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"Rocky Road to Dublin" is a 19th-century Irish song written by Irish poet D. K. Gavan about a man's experiences as he travels to Liverpool, England, from his home in Tuam, Ireland. Originally popularized by Harry Clifton, it has since been performed extensively and become a standard of Irish folk music. The song is also often performed instrumentally.
The words were written by D. K. Gavan, "The Galway Poet", for the English music hall performer Harry Clifton (1832–1872), who popularized the song. [1] [2]
The song describes the adventures, troubles, and travails that the protagonist encounters on his travels. At the beginning of the song, the protagonist of the story states that he is "off to reap the corn" meaning he is off to seek his fortune. ("Corn" can refer to any cereal grain, such as wheat or barley, and metaphorically refers to wealth. Making "Off to reap the corn." a similar expression to other colloquialisms such as "Making paper" or "Stacking bread") He begins his journey by bidding farewell to his family and friends and preparing supplies. He leaves his hometown of Tuam, County Galway, on foot, and heads east, resting in Mullingar, County Westmeath, where he charms the local women with his "curious style" and swagger. He next arrives in the capital, Dublin, and decides to tour the city, but is robbed of his meagre possessions. He attempts to locate the thief ("Enquiring for the rogue"), but is mocked because of his accent ("Connaught brogue"). He hops a ship in the harbor headed for England, and is placed in the hold with the pigs, where he experiences severe sea sickness off the coast of Holyhead, Wales. He arrives in the English city of Liverpool where he is mocked by the locals because of his nationality. Losing his temper, he engages them in a fight using his blackthorn shillelagh, but is outnumbered until a group of Irishmen from Galway come to his rescue ("join in the affray"), the first people who have helped him on his trip.
The tune uses Dorian mode. It has a typical Irish rhythm, classified as a hop jig in 9/8 timing. An extra beat or two between chorus and verse is often added. Sometimes, the final line in the verses is sung with 7 strong musical beats (9
8 + 12
8):
Rather than with 6 strong musical beats (9/8 + 9/8):
Version reported by Manus O'Connor in 1901. [3] |
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Hunt the hare and turn her down the rocky road And all the way to Dublin, whack-fol-la-de-da
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There are many variations in the lyrics depending on the singer. For instance "June" in the first line is often, but not always, replaced by its Irish counterpart "Meitheamh" mistaken by some to be the English "May". Most interpretations of the twentieth century omit the second and antepenultimate verse, and replace the original chorus by the following:
The song is partially recited several times by Mr Deasy in James Joyce's novel Ulysses .
The song serves as the first movement of Peter Graham's composition Gaelforce, which exists in versions for brass band (2000, commissioned by Foden's Band) [4] and concert band (2001). [5] The main theme and chorus are repeated four times, rather than five as in most modern vocal performances.[ citation needed ]
The song was adapted by songwriter Kiernan Anderson in a song entitled "Rocky Road to Edmonton". [6]
"The Fields of Athenry" is a song written in 1979 by Pete St. John in the style of an Irish folk ballad. Set during the Great Famine of the 1840s, the lyrics feature a fictional man from near Athenry in County Galway, who stole food for his starving family and has been sentenced to transportation to the Australian penal colony at Botany Bay. It has become a widely known, popular anthem for Irish sports supporters.
The Dubliners were an Irish folk band founded in Dublin in 1962 as The Ronnie Drew Ballad Group, named after its founding member; they subsequently renamed themselves The Dubliners. The line-up saw many changes in personnel over their fifty-year career, but the group's success was centred on lead singers Luke Kelly and Ronnie Drew. The band garnered international success with their lively Irish folk songs, traditional street ballads and instrumentals. The band were regulars on the folk scenes in both Dublin and London in the early 1960s. They were signed to the Major Minor label in 1965 after backing from Dominic Behan who was paid by the label to work with the group and help them to build a better act fit for larger concert hall venues. The Dubliners worked with Behan regularly between 1965 and 1966; Behan wrote numerous songs for this act including the song McAlpine's Fusiliers created specifically to showcase Ronnie Drew's gravel voice. They went on to receive extensive airplay on Radio Caroline, which was part-owned by Phil Solomon CEO of Major Minor, and eventually appeared on Top of the Pops in 1967 with hits "Seven Drunken Nights" and "The Black Velvet Band". Often performing political songs considered controversial at the time, they drew criticism from some folk purists. Ireland's national broadcaster RTÉ placed an unofficial ban on their music from 1967 to 1971. During this time the band's popularity began to spread across mainland Europe and they appeared on The Ed Sullivan Show in the United States. The group's success remained steady right through the 1970s and a number of collaborations with The Pogues in 1987 saw them enter the UK Singles Chart on another two occasions.
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