, surrealist, trumpeter, and painter, who from the 1960s spent periods of time travelling in Europe and Africa. His work stands at the intersection of several avant-garde streams and some have seen in it a precursor to the orality of the spoken-word movement. However, he criticized the competitive aspect of "slam" poetry. Joans is known for his motto: "Jazz is my religion, and Surrealism is my point of view". He was the author of more than 30 books of poetry, prose, and collage, among them Black Pow-Wow, Beat Funky Jazz Poems, Afrodisia, Jazz is Our Religion, Double Trouble, WOW and Teducation.
Randolph Edward "Randy" Weston was an American jazz pianist and composer whose creativity was inspired by his ancestral African connection.
Ahmed Abdul-Malik was an American jazz double bassist and oud player.
The Unique Thelonious Monk is a 1956 album by Thelonious Monk. It was his second for Riverside Records, and, like his Riverside debut, is made up of standards. It was a continuation of Riverside's strategy to broaden consumer interest in Monk by having him record cover versions of well-known material which, Riverside hoped, would help to break down the prevailing perception that Monk's original music was "too difficult" for mass-market acceptance.
Thelonious Monk Plays Duke Ellington is an album by jazz pianist Thelonious Monk that was released by Riverside in 1955. It was also released under the title Thelonious Monk Plays the Music of Duke Ellington. The album contains Monk's versions of songs by Duke Ellington. The album was reissued by Riverside on March 27, 2007, in the United States and on April 16, 2007, in the United Kingdom.
Sahib Shihab was an American jazz and hard bop saxophonist and flautist. He variously worked with Luther Henderson, Thelonious Monk, Fletcher Henderson, Tadd Dameron, Dizzy Gillespie, Kenny Clarke, John Coltrane and Quincy Jones among others.
Misterioso is a 1958 live album by American jazz ensemble the Thelonious Monk Quartet. By the time of its recording, the pianist and bandleader Thelonious Monk had overcome an extended period of career difficulties and achieved stardom with his residency at New York's Five Spot Café, beginning in 1957. He returned there the following year for a second stint with his quartet, featuring drummer Roy Haynes, bassist Ahmed Abdul-Malik, and tenor saxophonist Johnny Griffin. Along with Thelonious in Action (1958), Misterioso captures portions of the ensemble's August 7 show at the venue.
Cedric James Robinson was an American professor in the Department of Black Studies and the Department of Political Science at the University of California, Santa Barbara (UCSB). He headed the Department of Black Studies and the Department of Political Science. He served as the Director of the Center for Black Studies Research. Robinson's areas of interest included classical and modern political philosophy, radical social theory in the African diaspora, comparative politics, racial capitalism, and the relationships between and among media and politics.
Paul Jeffrey was an American jazz tenor saxophonist, arranger, and educator. He was a member of Thelonious Monk's regular group from 1970–1975, and also worked extensively with other musicians such as Charles Mingus, Dizzy Gillespie, Clark Terry, Lionel Hampton and B.B. King.
Nica's Tempo is the most common latter-day title of an album by the Gigi Gryce Orchestra and Quartet, recorded and first released in late 1955. The title track is a reference to Nica de Koenigswarter a.k.a. "The Bebop Baroness" or "The Jazz Baroness", a patron of jazz musicians such as Thelonious Monk and Charlie Parker.
Akinyele Umoja is an American educator and author who specializes in African-American studies. As an activist, he is a founding member of the New Afrikan People's Organization and the Malcolm X Grassroots Movement. In April 2013, New York University Press published Umoja's book We Will Shoot Back: Armed Resistance in the Mississippi Freedom Movement. Currently, he is a Professor and Department Chair of the Department of African-American Studies at Georgia State University (GSU).
Sonny Rollins, Vol. 2 is an album by American jazz saxophonist Sonny Rollins, recorded on April 14, 1957, and released on Blue Note later that year.
Thelonious Monk Trio is an album by American jazz pianist and composer Thelonious Monk. The album features his earliest recordings for Prestige Records, performing as a soloist with a rhythm section of bassist Gary Mapp, either Art Blakey or Max Roach on drums, and one track with Percy Heath replacing Mapp. It also contains the earliest recorded versions of the jazz standards "Blue Monk" and "Bemsha Swing".
Thelonious Monk and Sonny Rollins is a compilation album by jazz pianist and composer Thelonious Monk and saxophonist Sonny Rollins released in 1956 by Prestige Records. The tracks on it were recorded in three sessions between 1953 and 1954. While this is its original title, and its most consistent title in its digital re-releases, it was also released on Prestige as Work! and The Genius Of Thelonious Monk, with alternative covers.
Yagi Masao was a Japanese pianist who became devoted to American jazz very early in the wave of Japanese jazz enthusiasm. He became a member of the Cozy Quartet in 1956 after Toshiko Akiyoshi's departure, playing alongside Sadao Watanabe. Robin Kelley, in his biography of Thelonious Monk, says that before his inaugural 1963 tour, "Monk's greatest champion in Japan was not a critic but a pianist named Yagi Masao. In 1959, the twenty-six-year-old pianist formed his own group featuring several Monk tunes in their repertoire, culminating in his debut LP, Masao Yagi Plays Thelonious Monk, recorded in the summer of 1960." Later in the 1960s he played with Charlie Mariano, Hidehiko Matsumoto, and Helen Merrill, and in the 1970s led his own ensembles. He was well-known as a composer and arranger, and wrote copiously for film soundtracks.
Clyde Russell Taylor was an American film scholar, writer and cultural critic who made contributions to the fields of cinema studies and African American studies. He was an emeritus professor at New York University. His scholarship and commentary often focused on Black film and culture.
Marcelo Suárez-Orozco is the ninth permanent and current chancellor of the University of Massachusetts Boston, and is the first Latino to lead a campus in the Massachusetts public university system. He is the former inaugural UCLA Wasserman Dean at UCLA Graduate School of Education and Information Studies.