"Sad Eyes" | ||||
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Single by Robert John | ||||
from the album Robert John | ||||
B-side | "Am I Ever Gonna Hold You Again" | |||
Released | April 1979 | |||
Recorded | 1979 | |||
Genre | ||||
Length | 4:12 (Album Version) 3:30 (Single Edit) | |||
Label | EMI America | |||
Songwriter(s) | Robert John | |||
Producer(s) | George Tobin in association with Mike Piccirillo | |||
Robert John singles chronology | ||||
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"Sad Eyes" is a song written and recorded by Robert John, and released in April 1979. It debuted May 19 on the Billboard Hot 100, reaching the top of the chart the week of October 6. [3] It was produced by George Tobin in association with Mike Piccirillo.
Reminiscent of the doo-wop ballads of the 1950s, "Sad Eyes" became one of several non-disco, or disco-influenced, tunes to top the 1979 pop chart. It was released in April 1979, when many music fans were primarily listening to disco. In August 1979 there was a cultural anti-disco backlash that encouraged many to turn from disco to pop music instead. "Sad Eyes" is notable as the song that ended the six-week reign of the biggest smash hit of the year, The Knack's "My Sharona". This song explores the sadness experienced by a woman because her lover is leaving to return to his girlfriend/wife. The lyrics indicate that the relationship was intended from the start to be a temporary one that would end upon the girlfriend’s return. The song is told from the man’s point of view and expresses his efforts to console her.
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [8] | Gold | 75,000^ |
United States (RIAA) [9] | Gold | 1,000,000^ |
^ Shipments figures based on certification alone. |
Album credits list these musicians involved during the sessions from which "Sad Eyes" was recorded. [10]
A cover by American country music group Trader-Price peaked at number 55 on the Billboard Hot Country Singles chart in 1989. [11] Kyle Vincent also recorded the song, released on Absolutely The Best of the 70s, credited to Bo Donaldson and The Heywoods, and produced by Ron Dante. Another rendition appeared on Robin Lee's album, Black Velvet , released in 1990.
"Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an album until 1977's anthology Looking Back. The best-known version of this song is the 1973 release by Aretha Franklin, who had a million-selling top 10 hit on Billboard charts. The song reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. It became an RIAA Gold record.
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"I'd Really Love to See You Tonight" is a song written by Parker McGee and recorded by England Dan & John Ford Coley from their 1976 album Nights Are Forever. It eventually peaked at No. 2 on the Billboard Hot 100 chart for two weeks, behind Wild Cherry's "Play That Funky Music" and No. 1 on the Easy Listening chart. Billboard ranked it as the No. 21 song for 1976. It also reached No. 26 on the UK Singles Chart.
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"Bad Luck" is a song recorded by American vocal group Harold Melvin & the Blue Notes from their album To Be True. Released as a single in 1975 by Philadelphia International Records, the song was written by Victor Carstarphen, Gene McFadden, and John Whitehead and produced by Gamble and Huff, with MFSB providing instrumentals. The single was number one on the Billboard Disco Action chart for eleven weeks, also peaking at no. 4 on Hot Soul Singles and no. 15 on the Hot 100. With an unusually loud hi-hat by session drummer Earl Young, "Bad Luck" is considered a signature disco song.
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