Rome-Paris-Rome | |
---|---|
Directed by | Luigi Zampa |
Written by | Vitaliano Brancati Agenore Incrocci Ruggero Maccari Furio Scarpelli Luigi Zampa |
Produced by | Domenico Forges Davanzati Pierre Gurgo-Salice |
Starring | Aldo Fabrizi Sophie Desmarets Peppino De Filippo |
Cinematography | Carlo Montuori |
Edited by | Eraldo Da Roma |
Music by | Renzo Rossellini |
Production companies | Lux Compagnie Cinématographique de France DFD |
Distributed by | Lux Film |
Release date |
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Running time | 100 minutes |
Countries | France Italy |
Language | Italian |
Rome-Paris-Rome (Italian : Signori, in carrozza!) is a 1951 French-Italian comedy film directed by Luigi Zampa and starring Aldo Fabrizi, Sophie Desmarets and Peppino De Filippo. [1] It was shot at the Farnesina Studios in Rome and on location in Paris. The film's sets were designed by the art director Enrico Ciampi.
Vicenzo works as an attendant on the sleeping cars between Rome and Paris. For several years he has had two families, a wife and scrounging Neapolitan brother-in-law in Rome and an attractive widow with a young daughter in Paris whose existence he has managed to keep secret from the other. When he is offered the chance to work permanently at one location he chooses Paris, but complications ensue when his brother-in-law follows him to the French capital.
Gian Piero Brunetta highlights, with regard to this period, the "progressive integration of writers in cinema", so in Signori, in carrozza! we find, among the screenwriters, the name of Brancati as Alberto Moravia had found in Perdizione, and, by listing, writers such as Palazzeschi, Calvino, Pratolini and others engaged in the new role of screenwriters. Brunetta himself sees this commitment, however, simply as a "recruitment of intellectual workforce for the manufacture of products destined for popular markets". [2]
It has also been noted that Gentlemen, in a carriage! "Is considered a bit of a Cinderella between the films of Zampa and Brancati, overshadowed by the fame of works such as difficult years, easy years, the art of getting by. [3]
Alberto Moravia said: "In this film there is only one really vital reason: the comparison between the scrounger and the scrounger, between the conductor of the sleeping cars and his impudent and insatiable brother-in-law". [4]
Vitaliano Brancati was an Italian novelist, dramatist, poet and screenwriter.
Giuseppe "Peppino" De Filippo was an Italian actor.
Enzo Petito was an Italian film and stage character actor. A theatre actor under Eduardo De Filippo in the 1950s in the Teatro San Ferdinando of Naples, with whom he was professionally closely associated, Petito also appeared in several of his films, often co-starring Eduardo or/and brother, Peppino De Filippo, brothers who are considered to be amongst the greatest Italian actors of the 20th century. Petito played minor roles in some memorable commedia all'Italiana movies directed by the likes of Dino Risi and Mario Monicelli in the late 1950s and early 1960s, often appearing alongside actors such as Nino Manfredi, Alberto Sordi, Peppino De Filippo, Anna Maria Ferrero, and Totò.
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Aldo Fabrizi was an Italian actor, director, screenwriter and comedian, best known for the role of the heroic priest in Roberto Rossellini's Rome, Open City and as partner of Totò in a number of successful comedies.
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Luigi Zampa was an Italian film director.
Franco Fabrizi was an Italian actor.
The Nastro d'Argento is a film award assigned each year, since 1946, by Sindacato Nazionale dei Giornalisti Cinematografici Italiani, the association of Italian film critics.
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Totò contro i quattro, internationally released as Toto vs. the Four, is a 1963 Italian comedy film directed by Steno. Despite its title, it was not a true fusion between Totò and the four, but the film consists in interwoven episodies in which Totò makes pair from time to time with one of them. It was defined as a "winningly funny police farce".
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The list of the A hundred Italian films to be saved was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible.
Luigi Visconti, better known by his stage name Fanfulla, was an Italian actor and comedian.
Franco Diogene was an Italian actor and comedian.
Toto in Paris is a 1958 Italian-French comedy film directed by Camillo Mastrocinque.