"Rock and Roll Girls" | ||||
---|---|---|---|---|
Single by John Fogerty | ||||
from the album Centerfield | ||||
B-side | "Centerfield" | |||
Released | March 1985 | |||
Recorded | 1984 | |||
Genre | Rock | |||
Length | 3:27 | |||
Label | Warner Bros. | |||
Songwriter(s) | John Fogerty | |||
Producer(s) | John Fogerty | |||
John Fogerty singles chronology | ||||
|
"Rock and Roll Girls" is a song written by John Fogerty that was first released on his 1985 album Centerfield . It was also released as the second single from the album, backed with the title track of the album. It peaked at number 20 on the Billboard Hot 100 and at number five on the Mainstream Rock chart.
According to Fogerty, "Rock and Roll Girls" was inspired by watching his teenage daughter and her friends hanging out. [1] He referred to them as "rock and roll girls" so that the song title referenced them rather than groupies who the term might also refer to. [1] It was about how teenagers have their own world that they don't tell their parents about. [1] It illustrates those "last days of innocence." [2] Fogerty biographer Thomas M. Kitts finds the song a hopeful one in which the singer can escape his struggles to enter a world "out of time" in which he can find music, love and girls. [3] Music critic James Perone agrees that the song "creates impressions of love, pop music and the beautiful young women of (presumably) the 1960s. [4] According to Ultimate Classic Rock critic Bryan Wawzenek, "Rock and Roll Girls" starts out seeming like it will be a typical 1980s song glorifying rock and roll music. [5] But then there is a twist, he says, and the lyrics then "speak to the mystery of pop music – how it can become a secret handshake between friends, the soundtrack to a memory that means everything." [5]
The melody and chord progression of the verses of "Rock and Roll Girls" are nearly identical to that of Chad and Jeremy's 1964 hit "A Summer Song," except that Fogerty yodels on one of the notes. [6] [4] According to music critic Joe Kowalski, this one alteration "changes the complexion of the riff. [6] According to Fogerty, the melody was actually based on the Rockin' Rebels' 1962 song "Wild Weekend." [1] Fogerty stated "I don't think of it as stealing—more a case of honoring...I'm a sucker for that sound." [1] Kitts describes it as having "a breezy melody and an old-time rock and roll rhythm." [3]
Cash Box called "Rock and Roll Girls" a "pure rock celebration" and said that "Fogerty’s lead vocal is classic." [8] Rolling Stone Magazine critic Kurt Loder praised "Rock and Roll Girls" as "a rather spectacular demonstration of what can still be done with three shitty chords and a blazing sax.” [9] The Age critic Mike Daily described it as having "the breezy appeal of a Buddy Holly song." [10] Allmusic critic Stephen Thomas Erlewine rated it as a "terrific song," describing it as a "sunny rocker." [11] Wawzenek rated the lyrics to "Rock and Roll Girls" among Fogerty's 10 greatest. [5] Kitts believes that Fogerty's perfectionism in performing and producing the song may have robbed it of some necessary rawness and spontaneity. [3] Rolling Stone Album Guide critic Paul Evans regards the song as "charming but slight." [12]
Although less successful on the charts than Fogerty's previous single from Centerfield, "The Old Man Down the Road" which peaked at #10, "Rock and Roll Girls" reached the Top 20 on the Billboard Hot 100, peaking at #20. [13] It performed better on the Billboard Mainstream Rock chart, peaking at #5, [14] as well as in Canada, reaching #16, and in Austria, reaching #10. [15] [16]
Fogerty used "Rock and Roll Girls" (as well as "Centerfield") as an example of how songs evolve in his defense in a lawsuit brought against him by Fantasy Records. Fantasy Records owner Saul Zaentz claimed that the refrain of "The Old Man Down the Road" was the same as that from a Creedence Clearwater Revival song, "Run Through the Jungle." Although Fogerty had written "Run Through the Jungle" Fantasy Records and Zaentz owned the copyright. Fogerty used progressive versions of "Rock and Roll Girls" as it was being developed to demonstrate how many blues songs are similar because they are based on the same 5-note pentatonic scale, but that they incorporate small variations. [2]
Creedence Clearwater Revival, commonly abbreviated as CCR, was an American rock band formed in El Cerrito, California. The band initially consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother, rhythm guitarist Tom Fogerty, bassist Stu Cook, and drummer Doug Clifford. These members had played together since 1959, first as the Blue Velvets and later as the Golliwogs, before settling on Creedence Clearwater Revival in 1967. The band's most prolific and successful period between 1969 and 1971 produced fourteen consecutive top 10 singles and five consecutive top 10 albums in the United States – two of which, Green River (1969) and Cosmo's Factory (1970), reached number one. The band performed at the 1969 Woodstock festival in Upstate New York, and was the first major act signed to appear there.
