Signer creates art centred around "controlled destruction, not destruction for its own sake", using or destroying everyday objects in unusual ways for an artistic result.[4] Many of his happenings are not for public viewing, and are only documented in photos and film.[5]
As well as working in his studio, Signer often conducts larger experiments in the Swiss mountains.[6] One example of his installation work is "Accident as sculpture" (Unfall als Skulptur) (2008), in which Signer had a three-wheeled delivery car, loaded with water barrels, roll down an 11m high ramp and up the other side. At the apex, the vehicle overturned and crashed to the ground. The resulting chaotic arrangement constituted the exhibition at Kunstraum Dornbirn[de].[7]
Roman Signer performs 'Fallende Reifen' (Falling Tires) as a part of minus20degree 2022. Pictured is a helicopter, in which Signer sits, throwing tires onto the field of snow below.
A collaborative film from 1996 with director Peter Liechti titled "Signer's Koffer" (English: "Signer's Suitcase") documents a series of his "action sculptures" along with interviews of Roman Signer and other characters encountered during his travels performing the work.[citation needed]
In 2016, the Kunstmuseum Basel acquired 205 films by Signer in Super 8 format, which were then exhibited at the museum as well at the MAN Museum in Nuoro.[10] The films shown were all produced between 1975 and 1989 and were all silent and shorter than three minutes.[citation needed]
1999 Konrad Bitterli, Roman Signer, Venice Biennale and Walther König, Cologne
2005 Gerhard Mack, Paula van den Bosch, Jeremy Millar, Roman Signer, Phaidon, London
2008 Rachel Whiters, Roman Signer, DuMont, London
2014 David Signer, Roman Signer: Talks and Conversations, Walther König, Cologne
Influences
A photo of Signer's "Wasser Stiefel" serves as the cover art of Upgrade & Afterlife (1996), an album by American experimental music group Gastr del Sol.[12]
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