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The Green Goddess is a 1930 American pre-Code film directed by Alfred E. Green. It was a remake of the 1923 silent film, which was in turn based on the play of the same name by William Archer. It was produced by Warner Bros. using their new Vitaphone sound system, and adapted by Julien Josephson.
This is an overview of 1929 in film, including significant events, a list of films released and notable births and deaths.
Marie-Madeleine Bernadette O'Carroll was an English actress, popular both in Britain and in America in the 1930s and 1940s. At the peak of her success in 1938, she was the world's highest-paid actress.
The Manxman is a 1929 British silent romance film directed by Alfred Hitchcock and starring Anny Ondra, Carl Brisson and Malcolm Keen. The film is based on a popular 1894 romantic novel The Manxman by Hall Caine, which had previously been made into a film 13 years earlier. It was the last fully silent production that Hitchcock directed before he made the transition to sound film with his next film Blackmail (1929).
Atlantic (1929) is an all-talking sound British drama film directed and produced by Ewald André Dupont and starring Franklin Dyall and Madeleine Carroll. Originally, two versions were made: the English and German-language version Atlantik were shot simultaneously. Subsequently, the production of a French version (Atlantis) began in spring 1930 using different footage and partially an altered storyline with a different director. The fourth version was released as a silent film. The story was taken from the West End play The Berg by Ernest Raymond. It was one of the most expensive films of 1929.
Carl Brisson, born Carl Frederik Ejnar Pedersen, was a Danish film actor and singer. He appeared in 13 films between 1918 and 1935, including two silent films directed by Alfred Hitchcock. In the 1934 film Murder at the Vanities, he introduced the popular song "Cocktails for Two".
Paramount on Parade is a 1930 all-star American pre-Code revue released by Paramount Pictures, directed by several directors including Edmund Goulding, Dorothy Arzner, Ernst Lubitsch, Rowland V. Lee, A. Edward Sutherland, Lothar Mendes, Otto Brower, Edwin H. Knopf, Frank Tuttle, and Victor Schertzinger—all supervised by the production supervisor, singer, actress, and songwriter Elsie Janis.
Two Hearts in Waltz Time is a 1934 British musical romance film directed by Carmine Gallone and Joe May and starring Carl Brisson, Frances Day, Bert Coote and Roland Culver. A composer falls in love with the star of an opera company. The music is by Robert Stolz, originally written for a German version in 1930.
What Money Can Buy is a 1928 British silent drama film directed by Edwin Greenwood and starring Madeleine Carroll, Humberston Wright and John Longden. The screenplay concerns a man who makes a bet that he can seduce a woman.
French Leave is a 1930 British comedy film directed by Jack Raymond and starring Madeleine Carroll, Sydney Howard and Arthur Chesney. It was made at British and Dominions Elstree Studios. It is based on a play by Reginald Berkeley, a "light comedy in three acts", set during the First World War. It was remade in 1937 by Norman Lee.
The Crooked Billet is a 1929 British sound part-talkie drama film directed by Adrian Brunel and starring Madeleine Carroll, Carlyle Blackwell and Miles Mander. It was released in both silent and sound versions, as its production came as the industry was shifting over. It was made by Gainsborough Pictures at their Islington Studios. The sound version features some sequences with audible dialogue. The rest of the film featured English intertitles with a synchronized musical score and sound effects.
The School for Scandal is a 1930 British historical comedy film directed by Thorold Dickinson and Maurice Elvey and starring Basil Gill, Madeleine Carroll and Ian Fleming. It is the first sound film adaptation of Richard Brinsley Sheridan's play The School for Scandal. It is also the only feature-length film shot using the unsuccessful Raycol colour process, and marked the screen debut of Sally Gray. The film was shot at the Elstree Studios of British International Pictures with sets designed by the art director Lawrence P. Williams. It ended up being released as a second feature and is classified as a quota quickie.
Who Goes Next? is a 1938 British war drama film directed by Maurice Elvey and starring Barry K. Barnes, Sophie Stewart and Jack Hawkins. The story was inspired by the escape of 29 officers through a tunnel from Holzminden prisoner-of-war camp in Lower Saxony, Germany, in July 1918.
Under the Greenwood Tree is a 1929 British sound part-talkie historical drama film directed by Harry Lachman and starring Marguerite Allan, Nigel Barrie and Wilfred Shine. It is an adaptation of the 1872 novel Under the Greenwood Tree by Thomas Hardy.
A Romance of Seville is a 1929 British sound color drama film directed by Norman Walker and starring Alexander D'Arcy, Marguerite Allan and Cecil Barry. This was the first British sound film released in colour, using the Pathéchrome stencil-colouring process. While the film has no audible dialog, it features a synchronized musical score, singing and sound effects on the soundtrack. The film is also known by the alternative title The Romance of Seville.
One of the Best is a 1927 British silent historical drama film directed by T. Hayes Hunter and starring Carlyle Blackwell, Walter Byron and Eve Gray. It was based on a play by Seymour Hicks. Film historian Rachael Low described it as an "unsophisticated costume drama". The 'drumming out' scene of Lieutenant Keppel was filmed at Hounslow Barracks using the officers and men of the Royal Fusiliers wearing 1820s uniforms.
Carl Harbord was an English stage, film and television actor.
Bolibar is a 1928 British silent drama film directed by Walter Summers and starring Elissa Landi, Michael Hogan, and Carl Harbord. It was based on the 1920 novel The Marquis of Bolibar by Leo Perutz. It was made by British Instructional Films at Cricklewood Studios. Also outside scenes shot on the island of Malta with hundreds of Maltese extras.
The Plaything is a 1929 British part-talkie sound romance film directed by Castleton Knight and starring Estelle Brody, Heather Thatcher and Nigel Barrie. The film was a mixture of silent and sound film as it was released during the transition period following Blackmail. It was based on the play Life Is Pretty Much the Same by Arthur Jarvis Black. It was made by British International Pictures at Elstree Studios.
Knowing Men is a 1930 British color sound romantic comedy film directed by Elinor Glyn and starring Carl Brisson, Elissa Landi and Helen Haye. It was made at Elstree Studios and based on one of Glyn's own novels. Originally shot using an experimental colour system, it was eventually released in plain black-and-white.
References
- ↑ The American Prisoner British Film Institute. Retrieved 9 September 2018.
- ↑ Low p.117
- ↑ Khomami, Nadia (2 October 2023). "Overlooked black actor may have been most prolific in early British cinema". The Guardian. ISSN 0261-3077 . Retrieved 2 October 2023.
