Benin City is the capital and largest city of Edo State, southern Nigeria. In central Kings square, the Benin city National Museum traces the Benin empire and has displays of terracotta sculpture. The Oba's palace is known for bronze plaques that once decorated with the walls, depicting historical events and Life at court. It is the fourth-largest city in Nigeria according to the 2006 census, after Lagos, Kano, and Ibadan. It is situated approximately 40 kilometres (25 mi) north of the Benin River and 320 kilometres (200 mi) by road east of Lagos. Benin City is the centre of Nigeria's rubber industry, and oil production is also a significant industry.
The Benin Expedition of 1897 was a punitive expedition by a British force of 1,200 men under Sir Harry Rawson in response to the ambush of a previous British embassy under Acting Consul General James Phillips, of the Niger Coast Protectorate. Rawson's troops captured and sacked Benin City, bringing to an end the Kingdom of Benin, which was eventually absorbed into colonial Nigeria.
The Benin Bronzes are a group of several thousand metal plaques and sculptures that decorated the royal palace of the Kingdom of Benin, in what is now Edo State, Nigeria. Collectively, the objects form the best examples of Benin art and were created from the thirteenth century by artists of the Edo people. The plaques, which in the Edo language are called Ama, depict scenes or represent themes in the history of the kingdom. Apart from the plaques, other sculptures in brass or bronze include portrait heads, jewelry, and smaller pieces.
Ewuare was the Oba (king) of the Benin Empire from 1440 until 1473. Ewuare became king in a violent coup against his brother Uwaifiokun which destroyed much of Benin City. After the war, Ewuare rebuilt much of the city of Benin, reformed political structures in the kingdom, greatly expanded the territory of the kingdom, and fostered the arts and festivals. He left a significant legacy and is often considered the first King of the Kingdom of Benin.
Idia was the mother of Esigie, who reigned as Oba (king) of the Edo people from 1504 to 1550. Historians do know that Idia was alive during the Idah war because she played a role that led to a great Benin victory. It has been argued that Idia, therefore, was the true power behind the throne of her son. She played a significant role in the rise and reign of her son, being described as a great warrior who fought relentlessly before and during her son's reign as the Oba (king) of the Edo people. Queen Idia was instrumental in securing the title of Oba for her son Esigie following the death of his father Oba Ozolua. To that end, she raised an army to fight off his brother Arhuaran who was supposed to be the Oba by right and tradition but was subsequently defeated in battle. Esigie’s mother became the 17th Oba of Benin.
Benin art is the art from the Kingdom of Benin or Edo Empire (1440–1897), a pre-colonial African state located in what is now known as the Southern region of Nigeria. Primarily made of cast bronze and carved ivory, Benin art was produced mainly for the court of the Oba of Benin – a divine ruler for whom the craftsmen produced a range of ceremonially significant objects. The full complexity of these works can be appreciated through the awareness and consideration of two complementary cultural perceptions of the art of Benin: the Western appreciation of them primarily as works of art, and their understanding in Benin as historical documents and as mnemonic devices to reconstruct history, or as ritual objects. This original significance is of great importance in Benin.
The Edopeople, sometimes referred to as the Bendel people, are an Edo-speaking ethnic group. The oredo who predominantly reside in 7 southern local government areas of the State of Edo, Nigeria are known as Benin. They are speakers of the bini language and are the descendants of the founders of the Benin Kingdom Ogiso Igodo. They are closely related to other southern Nigerian tribes, such as the Esan, Igbanke, the Etsakọ, the Isoko, and the Urhobo.
Ikegobo, the Edo term for "altars to the Hand," are a type of cylindrical sculpture from the Benin Empire. Used as a cultural marker of an individual's accomplishments, Ikegobo are dedicated to the hand, from which the people of Benin considered the will for wealth and success to originate. These commemorative objects are made of wood or brass with figures carved in relief around their sides.
The Kingdom of Benin, also known as the Edo Kingdom or the Benin Empire, was a kingdom within what is now southern Nigeria. It has no historical relation to the modern republic of Benin, which was known as Dahomey from the 17th century until 1975. The Kingdom of Benin's capital was Edo, now known as Benin City in Edo State, Nigeria. The Benin Kingdom was "one of the oldest and most developed states in the coastal hinterland of West Africa". It grew out of the previous Edo Kingdom of Igodomigodo around the 11th century AD, and lasted until it was annexed by the British Empire in 1897.
