Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture and neoclassical architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to other parts of Europe at different dates and with varying degrees of impact.
The Doge's Palace is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the supreme authority of the former Republic of Venice. It was built in 1340 and extended and modified in the following centuries. It became a museum in 1923 and is one of the 11 museums run by the Fondazione Musei Civici di Venezia.
The Patriarchal Cathedral Basilica of Saint Mark, commonly known as St Mark's Basilica, is the cathedral church of the Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello. It is dedicated to and holds the relics of Saint Mark the Evangelist, the patron saint of the city.
The Basilica di Santa Maria Gloriosa dei Frari, commonly abbreviated to the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy. It is the largest church in the city and it has the status of a minor basilica. The church is dedicated to the Assumption of Mary.
The Basilica dei Santi Giovanni e Paolo, known in Venetian as San Zanipolo, is a Catholic minor basilica and Dominican conventual church in the Castello sestiere of Venice, Italy.
San Michele in Isola is a Roman Catholic church, located on the Isola di San Michele, a small islet sited between Venice and Murano, which once sheltered a Camaldolese monastery, but now houses the main cemetery of the city. The monastery was mostly demolished in the 19th century, but the church remains, originally rebuilt starting in 1469. The church is dedicated to Saint Michael, the holder of the scales on Judgement Day, a fit guardian of the sleep of the faithful dead. The island cemetery now includes the land of the formerly separate island of San Cristoforo. This church is sometimes referred to as San Michele di Murano, although this islet is separate from islands comprising that town.
Agnello Participazio was the tenth traditional and eighth (historical) doge of the Duchy of Venetia from 811 to 827. He was born to a rich merchant family from Heraclea and was one of the earliest settlers in the Rivoalto group of islands. His family had provided a number of tribuni militum of Rivoalto. He owned property near the Church of Santi Apostoli. A building in the nearby Campiello del Cason was the residence of the tribunes. Agnello was married to the dogaressa Elena.
Iacopo Negretti, best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane, was an Italian painter from Venice and a notable exponent of the Venetian school.
San Francesco della Vigna is a Roman Catholic church in the Sestiere of Castello in Venice, northern Italy.
Italian Gothic has characteristics that distinguish it considerably from that of the place of origin of Gothic architecture, namely France, and from other European countries in which this language has spread.
Tiziano Aspetti (1559–1606) was an Italian sculptor of the Renaissance. He was born in Padua and active mainly there and in Venice. He completed both large and small sculpture in bronze. Among his large works are bronze statues in the façade of San Francesco della Vigna and of Saint Anthony and many other sculptural decorations for the Basilica of Sant'Antonio of Padua.
San Giovanni in Bragora is a church in Venice, Italy, located in the sestiere of Castello.
San Nicolò al Lido refers to both the San Nicolò Church and most importantly to its annexed Monastery of San Nicolò located in Venice, northern Italy. The two Catholic institutions are located in the northern part of the Lido di Venezia and house the relics of Saint Nicholas, patron of sailors. From this church, the traditional thanksgiving Mass of the Sposalizio del Mare is celebrated. The complex houses monks of the Franciscan order.
The Abbey of Monte Oliveto Maggiore is a large Benedictine monastery in the Italian region of Tuscany, 10 km south of Asciano. Its buildings, which are mostly of red brick, are conspicuous against the grey clayey and sandy soil—the Crete senesi which give this area of Tuscany its name.
This article presents a detailed timeline of the history of the Republic of Venice from its legendary foundation to its collapse under the efforts of Napoleon.
The Abbey of Santa Giustina is a 10th-century Benedictine abbey complex located in front of the Prato della Valle in central Padua, region of Veneto, Italy. Adjacent to the former monastery is the basilica church of Santa Giustina, initially built in the 6th century, but whose present form derives from a 17th-century reconstruction.
Venetian Renaissance architecture began rather later than in Florence, not really before the 1480s, and throughout the period mostly relied on architects imported from elsewhere in Italy. The city was very rich during the period, and prone to fires, so there was a large amount of building going on most of the time, and at least the facades of Venetian buildings were often particularly luxuriantly ornamented.
The Venetian Renaissance had a distinct character compared to the general Italian Renaissance elsewhere. The Republic of Venice was topographically distinct from the rest of the city-states of Renaissance Italy as a result of their geographic location, which isolated the city politically, economically and culturally, allowing the city the leisure to pursue the pleasures of art. The influence of Venetian art did not cease at the end of the Renaissance period. Its practices persisted through the works of art critics and artists proliferating its prominence around Europe to the 19th century.
Antonio Rizzo was an Italian architect and sculptor, one of the greatest active in Venice in the latter half of the fifteenth century. Among his designs are the Scala dei Giganti, the stairs leading to the State Apartments of the Doge's Palace.
This is an alphabetical index of people, places, things, and concepts related to or originating from the Republic of Venice. Feel free to add more, and create missing pages.
