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Sam Simmonds was a British film editor who worked on over thirty productions between 1927 and 1956. [1] For a number of years he worked for the Rank Organisation in various capacities.
London Films Productions is a British film and television production company founded in 1932 by Alexander Korda and from 1936 based at Denham Film Studios in Buckinghamshire, near London. The company's productions included The Private Life of Henry VIII (1933), Things to Come (1936), Rembrandt (1936), and The Four Feathers (1939). The facility at Denham was taken over in 1939 by Rank and merged with Pinewood to form D & P Studios. The outbreak of war necessitated that The Thief of Bagdad (1940) be completed in California, although Korda's handful of American-made films still displayed Big Ben as their opening corporate logo.
Walter Sydney Vinnicombe was an English actor and comedian. He worked in film, television and theatre.
William H. Daniels ASC was a film cinematographer who was Greta Garbo's personal lensman, serving as the cinematographer for such Garbo-starring films as Torrent (1926), The Mysterious Lady (1928), The Kiss (1929), Anna Christie, Romance, Grand Hotel (1932), Anna Karenina (1935), and Camille (1936). Early in his career he worked regularly with director Erich von Stroheim, providing cinematography for such films as The Devil's Pass Key (1920) and Greed (1924). Daniels went on to win an Academy Award for Best Cinematography for his work on The Naked City (1948).
Nobert Brodine, also credited as Norbert F. Brodin and Norbert Brodin, was an American film cinematographer. The Saint Joseph, Missouri-born cameraman worked on over 100 films in his career before retiring from film making in 1953, at which time he worked exclusively in television until 1960.
Alfred Junge was a German-born production designer who spent a large part of his career working in the British film industry.
Raymond William Hatton was an American film actor who appeared in almost 500 motion pictures.
Hank Mann was a Russian Empire-born and American comedian and silent screen star who was a member of the Keystone Cops, and appeared as a supporting player in many of Charlie Chaplin's films.
Charles Lamont was a prolific filmmaker, directing over 200 titles and producing and writing many others. He directed nine Abbott and Costello comedies and many Ma and Pa Kettle films.
Géza von Bolváry was a Hungarian actor, screenwriter, and film director, who worked principally in Germany and Austria.
Holmes Herbert was an English character actor who appeared in Hollywood films from 1915 to 1952, often as a British gentleman.
Paul Hermann Bildt was a German film actor. He appeared in more than 180 films between 1910 and 1956. He was born in Berlin and died in Zehlendorf, West Berlin.
Leslie Stephenson Hiscott was an English film director and screenwriter who made over sixty films between 1925 and 1956. He was born in London in 1894. He directed Alibi (1931), the first ever depiction of Hercule Poirot, Agatha Christie's Belgian detective, with Austin Trevor in the lead role. He directed a follow-up, Black Coffee, also starring Trevor.
Paul Henckels was a German film and stage actor. He appeared in more than 230 films between 1921 and 1965. Paul Henckels had started his acting career on the stage in the 1900s.
Basil Emmott, BSC was a prolific English cinematographer with 190 films to his credit, active from the 1920s to the 1960s. Emmott's career started in the silent era and continued through to the mid-1960s. His most prolific decade was the 1930s, when he was involved with almost 120 films, many of which were produced by noted documentary film-maker John Grierson.
Charles G. Clarke ASC was an American cinematographer who worked in Hollywood for over 40 years and was treasurer and president of the American Society of Cinematographers.
Bruno Mondi was a German cameraman and director of photography.
Harry C. Neumann of Chicago, Illinois, was a Hollywood cinematographer whose career spanned over forty years, including work on some 350 productions in a wide variety of genres, with much of his work being in Westerns, and gangster films.
Norman G. Arnold was a British art director who designed the sets for over a hundred and twenty films.
George Robinson (1890-1958) was an American cinematographer from Los Angeles.
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