|Directed by||Thomas Bentley|
|Written by||Eliot Stannard|
|Starring|| Juliette Compton |
|Distributed by||Graham-Wilcox Productions|
|1 September 1926|
White Heat is a 1926 British drama film directed by Thomas Bentley and starring Juliette Compton, Wyndham Standing and George Bellamy.The screenplay concerns a dancer who becomes romantically involved with a producer.
Sir William Wyndham, 3rd Baronet, of Orchard Wyndham in Somerset, was an English Tory politician who sat in the House of Commons from 1710 to 1740. He served as Secretary at War in 1712 and Chancellor of the Exchequer in 1713 during the reign of the last Stuart monarch, Queen Anne (1702–1714). He was a Jacobite leader firmly opposed to the Hanoverian succession and was leader of the Tory opposition in the House of Commons during the reign of King George I (1714–1727) and during the early years of King George II (1727–1760).
The Road to Science Fiction is a series of science fiction anthologies edited by American science fiction author, scholar and editor James Gunn. Composed as a textbook set to teach the evolution of science fiction literature, the series is now available as mass market publications.
The Rejected Woman is a 1924 American silent drama film directed by Albert Parker and written by John Lynch. The film stars Alma Rubens, Conrad Nagel, and Béla Lugosi in a supporting role as Jean Gagnon. It was produced by Distinctive Pictures and distributed by Goldwyn-Cosmopolitan Distributing Corporation. A print of The Rejected Woman is preserved at the George Eastman House.
Charles Wyndham Standing was an English film actor.
Juliette Compton was an American actress whose career began in the silent film era and concluded with That Hamilton Woman in 1941.
The Hypocrites is a 1923 British-Dutch silent drama film directed by Charles Giblyn, based on The Hypocrites, a 1906 play by Henry Arthur Jones. The plot concerns the hypocrisy of a squire who tries to make his son deny he fathered a village girl's child, and instead marry an heiress. Jones' play which had already been filmed as The Morals of Weybury (1916) directed by George Loane Tucker with Elisabeth Risdon. The writing credit of this movie goes to Henry Arthur Jones (play) and Eliot Stannard (writer).
The Chinese Bungalow is a 1926 British silent drama film directed by Sinclair Hill, and starring Matheson Lang, Genevieve Townsend and Juliette Compton. It was based on the 1925 play The Chinese Bungalow, which was adapted for further films in 1930 and 1940. It was made by Stoll Pictures, whose principal star throughout the mid-1920s was Lang.
The Fake is a 1927 British silent drama film directed by Georg Jacoby and starring Henry Edwards, Elga Brink and Juliette Compton. It is based on a 1924 play of the same title by Frederick Lonsdale. It was made at Twickenham Studios in London.
Woman to Woman is a 1929 British drama film directed by Victor Saville and starring Betty Compson, George Barraud and Juliette Compton. It is an adaptation of the 1921 play Woman to Woman by Michael Morton which had already been made in 1923 into a now-lost film. The 1929 version survives and unrestored copies are available on unofficial DVDs and streaming services.
The Bosun's Mate is a 1914 British silent comedy film directed by Harold M. Shaw and starring Mary Brough, Charles Rock and Wyndham Guise. It is an adaptation of a play by W. W. Jacobs.
The Woman Tempted is a 1926 British silent drama film directed by Maurice Elvey and starring Juliette Compton, Warwick Ward and Nina Vanna. It was based on a novel by Vera, Countess Cathcart. The film was shot at Cricklewood Studios, and was backed by John Maxwell's Wardour Films which was dramatically increasing its role in the film industry. It was first given a trade show screening in June 1926, but did not go on full release until the following March. By that time Elvey had departed to work for Maxwell's rival Gaumont-British.
Power Over Men is a 1929 British silent mystery film directed by George Banfield and starring Isabel Jeans, Jameson Thomas and Wyndham Standing. It was made at Walthamstow Studios in London.
The Phantom Gondola is a 1936 French-Italian drama film directed by Augusto Genina and starring Marcelle Chantal, Henri Rollan and Paul Bernard. The film was a co-production between the two countries shot at the Cines Studios in Rome and based on a 1926 novel by Maurice Dekobra.
Strangers in Love is a 1932 American pre-Code comedy film directed by Lothar Mendes, written by Grover Jones, William J. Locke and William Slavens McNutt, and starring Fredric March, Kay Francis, Stuart Erwin, Juliette Compton, George Barbier, Sidney Toler and Earle Foxe. It was released on March 4, 1932, by Paramount Pictures.
Madonna of the Sleeping Cars is a 1928 French silent film directed by Marco de Gastyne and Maurice Gleize and starring Claude France, Olaf Fjord and Maurice Dekobra. It is an adaptation of Maurice Dekobra's 1925 novel of the same title, which was later turned into a 1955 sound film.
Change of Heart is a 1928 French silent film directed by Marco de Gastyne and starring Philippe Hériat, Annette Benson and Olaf Fjord. It is based on the novel Mon coeur au ralenti by the French writer Maurice Dekobra.
Her Redemption is a 1924 British silent crime film directed by Bertram Phillips and starring Queenie Thomas, John Stuart and Cecil Humphreys.
The Fake is a 1924 play by the British writer Frederick Lonsdale. It was staged at the Apollo Theatre in the West End with a cast that included Godfrey Tearle, Franklyn Bellamy and Allan Jeayes. Unlike most of his successful plays, generally farce-like comedies, this was intended as a serious drama although it contains a happy ending. It ran for 211 performances.
The Reckless Sex is a 1925 American melodrama film directed by Alan James from a screenplay by Travers Wells. The film stars Madge Bellamy, William Collier Jr., and Wyndham Standing.
St Michael's Church is a Church of England church in Over Compton, Dorset, England. The church dates to the 15th-century, with later additions and restorations. The church is a Grade I listed building. In the churchyard is also a table tomb of early 18th-century date which is Grade II listed.