"The Old Man Down the Road" | ||||
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Single by John Fogerty | ||||
from the album Centerfield | ||||
B-side | "Big Train (From Memphis)" | |||
Released | December 1984 | |||
Recorded | 1984 | |||
Genre | ||||
Length | 3:32 | |||
Label | Warner Bros. | |||
Songwriter(s) | John Fogerty | |||
Producer(s) | John Fogerty | |||
John Fogerty singles chronology | ||||
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"The Old Man Down the Road" is a song by American rock artist John Fogerty. It was released in December 1984 as the lead single from Fogerty's comeback album, Centerfield . It became Fogerty's only top 10 hit single as a solo artist, peaking at number 10 on the US Billboard Hot 100, and spending three weeks at the number-one spot on the Billboard Top Rock Tracks chart. [4] Rolling Stone Album Guide critic Paul Evans regards the song as "functional swamp rock". [2] Billboard said that it shows that Fogerty is "still able to infuse a pulsing beat with deep-swamp mysteriousness." [5] Cash Box called it "a hard-hitting roots rocker which wastes no notes and pulls no punches." [3]
The video for the song features what appears to be, through a little trickery, an extended single camera sequence that follows a very long electric guitar cord through various scenes. Fogerty appears throughout the video; four times as himself (standing next to the couple having a picnic, past the cheerleader on the phone just past when the bikers pull up, near the woman hanging laundry, and at the very end playing the guitar) and two other characters (the "backwoods" character at the very beginning of the video and the old man with the dog in his lap towards the end of the video.)
Chart (1984–85) | Peak position |
---|---|
Australia (Kent Music Report) [6] | 10 |
Austria (Ö3 Austria Top 40) [7] | 12 |
Belgium (Ultratop 50 Flanders) [8] | 22 |
Canada Top Singles (RPM) | 12 |
Netherlands (Single Top 100) [9] | 35 |
New Zealand (Recorded Music NZ) [10] | 11 |
Switzerland (Schweizer Hitparade) [11] | 27 |
UK Singles (The Official Charts Company) | 90 |
US Billboard Hot 100 | 10 |
US Billboard Top Rock Tracks | 1 |
West Germany (Official German Charts) [12] | 49 |
Chart (1985) | Position |
---|---|
Australia (Kent Music Report) [6] | 100 |
Saul Zaentz, owner of Fantasy Records claimed that "The Old Man Down the Road" shared the same chorus as "Run Through the Jungle", a song from Fogerty's days with Creedence Clearwater Revival years before. (Fogerty had relinquished copyrights and publishing rights of his Creedence songs to Zaentz and Fantasy, in exchange for release from his contractual obligations to them.) Zaentz sued (Fantasy, Inc. v. Fogerty) but the defendant Fogerty ultimately prevailed when he showed that the two songs were whole, separate and distinct compositions. Bringing his guitar to the witness stand, he played excerpts from both songs, demonstrating that many songwriters (himself included) have distinctive styles that can make different compositions sound similar to less discerning ears. [13]
After prevailing as defendant, Fogerty asked the court to require Zaentz to pay for the attorney fees he had spent to defend himself against the copyright infringement claim. In such (copyright) cases, the Court of Appeals for the Ninth Circuit required prevailing defendants seeking recompense to show that the original suit was frivolous or made in bad faith. This case, Fogerty v. Fantasy, Inc. , became precedent when the U.S. Supreme Court (1993) overturned lower court rulings and decided that Fogerty could be awarded attorneys' fees without having to show that Zaentz's original suit was frivolous. The lower courts then decided that Fogerty should be awarded his attorney fees, totaling $1,347,519.15. [14]
Creedence Clearwater Revival, also abbreviated as CCR, was an American rock band formed in El Cerrito, California. The band initially consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty; his brother, rhythm guitarist Tom Fogerty; bassist Stu Cook; and drummer Doug Clifford. These members had played together since 1959, first as the Blue Velvets and later as the Golliwogs, before settling on Creedence Clearwater Revival in 1967.
John Cameron Fogerty is an American singer, songwriter and guitarist. Together with Doug Clifford, Stu Cook, and his brother Tom Fogerty, he founded the band Creedence Clearwater Revival (CCR), for which he was the lead singer, lead guitarist, and principal songwriter. CCR had nine top-10 singles and eight gold albums between 1968 and 1972, and was inducted into the Rock and Roll Hall of Fame in 1993.
Saul Zaentz was an American film producer and record company executive. He won the Academy Award for Best Picture three times and, in 1996, was awarded the Irving G. Thalberg Memorial Award.
Creedence Clearwater Revival is the debut studio album by American rock band Creedence Clearwater Revival, released on July 15, 1968, by Fantasy in the US. Featuring the band's first hit single, "Susie Q", which reached number 11 in the US charts, it was recorded shortly after the band changed its name from the Golliwogs and began developing a signature swamp rock sound.
Willy and the Poor Boys is the fourth studio album by American rock band Creedence Clearwater Revival, released by Fantasy Records in November 1969. It was the last of three studio albums the band released that year, arriving just three months after Green River.
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Centerfield is the third solo studio album by musician John Fogerty. Released in 1985, it spawned the hit singles "The Old Man Down the Road", "Rock and Roll Girls" and the title track "Centerfield". This was Fogerty's first album in nine years; After the decision not to release his Hoodoo album, Fogerty decided to take a long break from the music business because of legal battles with his record company. In the meantime, Fogerty's recording contract with Asylum Records was reassigned to co-owner Warner Bros. Records so this album was the first released on the Warner Bros. label.
The Long Road Home: The Ultimate John Fogerty/Creedence Collection is a compilation album by American roots rock singer-songwriter John Fogerty, released on November 1, 2005, by Fantasy Records. It compiles songs from Fogerty's solo career and his band Creedence Clearwater Revival. The title refers to Fogerty's return to Fantasy Records, after a lengthy stint with Warner Bros. Records and a brief stint with DreamWorks Records.
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Fogerty v. Fantasy, Inc., 510 U.S. 517 (1994), was a United States Supreme Court case that addressed the standards governing awards of attorneys' fees in copyright cases. The Copyright Act of 1976 authorizes, but does not require, the court to award attorneys' fees to "the prevailing party" in a copyright action. In Fogerty, the Court held that such attorneys'-fees awards are discretionary, and that the same standards should be applied in the case of a prevailing plaintiff and a prevailing defendant.
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Revival is the seventh solo studio album by American roots rock singer-songwriter/guitarist John Fogerty. Released in 2007, it was his first new album in three years, and also his third album since rejoining Fantasy Records. The album was released on October 2, 2007.
"Run Through the Jungle" is a 1970 song by American rock band Creedence Clearwater Revival.
"Green River" is a song by American rock band Creedence Clearwater Revival. It was written by John Fogerty and released as a single in July 1969, one month before the album of the same name was released. "Green River" peaked at number two for one week, behind "Sugar, Sugar" by The Archies, and was ranked by Billboard as the No. 31 song of 1969.
"Love Stinks" is a song written by Peter Wolf and Seth Justman that was the title track of the J. Geils Band's 1980 album Love Stinks. The song was released as a single and peaked in the US at #38, spending three weeks in the Top 40. In Canada, the song reached number 15, as it did on WLS-AM in Chicago.
"Rock and Roll Girls" is a song written by John Fogerty that was first released on his 1985 album Centerfield. It was also released as the second single from the album, backed with the title track of the album. It peaked at number 20 on the Billboard Hot 100 and at number five on the Mainstream Rock chart.
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