Jean-Auguste-Dominique Ingres was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Henri Matisse, Pablo Picasso, and other modernists.
Antoine-Jean Gros was a French painter of historical subjects. He was granted the title of Baron Gros in 1824.
Hippolyte-Paul Delaroche was a French painter who achieved his greater successes painting historical scenes. He became famous in Europe for his melodramatic depictions that often portrayed subjects from English and French history. The emotions emphasised in Delaroche's paintings appeal to Romanticism while the detail of his work along with the deglorified portrayal of historic figures follow the trends of Academicism and Neoclassicism. Delaroche aimed to depict his subjects and history with pragmatic realism. He did not consider popular ideals and norms in his creations, but rather painted all his subjects in the same light whether they were historical figures like Marie-Antoinette, figures of Christianity, or people of his time like Napoleon Bonaparte. Delaroche was a leading pupil of Antoine-Jean Gros and later mentored a number of notable artists such as Thomas Couture, Jean-Léon Gérôme, and Jean-François Millet.
Joseph-Siffred Duplessis was a French painter known for the clarity and immediacy of his portraits.
The Battle of Jemapes is an 1821 history painting by the French artist Horace Vernet. It depicts the Battle of Jemmapes fought on 6 November 1792 near Jemappes in modern-day Belgium. Stylistically it is part of the developing romantic movement in art.
The Salon of 1824 was an art exhibition held at the Louvre in Paris between 25 August 1824 and 15 January 1825. It took place during the Restoration Era that followed the downfall of Napoleon's French Empire. At the time one of Europe's premier art exhibitions, the Salon was held roughly biennaly during the period. It was the first to be held since Charles X succeeded to the throne earlier the same year.
The Battle of Montmirail is an 1822 history painting by the French artist Horace Vernet. It depicts the 1814 Battle of Montmirail during the Napoleonic Wars. It was one of four battle scenes Vernet painted on a commission by the Duke of Orleans, a cousin of Louis XVIII and himself a future monarch of France. Vernet received a total of thirty eight thousand francs for the four works. It depicts the Battle Montmirail, one of the final victories of the French emperor Napoleon. Fought on 11 February 1814 during the Six Days' Campaign, Napoleon's success there ultimately didn't prevent the fall of Paris and his abdication two months later.
Portrait of Louise Vernet is a c.1830 portrait painting by the French artist Horace Vernet depicting his daughter Louise Vernet. While Vernet was known for his battle and history paintings, he also produced a number of portraits during his career.
Portrait of Carle Vernet is an 1804 portrait painting by the French artist Robert Lefèvre depicting his fellow painter Carle Vernet.
The Battle of Hanau is an 1824 history painting by the French artist Horace Vernet. It depicts the Battle of Hanau fought at Hanau in Hesse in October 1813 during the Napoleonic Wars.
The Salon of 1819 was an art exhibition held at the Louvre in Paris between 25 August and 30 September 1819. It was the largest Salon to be staged since the fall of Napoleon. It took place during the Restoration era with Louis XVIII on the throne. It was the first to be held since the withdrawal of Allied Occupation forces from the country at the end of the previous year. The two officials behind the exhibition the Count Forbin and Vicomte de Senonnes set out to make it even more a celebration of the House of Bourbon that the previous Salon of 1817.
The Salon of 1831 was an art exhibition held at the Louvre in Paris between June and August 1831. It was the first Salon during the July Monarchy and the first to be held since the Salon of 1827, as a planned exhibition of 1830 was cancelled due to the French Revolution of 1830.
The Salon of 1822 was an art exhibition held at the Louvre in Paris, opening on 24 April 1822. The Salon took place every two or three years at the time and featured paintings and sculpture. One of the most notable works to be displayed was The Barque of Dante by the romantic painter Eugène Delacroix, which owed much to Théodore Géricault's The Raft of the Medusa which had appeared at the previous Salon of 1819. Taking place during the Restoration era, it was the last to be held during the reign of Louis XVIII. The Salon of 1824 took place after his brother Charles X had succeeded to the throne.
The Salon of 1814 was an art exhibition held at the Louvre in Paris from 5 November 1814. It was the first Salon to be held since the defeat of Napoleon and the Bourbon Restoration that brought Louis XVIII to the throne. It featured a mixture of paintings and works of sculpture.
The Salon of 1834 was an art exhibition held at the Louvre in Paris, which opened on 6 March 1834. It marked a shift to annual exhibitions of the Paris Salon which had previously taken place every two or three years. It was held during the July Monarchy of Louis Philippe I. The paintings on display reflected patriotic themes of the constitutional monarchy and was followed by the Salon of 1835
The Salon of 1833 was an art exhibition held at the Louvre in Paris which opened on the 1 March 1833. It was held during the July Monarchy of Louis Philippe I and the first Salon to be staged since the failed Paris Uprising of 1832 against his rule. The critic Heinrich Heine, reviewing the Salon, observed that Jean-Auguste-Dominique Ingres was the dominant figure of the Salon. "Like Louis-Philippe in politics, M. Ingres was this year the king in art: as the former reigned at the Tuileries, he reigned at the Louvre". Eugene Delacroix who had enjoyed success at the Salon of 1831 with Liberty Leading the People, was away in Morocco in 1832 and short of time he submitted a few watercolours and portraits rather than the history paintings he had become known for.
Hercules and Diomedes is an 1835 oil painting by the French artist Antoine-Jean Gros. It depicts two figures from Ancient Greek Mythology Heracles and Diomedes. Gros, a former pupil of Jacques-Louis David, was a proponent of Neoclassicism and sharply opposed to the rising trend of Romanticism.
The Salon of 1836 was an art exhibition held at the Louvre in Paris. Since 1833 the Salon had been held annually, featuring paintings, sculptures and other works of art. It was followed by the Salon of 1837.
The Wounded Trumpeter is a 1819 oil painting by the French artist Horace Vernet. It depicts a scene from the Napoleonic Wars. A trumpeter of the First Hussar Regiment lays wounded while both his horse and a dog show concern for the wounded soldier.
Portrait of Théodore Géricault is an 1823 portrait painting by the French artist Horace Vernet depicting his friend and fellow painter Théodore Géricault.