John Cameron Fogerty is an American singer, songwriter and guitarist. Together with Doug Clifford, Stu Cook, and his brother Tom Fogerty, he founded the band Creedence Clearwater Revival (CCR), for which he was the lead singer, lead guitarist, and principal songwriter. CCR had nine top-10 singles and eight gold albums between 1968 and 1972, and was inducted into the Rock and Roll Hall of Fame in 1993.
Saul Zaentz was an American film producer and record company executive. He won the Academy Award for Best Picture three times and, in 1996, was awarded the Irving G. Thalberg Memorial Award.
Cosmo's Factory is the fifth studio album by American rock band Creedence Clearwater Revival, released by Fantasy Records in July 1970. Six of the album's eleven tracks were released as singles in 1970, and all of them charted in the top 5 of the Billboard Hot 100. The album spent nine consecutive weeks in the number one position on the Billboard 200 chart and was certified 4x platinum by the Recording Industry Association of America (RIAA) in 1990.
Thomas Richard Fogerty was an American musician, best known as the rhythm guitarist for Creedence Clearwater Revival. He was posthumously inducted into the Rock and Roll Hall of Fame in 1993.
Centerfield is the third solo studio album by musician John Fogerty. Released in 1985, it spawned the hit singles "The Old Man Down the Road", "Rock and Roll Girls" and the title track "Centerfield". This was Fogerty's first album in nine years; After the decision not to release his Hoodoo album, Fogerty decided to take a long break from the music business because of legal battles with his record company. In the meantime, Fogerty's recording contract with Asylum Records was reassigned to co-owner Warner Bros. Records so this album was the first released on the Warner Bros. label.
"Under My Thumb" is a song recorded by the English rock band the Rolling Stones. Written by Mick Jagger and Keith Richards, "Under My Thumb" features a marimba played by Brian Jones. Although it was never released as a single in English-speaking countries, it is one of the band's more popular songs from the late 1960s and appears on several best-of compilations, such as Hot Rocks 1964–1971. It was included as the fourth track on both the American and United Kingdom versions of the band's 1966 studio album Aftermath.
The Long Road Home: The Ultimate John Fogerty/Creedence Collection is a compilation album by American roots rock singer-songwriter John Fogerty, released on November 1, 2005, by Fantasy Records. It compiles songs from Fogerty's solo career and his band Creedence Clearwater Revival. The title refers to Fogerty's return to Fantasy Records, after a lengthy stint with Warner Bros. Records and a brief stint with DreamWorks Records.
"Fortunate Son" is a song by the American rock band Creedence Clearwater Revival released on their fourth studio album, Willy and the Poor Boys in November 1969. It was previously released as a single, together with "Down on the Corner", in September 1969. It soon became an anti-war movement anthem and an expressive symbol of the counterculture's opposition to U.S. military involvement in the Vietnam War and solidarity with the soldiers fighting it. The song has been featured extensively in pop culture depictions of the Vietnam War and the anti-war movement.
