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Rockin' Around the World | ||||
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Studio album by | ||||
Released | March 17, 1958 | |||
Recorded | November 8–21, 1957, New York | |||
Genre | Rock and roll | |||
Label | Decca, Decca 8692 | |||
Producer | Milt Gabler | |||
Bill Haley and His Comets chronology | ||||
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Rockin' Around the World was the sixth album of rock and roll music by Bill Haley and His Comets. Released in March 1958 on the Decca Records label, Decca 8692, the album was produced by Milt Gabler, who produced all of Haley's recordings for Decca. It was the second of three "themed" albums that Haley produced for the label. This album featured versions of well-known folk songs from around the world, rearranged in rock and roll style, including new lyrics, by Haley and his songwriting partners, Milt Gabler, Rusty Keefer, and Catherine Cafra. It is not known how much, if any, input Haley himself had into the writing process.
Examples of the new arrangements include "Come Rock with Me," based upon the melody of "’O sole mio", which was later again adapted by Elvis Presley as "It's Now or Never", and "Piccadilly Rock," which was based upon the melody of "London Bridge is Falling Down". Most of the melodies were in the public domain, with the exception of "Rockin' Matilda," based upon "Waltzing Matilda", which was still in copyright and thus credited to its original writers. Haley's steel guitar player, Billy Williamson, performs lead vocals on one track, "Jamaica D.J."
No hit singles resulted from this album, although Haley later re-recorded one track, "Vive le Rock and Roll", which incorporated the melody of "Frère Jacques", in a duet with Caterina Valente for the 1959 German movie Hier bin ich - hier bleib' ich (Here I Am, Here I Stay) released by Central Cinema Company Film (CCC).
All songs written by Bill Haley, Milt Gabler, Rusty Keefer and Catherine Cafra except where noted.
"Rock Around the Clock" is a rock and roll song in the 12-bar blues format written by Max C. Freedman and James E. Myers in 1952. The best-known and most successful rendition was recorded by Bill Haley & His Comets in 1954 for American Decca. It was a number one single for two months and did well on the United Kingdom charts; the recording also reentered the UK Singles Chart in the 1960s and 1970s.
Bill Haley & His Comets was an American rock and roll band formed in 1947 and continuing until Haley's death in 1981. The band was also known as Bill Haley and the Comets and Bill Haley's Comets. From late 1954 to late 1956, the group recorded nine Top 20 singles, one of which was number one and three that were Top Ten. The single "Rock Around the Clock" was the best-selling rock single in the history of the genre and maintained that position for several years.
William Famous Williamson was the American steel guitar player for Bill Haley and His Saddlemen, and its successor group Bill Haley & His Comets, from 1949 to 1963.
My Bonnie is a 1962 album by English rock and roll singer-songwriter and musician Tony Sheridan. Sheridan, then playing in clubs in Hamburg with the Beatles, was discovered by producer Bert Kaempfert and subsequently signed with him to record for Polydor. Sheridan recorded several songs with the Beatles, of which only a single was released in 1961, the titular "My Bonnie" and B-side "The Saints", credited to Tony Sheridan and the Beat Brothers. While both songs are included here, the remaining tracks on this album were credited again to the Beat Brothers but recorded without the Beatles.
Rock with Bill Haley and the Comets is an early rock and roll music compilation album issued by Essex Records in December 1955, and featuring music by the titular group, Bill Haley & His Comets. The album features recordings made by Haley in 1952 and 1953, including his hits, "Rock the Joint", "Crazy Man Crazy", "Fractured", and "Live It Up".
Shake, Rattle and Roll is an early rock and roll compilation album issued by Decca Records in 1955, and featuring music by Bill Haley & His Comets. The album, which was issued in a 10-inch format, consisted of recordings previously issued on singles in 1954 and 1955, including the title track, and "Rock Around the Clock", although at the time of this album's release in early 1955, "Rock Around the Clock" had not yet become a major hit. This was Haley's second album, and was one of the first album-length releases of the rock and roll era, predating the release of Elvis Presley's first album by a year.
Rock 'n Roll Stage Show is the first studio album and fourth overall album by rock and roll band Bill Haley and His Comets. Released by Decca Records in August 1956, it was the group's first album to include new, as opposed to previously released material. Although the album spawned several singles, it also featured several album-only tracks.
