S. D. Phadnis | |
---|---|
Born | |
Nationality | Indian |
Alma mater | Sir J. J. School of Art, Mumbai |
Notable work |
|
Website | sdphadnis |
Shivram Dattatreya Phadnis (born 29 July 1925), known as S. D. Phadnis, is an Indian cartoonist and illustrator. He is known for his captionless and painted cartoons, which mainly featured on magazine covers. [1] The illustrations created by Phadnis for Mohini magazine established a new tradition of Marathi magazine covers. It proved that cartoons can be as charming and visually pleasing as a painting without the support of words. With a career spanning more than 60 years, he has contributed to the Marathi publishing industry and cartooning community as a whole. As of April 2023 [update] , he lives and works in Pune. [2]
Phadnis was born on 29 July 1925 in the village of Bhoj, Belgaum district, Bombay Presidency (now in Karnataka). After spending a few years at his birth place, he moved to Kolhapur from where he passed his matriculation examination in 1944. Phadnis then joined Sir J. J. School of Art in Bombay and obtained a G. D. in Commercial Art in 1949. [3]
While studying at Sir J. J. School of Art, Phadnis sent a cartoon to Manohar magazine in 1945, without any expectations. Motivated by seeing this artwork published, he occasionally sent comic strips to magazines that became popular. Among those magazines was Hans, which was run by Anant Antarkar. On Antarkar's instructions, Phadnis created a full-page coloured illustration that was published on the cover of the June 1951 issue of the magazine. This was the beginning of latter's work with humorous, multi-coloured covers. [4]
In the early 1950s, Antarkar had founded another magazine called Mohini. This was the time when the covers of the Diwali magazines traditionally featured images of beautiful young ladies or popular film actresses. Phadnis designed a cartoon for the 1952 Diwali issue of this magazine. It showcased a man wearing a mouse print shirt and woman wearing a cat print sari who were standing side by side at a bus stop. Not only did this creation break the existing trend, but was also well received by the audience. This was the beginning of what was to develop as a trend in terms of Diwali issue covers. [5]
While working in Mumbai, Phadnis felt that the climate and lifestyle of the city did not suit him, so he set up his studio in Kolhapur for a few years. Around the same time, Antarkar had decided to shift his residence from Mumbai and settle in Pune. With Antarkar’s inspiration and encouragement, Phadnis also shifted to Pune and settled there. Following this move, it was mutually decided that cartoons by Phadnis would be printed in every month's issue of Mohini. This partnership lasted for more than 50 years. Even though the monthly magazine of Mohini has been discontinued, the cover of its Diwali issue continues to feature the work of Phadnis, which is published annually. In addition to this, Phadnis has also created cartoons and illustrations for other clients during his career. [3]
Phadnis drew political and social cartoons based on the events of the time for the Marathi weeklies Manoos and Sobat between 1963 and 1975. Moreover, he also drew cartoons for books on subjects that were not linked to humour, such as science, banking, grammar, management, law and philosophy. The illustrations by Phadnis helped to make these seemingly complicated subjects easier to understand, such as the elementary mathematics books that he illustrated for the state of Maharashtra. His illustrations in these books made the concepts of mathematics understandable and interesting to elementary school children, and showed how the common perception that mathematics is a difficult and abstract subject is wrong. In the twenty years since their publication, numerous copies of these illustrated books in eight languages have spread across far-flung villages. [4]
The cartoons created by Phadnis are mostly wordless and others use minimal words. At the same time, he shows that even a cartoon can be as charming and visually pleasing as a painting. In order to achieve this, he uses figurative sketching style. Characters that fit this style of painting are seen in his cartoons. They depict simple and cultured people who make fun of each other and face the troubles of the world with amusement. Phadnis uses minimal details, which are enough to convey the characterization as well as composition in the pictures. [5] In his cartoons, Phadnis depicts events that take place in the life of a middle-class household with protagonists who face the adverse situations and difficulties playfully. Eventually, his cartoons enabled the viewers to understand the humour in an image just by looking at it. [3]
Phandis regretted the fact that the pictorial culture had not assimilated among the masses. [4] Phadnis presented several informative programs on cartoons and caricature for UGC, on Doordarshan and other channels. From 1966 to 1972 he persuaded the government to waive the entertainment tax on art exhibitions, who eventually accepted this demand. Phadnis also helped establish the law via the court-office that the painter owned the copyright of their paintings and its prints. [5]
In February 1965, Phadnis put up his first exhibition titled Hasari Gallery (Laughing Gallery) at Jahangir Art Gallery in Mumbai, which showcased the original artworks of his cartoons. Along with static images, it also included works powered by electricity, using mirrors, and some moving images. Hasari Gallery toured across several cities across the country. [3] Along with his wife Shakuntala, Phadnis created a program called Chitrahas, which introduced cartoons with the help of demonstrations and coloured slides as an alternative to an exhibition. They performed more than 150 shows in Maharashtra and other states. Additionally, they also performed Chitrahas in New York and six other cities in the US, as well as in London for the Maharashtra Mandal. Phadnis’ cartoons have been displayed several times in international cartoon exhibitions at Montreal and Germany. [4]
Phadnis was honored with several awards during his career. In 1954, Communication Arts Guild presented him with an Outstanding Editorial Art Award for his coloured cartoon on the cover of Mohini’s Diwali issue; Lifetime Achievement Award from the Indian Institute of Cartoonists in 2001. Phadnis and his wife Shakuntala were honored with Mukund Gokhale Smriti Yashwant-Venu Award in 2018. [5]
Phadnis is married to Shakuntala and has two daughters. In his autobiography titled Reshatan: Athavanincha Pravas (A journey down memory lane), Phadnis has documented his journey of more than 60 years as a cartoonist and his work for the rights of cartoonists. [6]
Rasipuram Krishnaswami Iyer Laxman was an Indian cartoonist, illustrator, and humorist. He is best known for his creation The Common Man and for his daily cartoon strip, You Said It in The Times of India, which started in 1951.
