Royal regalia in Nigeria

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The Royal regalia are the attributes of power of the monarchs of the traditional states in Nigeria.

Contents

History

Modern Nigeria is a federation, composed of a plethora of governorates and kingdoms. Some of the latter had a huge significance in the history of Nigeria before they were subdued by the British during Colonial Nigeria. Nevertheless, even today, their principal rulers have been able to maintain their religious, cultural and, to a certain extent, political influence.

Description

The regalia used by these monarchs was and is still normally an object or collection of objects of a symbolic significance, such as a coat, robe, mantle, or costume with headgear of same shape or fashion. [1]

For example, the ceremonial crown of an Oba of the Yoruba people is a cap made out of glass beads embroidered on plain weave striped and printed cotton over a metal frame. [2]

Other objects included in a comprehensive list of regalia could be small to medium-sized statues, such as those found in the Benin Kingdom.

The regalia often had more than merely a political significance. In the southern kingdoms most especially, it was vital for the performance of religious rituals. In this case, the ruler was seen as a link between the world of the living and the spiritual hereafter. Furthermore, in the north, the Muslim emirs and sultans had religious functions as spiritual commanders. The regalia in this case did not have any connotations of a metaphysical nature, but was seen primarily as a symbol of the power of the ruler concerned.

The regalia today would be kept at the respective capital cities, usually in the palace or palaces of each state.

In April 2005, an exhibition was shown at UNESCO Headquarters in Paris, which featured a selection of regalia from 16 states, including Sokoto, Kano, and Borno. The exhibition was organised by the Federal Ministry of Information. [3] An exhibition of photos by George Osodi in London demonstrated an array of Nigerian monarchial styles. [4] Another exhibition took place at the Newark Museum in 2015.. [1]

A controversy involving some of the crown treasures in question which is currently raging is the celebrated case of the Benin bronzes, sacred items of mostly metallic statuary that were taken by the British colonial powers after their war against the Kingdom of Benin in the 19th century. The bronzes were used for various royal rituals, and were of the highest importance in the traditional religion of the Edo.

See also

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The Oba of Benin is the traditional ruler and the custodian of the culture of the Edo people and all Edoid people and head of the historic Eweka dynasty of the Benin kingdom. The ancient Benin homeland has been and continues to be mostly populated by the Edo.

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The Benin Bronzes are a group of more than a thousand metal plaques and sculptures that decorated the royal palace of the Kingdom of Benin in what is now modern-day Nigeria. Collectively, the objects form the best known examples of Benin art, created from the thirteenth century onwards, by the Edo people, which also included other sculptures in brass or bronze, including some famous portrait heads and smaller pieces.

African sculpture

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Oba means ruler in the Yoruba and Bini languages of West Africa. Kings in Yorubaland, a region which is in the modern republics of Benin, Nigeria and Togo, make use of it as a pre-nominal honorific. Examples of Yoruba bearers include Oba Ogunwusi of Ile-Ife, Oba Adeyemi of Oyo, and Oba Akiolu of Lagos. An example of a Bini bearer is Oba Ewuare II of Benin.

Art of the Kingdom of Benin art of the Benin Empire

Benin art is the art from the Kingdom of Benin or Edo Empire (1440–1897), a pre-colonial African state located in what is now known as the South-South region of Nigeria. Primarily made of cast bronze and carved ivory, Benin art was produced mainly for the court of the Oba of Benin - a divine ruler for whom the craftsmen produced a range of ceremonially significant objects. The full complexity of these works can be appreciated only through the awareness and consideration of two complementary cultural perceptions of the art of Benin: the Western appreciation of them primarily as works of art, and their understanding in Benin as historical documents and as mnemonic devices to reconstruct history, or as ritual objects. This original significance is of great import in Benin.

Edo people ethnic group

The Edo or Benin people is an ethnic group primarily found in Edo State, Nigeria. They speak the Edo language and are the descendants of the founders of the Benin Empire. They are closely related to other ethnic groups that speak Edoid languages, such as the Esan, the Afemai, the Isoko and the Urhobo.

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Kingdom of Benin Medieval West African empire

The Kingdom of Benin, was a kingdom in West Africa in what is now southern Nigeria. It is not to be confused with Benin, the modern-day nation-state. The Kingdom of Benin's capital was Edo, now known as Benin City in Edo state. The Benin Kingdom was "one of the oldest and most highly developed states in the coastal hinterland of West Africa", it was formed around the 11th century AD", and lasted until it was annexed by the British Empire in 1897.

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Erediauwa was the 39th Oba of Benin, traditional ruler of the Edo people in Benin City, Edo State, Nigeria. Formerly known as Prince Solomon Akenzua, Oba Erediauwa's full title was His Royal Majesty Omo n'Oba n'Edo Uku Akpolokpolo Erediauwa I. He was succeeded by Ewuare II.

Coronations in Africa

Coronations in Africa are held, or have been held, in or amongst the following countries, regions and peoples:

Obas crown

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Benin ancestral altars

Benin ancestral altars are adorned with some of the finest examples of art from the Benin Kingdom of south-central Nigeria.

Benin court and ceremonial art

Court and ceremonial art makes up a vital corpus of Benin art. Private and public ceremonies mark many of the important moments in Benin’s yearly calendar. In the past, an elaborate series of rites were performed throughout the year to secure otherworldly support for the kingdom’s well-being and to celebrate decisive events in its history.

Solomon Osagie Alonge Nigerian photographer

"Chief" Solomon Osagie Alonge (1911–1994) was a self-taught photographer and pioneer of Nigerian photography. He was the first official photographer for the royal court of Benin City, Nigeria, and a chief in the Iwebo palace society. Alonge's record of Nigerian royalty and social class is one of the most extensive and well-preserved collections from the period.

Eweka II Oba of Benin

Aiguobasinwin Ovonramwen, Eweka II was the Oba of Benin from 1914 to 1933.

Okukor is the name given to a bronze statue of a cock from West Africa, held by Jesus College, Cambridge. One of the Benin bronzes, it was taken from the Kingdom of Benin by the British expedition of 1897, sent to punish the Oba of Benin after several British officials were killed. It became controversial in 2016 as a symbol of looted art and colonialism, with demands that it be sent back to Nigeria.

Nigerian Chieftaincy The chieftaincy system of Nigeria

The Nigerian Chieftaincy is the chieftaincy system that is native to Nigeria. Consisting of everything from the country's monarchs to its titled family elders, the chieftaincy as a whole is one of the oldest continuously existing institutions in Nigeria and is legally recognized by its government.

George Osodi is a Nigerian photographer from Ogwashi-Uku, Delta State.

References

  1. 1 2 Osodi, George (30 January 2015). "Royals & Regalia: Inside the Palaces of Nigeria's Monarchs Recent Photographs by George Osodi". THE NEWARK MUSEUM OF ART. Newark Museum . Retrieved 15 May 2020.
  2. Museum Associates. "Oba's Royal Crown". LACMA. Los Angeles County Museum of Art . Retrieved 15 May 2020.
  3. "Nigeria: An Exhibition of Nigerian Royal Regalia, and Selection of Photographs, Arts and Crafts". 2004.
  4. "In pictures: Country of kings, Nigeria's many monarchs". BBC News. BBC. 13 October 2013. Retrieved 15 May 2020.