"The Old Man Down the Road" is a song by American rock artist John Fogerty. It was released in December 1984 as the lead single from Fogerty's comeback album, Centerfield. It became Fogerty's only top 10 hit single as a solo artist, peaking at number 10 on the US Billboard Hot 100, and spending three weeks at the number-one spot on the Billboard Top Rock Tracks chart. Rolling Stone Album Guide critic Paul Evans regards the song as "functional swamp rock". Billboard said that it shows that Fogerty is "still able to infuse a pulsing beat with deep-swamp mysteriousness." Cash Box called it "a hard-hitting roots rocker which wastes no notes and pulls no punches."
Premonition is the first live album released by John Fogerty as a solo artist. He performs many hits by his earlier band, Creedence Clearwater Revival, as well as songs composed as a solo artist. It was recorded with a live audience at Warner Bros. Studios Stage 15 on December 12 & 13, 1997, and is available on CD and DVD.
"Run Through the Jungle" is a 1970 song by American rock band Creedence Clearwater Revival. It was released as a double A-side single with "Up Around The Bend" and on the album Cosmo's Factory.
"Who'll Stop the Rain" is a song written by John Fogerty and originally recorded by Creedence Clearwater Revival for their 1970 album Cosmo's Factory. Backed with "Travelin' Band", it was one of three double-sided singles from that album to reach the top five on the Billboard Pop Singles chart and the first of two to reach the No. 2 spot on the American charts, alongside "Lookin' Out My Back Door"/"Long As I Can See the Light". In 2004, Rolling Stone ranked it No. 188 on its "500 Greatest Songs of All Time" list.
John Fogerty is an American rock musician who has recorded both solo and as a member of Creedence Clearwater Revival.
"Luanne" was the fifth and final single taken from the album 4 by the band Foreigner, and the second to feature a B-side that was not available on one of their albums, a controversial live version of their hit, "Hot Blooded". The song was written by Lou Gramm and Mick Jones and reached number 75 in the U.S. charts, but was a live staple for years to come. The live version of "Hot Blooded" was later placed on the international release of their retrospective, Records, but in subsequent re-releases has been dropped in favour of the original album version due to a couple of choice words spoken in ad lib during the song's performance by its singer, Lou Gramm.
"That Was Yesterday" is the second single taken from the album Agent Provocateur by the band Foreigner. This song was available in four versions, as a remixed single, an extended remix, an orchestral version, and the original mix. The song was written by Lou Gramm and Mick Jones, and the B-side "Two Different Worlds" is also of note for being the first solo-written Lou Gramm song to appear on a single.
"Centerfield" is the title track from John Fogerty's album Centerfield, Fogerty's first solo album after a nine-year hiatus. Originally the B-side of the album's second single, "Rock and Roll Girls", the song is now commonly played at baseball games across the United States. Along with "Take Me Out to the Ball Game", it is one of the best-known baseball songs. In 2010, Fogerty became the only musician to be celebrated at the Hall of Fame Induction Ceremony when "Centerfield" was honored by the National Baseball Hall of Fame.
"Almost Saturday Night" is a song written by John Fogerty and first released on his 1975 album John Fogerty. It was released as a single and reached No. 78. It has been covered by a number of artists, including Dave Edmunds, who also released it as a single to more success, Gene Clark, Ricky Nelson, The Searchers, The Georgia Satellites and Ned LeDoux.
"Commotion" is a song by Creedence Clearwater Revival from the album Green River, and was also the B-side of the single release of the album's title track. In 1980, "Tombstone Shadow" b/w "Commotion'" was released as a single in the United States. While released as a B-side, "Commotion" reached #30 in the United States on the Billboard Hot 100 and #16 in Germany. It was written by John Fogerty and recorded at Wally Heider's Studios in San Francisco in June 1969. The 45rpm was the debut session of the band at Wally Heider's and the first collaboration with engineer Russ Gary.
"Don't Look Now " is a song written by John Fogerty that was first released on Creedence Clearwater Revival's 1969 album Willy and the Poor Boys. It has also appeared on several of the group's live and compilation albums. It was covered by Minutemen on their 1984 album Double Nickels on the Dime.