Pratapgad is a mountain fort located in Satara district, in the Western Indian state of Maharashtra. The fort is situated 24 kilometres from the Mahabaleshwar hill station. The fort is now a popular tourist destination.
Dilip Purushottam Chitre ( his full name ) (17 September 1938 – 10 December 2009) was one of the foremost Indian poets and critics to emerge in the post Independence India. Apart from being a notable bilingual writer, writing in Marathi and English, he was also a teacher, a painter, a filmmaker and a magazine columnist.
Raghunath Dhondo Karve was a professor of mathematics and a social reformer from Maharashtra, India. He was a pioneer in initiating family planning and birth control for masses in Mumbai in 1921.
Bhalchandra Vanaji Nemade is an Indian Marathi language writer, poet, critic and linguistic scholar. Beginning with his debut novel Kosala, Nemade brought new dimensions to the world of Marathi literature. This was followed by a tetralogy consisting of novels Bidhar, Hool, Jareela and Jhool. In 2013, Nemade published his magnum opus titled Hindu: Jagnyachi Samruddha Adgal which is regarded as his masterpiece. Nemade is a recipient of the Sahitya Akademi Award as well as the Jnanapith Award, the highest literary honour in India. In 2013, he was awarded the Padma Shri.
Vasant Sarwate was an Indian cartoonist and writer who was published primarily in Marathi publications during his lifetime.
Dattatraya Ganesh Godse was an Indian historian, playwright, art critic, art director, theatre and costume designer, and illustrator. He received a Sangeet Natak Akademi Award in 1988. He wrote almost exclusively in Marathi.
Balakrishna Bhagwant Borkar was a poet from Goa, India.
Govind Shripad Talwalkar was a distinguished journalist, legendary editor of Maharashtra Times, historian, scholar, intellectual with liberal views, social reformer and author of 32 books. He received the Lokmanya Tilak Award from the Government of Maharashtra, India and also the B. D. Goenka Award, Durga Ratan Award, Agarkar Award & Bhalerao Award for excellence in journalism and Ramshastri award for social justice. He received Maharashtra Government Award for his book - Navroji te Nehru; and N.C. Kelkar Award and Sahitya Paishad Award for his four volume book - Soviet Samrajyacha Uday ani Asta; and Damani Award for his book - Badalta Europe.
Satish Vasant Alekar is a Marathi playwright, actor, and theatre director. A founder member of the Theatre Academy of Pune, and most known for his plays Mahanirvan (1974), Mahapoor (1975), Atirekee (1990), Pidhijat (2003), Mickey ani Memsahib (1973), and Begum Barve (1979), all of which he also directed for the Academy. Along with Mahesh Elkunchwar and Vijay Tendulkar he is considered among the most influential and progressive playwrights in modern Marathi and Indian theatre.
Dr. Datta Walvekar was an Indian Marathi singer and music director.
Ashok Damodar Ranade was a scholar musician and ethnomusicologist. Ranade was a vocalist trained in traditional Hindustani Art music. He was a composer constantly experimenting with new uncharted vistas. A pioneer of Cultural Musicology in India, Dr Ranade was a missionary who contributed in enriching India's cultural life in the 21st century.
Dinanath Dalal was an Indian painter and illustrator. He is well-known for his artworks that gained popularity among the masses through book covers, stories, cartoons, calendars and illustrations, especially in the Deepavali magazine. His works depicted various subjects such as mythology, history, social issues, human emotions and politics.
Vidyadhar Oke is an Indian doctor, musicologist, harmonium player, and astrology consultant, who has done research in the use of shrutis (microtones) in Indian classical music and created a unique 22-shruti version of the harmonium.
Dr. Anil Sapkal is an academician, creative writer in Marathi and a film maker. In 2014 he became a Professor at Marathi Department, University of Mumbai. He wrote the screen play and dialogue for the recent Marathi feature film Dhol Taashe.
Baburao Sadwelkar was an Indian painter, art writer, educator and administrator. He is known for his portraits, landscape and abstract paintings in the Impressionistic style. As an art educator, he brought a modern outlook to art education at the Sir J. J. School of Art after learning about the American art education model under a Fulbright Scholarship in 1962–63. Sadwelkar was also passionate about the art tradition of Maharashtra and the art history of the Sir J. J. School of Art. From 1975 to 1986, he served as the Director of Art for Maharashtra State where the preservation and propagation of this artistic tradition prospered under his guidance. He wrote extensively about the art and artists from the state and which are considered as important art publications.
Milind Mulick is a watercolour artist based in Pune, India. His work has been shown at exhibitions internationally as well as all over India. He has had an influence on new Indian painters such as Sujith Sudhi and Bijay Biswaal.
Janardan Dattatraya Gondhalekar was an Indian painter, administrator and scholar of Indian & Western Art. He served as the dean of Sir J. J. School of Art from 1953 to 1957.
Nandan Hanmant Phadnis is an Indian cricketer who played first class from 1986 to 1992 and List A cricket from 1986 to 1996 at the Ranji Trophy and the Wills Trophy for the Maharashtra cricket team as a wicket-keeper and batsman. Since 1998, he has served as an umpire for List A and Twenty20 cricket.