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Leslie Stuart born Thomas Augustine Barrett was an English composer of Edwardian musical comedy, best known for the hit show Florodora (1899) and many popular songs.
The Beggar's Opera is a 1953 British historical musical film, a Technicolor adaptation of John Gay's 1728 ballad opera of the same name. The film, directed by Peter Brook in his feature film debut, stars Laurence Olivier, Hugh Griffith, Dorothy Tutin, Stanley Holloway, Daphne Anderson and Athene Seyler. Olivier and Holloway provide their own singing, but Tutin and others were dubbed.
Michael Blieden Wolff is an American jazz pianist, composer, and actor. He was the bandleader on The Arsenio Hall Show (1989–94).
"Pennies from Heaven" is a 1936 American popular song with music by Arthur Johnston and lyrics by Johnny Burke. It was introduced by Bing Crosby with Georgie Stoll and his Orchestra in the 1936 film of the same name.
Polly is a female given name.
Kate Ellen Louisa Cutler was an English singer and actress, known in the late nineteenth and early twentieth centuries as an ingénue in musical comedies, and later as a character actress in comic and dramatic plays. She is possibly best known for walking out of the lead role in Noël Coward's The Vortex in 1924 shortly before opening night.
Way Out West is a 1930 American pre-Code parody film, directed by Fred Niblo, starring William Haines, Leila Hyams, Polly Moran, and Ralph Bushman. It tells the story of Windy, a con man who cheats a group of cowboys out of their money. When they discover his cheating and learn that he has been robbed, they force him to work on a ranch until he has paid his debt.
Feather Your Nest is a 1937 British musical comedy film directed by William Beaudine and starring George Formby, Polly Ward and Enid Stamp-Taylor. It contains Formby's signature tune, Leaning on a Lamp-post.
Polly Ward was a British singer and actress.
Trilby Clark was an Australian actress who appeared in British films beginning in the silent film era. She was a leading lady in British films during the 1920s and early 1930s.
Maria Marten is a 1928 British silent drama film directed by Walter West starring Trilby Clark, Warwick Ward and Dora Barton. It is based on the real story of the Red Barn Murder in the 1820s, and is one of five film versions of the events. The film shifted the action to fifty years earlier to the height of the Georgian era. This was the last of the silent film adaptations of the Maria Marten story, and its success paved the way for the much better 1935 sound film remake starring Tod Slaughter. A 35mm print of the 1928 silent film exists in the British Film Institute's archives.
Tons of Money is a farce by the British writers Will Evans and Arthur Valentine. It was co-produced by Tom Walls and Leslie Henson. In the story of the play, a hard-up inventor pretends to be his cousin, in order to escape the clutches of his creditors.
The Devil's Maze is an all-talking 1929 sound British drama film directed by Gareth Gundrey and starring Renee Clama, Trilby Clark and Ian Fleming. The film was made at the Lime Grove Studios. A cut down edited silent version with intertitles was available for theatres who were not yet wired for sound. It was based on the play Some Fools by G.R. Malloch.
Chick is a 1928 British silent drama film directed by A. V. Bramble and starring Bramwell Fletcher, Trilby Clark and Chili Bouchier. The film was made at Islington Studios by British Lion. It was based on the 1923 novel of the same title by Edgar Wallace. It was remade in 1936 starring Sydney Howard in the title role.
Trilby is a stage play by Paul M. Potter based on the 1894 novel Trilby by George du Maurier. In the play, a young Irish woman, Trilby O'Ferrall, falls under the control of Svengali, who uses hypnosis to make her abandon her fiancé and become a singer.
The Stuart Hall Project is a 2013 British film written and directed by John Akomfrah centred on cultural theorist Stuart Hall, who is regarded as one of the founding figures of the New Left and a key architect of Cultural Studies in Britain. The film uses a montage of documentary footage together with Hall's own words and thoughts to produce what Peter Bradshaw of The Guardian called "an absorbing account", awarding it four stars and stating that it has "an idealism and high seriousness that people might not immediately associate with the subject Hall pioneered". Sight & Sound magazine's Ashley Clark described it as "a strongly personal work" that "unfolds simultaneously as a tribute to a heroic figure, a study of the emergence of the New Left and its attendant political ideas, and a summation, in thematic and technical terms, of the key characteristics of Akomfrah’s body of work thus far ."
The Night Porter is a 1930 British comedy film directed by Sewell Collins and starring Donald Calthrop, Trilby Clark and Gerald Rawlinson. The film was made by Gaumont British Picture Corporation, an affiliate of Gainsborough Pictures, at the Lime Grove Studios with sets designed by Andrew Mazzei. It was produced as a quota quickie for release as a second feature. It was based on a popular music hall sketch by Fred Rome and Harry Wall depicting a honeymooning couple and the hotel night porter they encounter.
This is a summary of 1930 in music in the United Kingdom.
You Will Remember is a 1941 British musical drama film directed by Jack Raymond and starring Robert Morley, Emlyn Williams and Dorothy Hyson. It portrays the life of the composer Leslie Stuart. Featured songs include, Tell Me Pretty Maiden, Sue, Florodora, Lily of Laguna, Soldiers of the King and Dolly Daydream.
Kentucky Minstrels is a 1934 British musical film directed by John Baxter. It was made at Twickenham Studios as a quota quickie for release by Universal Pictures. Scott and Whaley, the stars of the film, were an African American comedy duo, and the first black performers to take a leading role in a British film. It also featured American actress Nina Mae McKinney. The show derived from the BBC radio programme, The Kentucky Minstrels, first broadcast in 1933, which was written and performed by the same team.
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- ↑ Barrios p.211