Igue festival is a celebration with its origin in the Benin Kingdom of Edo State, southern Nigeria. One tradition states that the festival date coincided with the marriage of Ewuare to a wife named Ewere. Celebrated between Christmas and New Year, the festival includes the Oba's blessing of the land and his people. During the Igue ritual season, the Oba is prohibited from being in the presence of any non-native person.
Court and ceremonial art makes up a vital corpus of Benin art. Private and public ceremonies mark many of the important moments in Benin’s yearly calendar. In the past, an elaborate series of rites were performed throughout the year to secure otherworldly support for the kingdom’s well-being and to celebrate decisive events in its history.
African ivories are objects and materials that are created from ivory or include ivory material that comes from the continent of Africa. The ivory from Africa would become widely sought after by the 14th century due in part to the poorer quality of Asian ivory. While Asian ivory is brittle, more difficult to polish, and tends to yellow with exposure to air, African ivory often comes in larger pieces, a more sought after cream color, and is easier to carve. Ivory from Africa came from one of two types of elephant in Africa; the more desirable bush elephant with larger and heavier tusks or the forest elephant with smaller and straighter tusks.
The Benin ivory mask is a miniature sculptural portrait in ivory of Idia, the first Iyoba of the 16th century Benin Empire, taking the form of a traditional African mask. The masks were looted by the British from the palace of the Oba of Benin in the Benin Expedition of 1897.
Unuamen also spelt Unuame is an ancient village community by Ovia river in Ovia North-East Local Government Area of Edo State, Nigeria. Unuame is about 15 kilometres (9 mi) from Benin City and 20 kilometres (12 mi) from Benin Airport. Unuame is one of the ancestral homes of Oba Esigie's maternal grandfather and home town to some group of Binis. The people of Unuame have remained loyal to the monarch since the establishment of the ancient Kingdom of Benin. Being a part of the Kingdom of Benin, Unuame is at the heart of the tropical rainforest in the southern part of Nigeria, way to the west of the delta of the Niger River and inland from the coast.
Chief Ovia Idah (1903–1968) was a Nigerian sculptor, painter, carpenter, designer, and educator. He worked in many mediums including in ebony wood, ivory, plastic, as well as terracotta and cement. Idah's was active in Lagos in Lagos State, and Benin City in Edo State, but showed his work internationally. He is also known by the names Igbolovia Ida and Ovidah Ida.
The Benin Altar Tusk, referred to as Aken’ni Elao in the Edo language, is an ivory artefact with historical, cultural, and religious significance. This tusk, which measures approximately 61 inches (1,500 mm) in height, 5.2 inches (130 mm) in width, 4.7 inches (120 mm) in depth and weighing 25 kilograms (55 lb) as determined by a sample at the British Museum, originates from the Benin Kingdom in present-day Benin City, Edo State, Nigeria and dates back to the 16th century.
Ogbebo ruled within the Benin Empire in 1816 AD, albeit for a brief period. His time in power was marked by a contest for control of the Benin throne, leading to a civil conflict.
Osemwende, also known as Eredia-uwa, was the Oba of Benin from 1816 to 1848. He was the son of Oba Obanosa and the brother of Ogbebo, whom he defeated in a civil war to claim the throne. He restored peace and stability to the kingdom after a turbulent period of succession crisis and expanded and consolidated his empire through military conquests and diplomatic alliances. He also promoted trade and commerce with foreign nations, especially the Portuguese, and fostered art and learning among his people. He was revered as a wise and benevolent ruler who brought good tidings to his kingdom.
Akengbuda was the Oba of Benin from 1750 to 1804. He was the son and successor of Eresoyen, and the father of Obanosa. He is regarded as one of the most powerful and influential obas in the history of the Kingdom of Benin, as he expanded the kingdom's territory, improved its administration, and promoted its arts and culture. He also maintained a strong trade relationship with the Europeans, especially the Portuguese and the British, and acquired firearms and other goods from them. He was known for his military prowess, his diplomatic skills, and his patronage of arts and learning.
The Igbesanmwan is a hereditary guild of ivory carvers in the Benin Kingdom, a pre-colonial African state located in present-day Edo State, Nigeria. Members of the Igbesanmwan guild hold the responsibility of crafting ivory items, including masks, tusks, staffs, leopards, and various other symbols denoting royal authority and eminence, for the Oba (king) and the royal court. In addition to their ivory craftsmanship, the Igbesanmwan possess proficiency in working with a range of other materials, such as wood, brass, and coral. This guild is recognised as one of the most ancient and esteemed in Benin, with their artistic work being widely appreciated for its aesthetic appeal and technical mastery.