Rockin' the Oldies was the fifth album of rock and roll music by Bill Haley and His Comets. Produced by Milt Gabler, the album was released by Decca Records in 1957. It was the first of three "themed albums" that Haley recorded for Decca. On this occasion the album consisted of re-recordings of popular standards, some dating back 30 years or more, but rearranged in a rock and roll style. For example, Haley's version of Larry Clinton's "The Dipsy Doodle" included new lyrics referring to Haley's past hits, "Shake, Rattle and Roll" and "See You Later Alligator". The album did not produce any hit singles.
Rockin' the Joint is a compilation album of rock and roll music by Bill Haley & His Comets. Released on Decca Records in August 1958, it was the group's seventh album. The album consisted of recordings that, for the most part, had only been released previously as singles or on EPs; all of the recordings were produced by Milt Gabler. The title comes from the album's lead track, a 1957 re-recording of Haley's 1952 hit, "Rock the Joint", which was labelled "New Rock the Joint" on this release. Also included for the first time on album were the hits "See You Later Alligator", "Rip it Up", and "The Saints Rock and Roll". One track, "The Beak Speaks", was an instrumental featuring guitarist Franny Beecher, while "Rock Lomond" was a leftover from the recording sessions for the band's previous album, Rockin' the Oldies and is the only track on the album that had not previously been released. The only track copied from a previous Haley album is "Burn That Candle", which was also included on the Rock Around the Clock compilation.
Bill Haley's Chicks was the eighth album of rock and roll recordings by Bill Haley & His Comets for Decca Records, Decca 8821. Released in January 1959 and produced by Milt Gabler, the album was the third "theme" album Haley recorded for Decca, following Rockin' the Oldies and Rockin' Around the World. This album is built on the theme of women's names, with each song being about a different girl. Included on the album is "Skinny Minnie", which was a major hit for the band in 1958, reaching no.22 on Billboard and no.25 on Cashbox, along with a mixture of originals and cover versions of standards and jazz songs. "Lean Jean", a song musically and thematically almost identical to "Skinny Minnie", also charted in 1958, reaching no. 52 on Cashbox. The song "B.B. Betty", co-written by Bill Haley and released as a Decca 45 single, featured a solo vocal by Haley's steel guitar player, Billy Williamson.
Recorded over the span of more than 18 months, Strictly Instrumental was the ninth rock and roll album by Bill Haley & His Comets, and their final album of new material for Decca Records. Produced by Milt Gabler, the album collects instrumental recordings made by Haley and the Comets between June 1958 and their final Decca recording sessions in September 1959.
Bill Haley and His Comets is the title of the tenth album of rock and roll recordings by Bill Haley & His Comets. Released in April 1960, it was the band's first album release for Warner Bros. Records, following their departure from Decca Records at the end of 1959. The recordings were produced by George Avakian, who succeeded Haley's Decca producer, Milt Gabler.
"Skinny Minnie" is a 1958 song co-written and recorded by Bill Haley and his Comets. The song was released as a Decca single which became a Top 40 chart hit in the U.S., peaking at #22 on the Billboard chart.
"Birth of the Boogie" is a 1955 song composed by Bill Haley with Billy Williamson and Johnny Grande. The song was released as a Decca single by Bill Haley and His Comets, peaking at #17 on the Billboard singles chart.
Here I Am, Here I Stay is a 1959 West German musical comedy film directed by Werner Jacobs and produced by Artur Brauner. It stars Caterina Valente, Hans Holt and Ruth Stephan. The film also features a guest appearance by Bill Haley.
"Two Hound Dogs" is a 1955 rock and roll song composed by Bill Haley and Frank Pingatore. The song was released as a Decca single by Bill Haley and His Comets. The Decca single peaked at #31 on the Cash Box singles chart.
The Wild Angels is an English rock and roll group. The group got their name from the 1966 Roger Corman film The Wild Angels starring Peter Fonda.
"Hot Dog Buddy Buddy" is a 1956 rock and roll song composed by Bill Haley and released as a Decca single and also on Brunswick. The song appeared in the 1956 Columbia Pictures movie Don't Knock the Rock. The single peaked at #36 on the Cash Box pop singles chart.
Soul's Edge is an album by the American blues guitarist and singer Snooks Eaglin, released in 1995 on Black Top Records.
"R-O-C-K" is a 1956 rock and roll song recorded and co-written by Bill Haley and released as a Decca single. The song appeared in the 1956 Columbia Pictures movie Rock Around the Clock. The single peaked at #16 on Billboard.