Francesco Borromini, byname of Francesco Castelli, was an Italian architect born in the modern Swiss canton of Ticino who, with his contemporaries Gian Lorenzo Bernini and Pietro da Cortona, was a leading figure in the emergence of Roman Baroque architecture.
Gian LorenzoBernini was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture.
The Quirinal Hill is one of the Seven Hills of Rome, at the north-east of the city center. It is the location of the official residence of the Italian head of state, who resides in the Quirinal Palace; by metonymy "the Quirinal" has come to stand for the Italian president. The Quirinal Palace has an extension of 1.2 million sq ft (110,000 m2).
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia, the Ottoman Empire and the Spanish and Portuguese colonies in Latin America. In about 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe.
The Church of St. Ignatius of Loyola at Campus Martius is a Latin Catholic titular church, of deaconry rank, dedicated to Ignatius of Loyola, the founder of the Society of Jesus, located in Rome, Italy. Built in Baroque style between 1626 and 1650, the church functioned originally as the chapel of the adjacent Roman College, which moved in 1584 to a new larger building and was renamed the Pontifical Gregorian University. It is one of the great 17th century preaching churches built by Counter-Reformation orders in the Centro Storico.
The Church of the Gesù is the mother church of the Society of Jesus (Jesuits), a Catholic religious order. Officially named Chiesa del Santissimo Nome di Gesù, its façade is "the first truly baroque façade", introducing the baroque style into architecture. The church served as a model for innumerable Jesuit churches all over the world, especially in the central Europe and then in the Portuguese colonies. Its paintings in the nave, crossing, and side chapels became models for Jesuit churches throughout Italy and Europe, as well as those of other orders. The Church of the Gesù is located in the Piazza del Gesù in Rome and is one of the great 17th century preaching churches built by Counter-Reformation orders in the Centro Storico.
Guillaume Courtois or italianized as Guglielmo Cortese, called Il Borgognone or Le Bourguignon, was a Franc-comtois-Italian painter, draughtsman and etcher. He was mainly active in Rome as a history and staffage painter and enjoyed high-level patronage. He was the brother of the painters Jacques Courtois and Jean-François Courtois.
Sant'Andrea della Valle is a titular church and minor basilica in the rione of Sant'Eustachio of the city of Rome, Italy. The basilica is the seat of the general curia of the Theatines and is located on the Piazza Vidoni, at the intersection of Corso Vittorio Emanuele and Corso Rinascimento. It is one of the great 17th century preaching churches built by Counter-Reformation orders in the Centro Storico.
Carlo Maderno or Maderna was an Italian architect, born in today's Ticino, Switzerland, who is remembered as one of the fathers of Baroque architecture. His façades of Santa Susanna, St. Peter's Basilica, and Sant'Andrea della Valle were of key importance in the evolution of the Italian Baroque. He often is referred to as the brother of sculptor Stefano Maderno, but this is not universally agreed upon.
The church of San Carlo alle Quattro Fontane, also called San Carlino, is a Roman Catholic church in Rome, Italy. The church was designed by the architect Francesco Borromini and it was his first independent commission. It is an iconic masterpiece of Baroque architecture, built as part of a complex of monastic buildings on the Quirinal Hill for the Spanish Trinitarians, an order dedicated to the freeing of Christian slaves. He received the commission in 1634, under the patronage of Cardinal Francesco Barberini, whose palace was across the road. However, this financial backing did not last and subsequently the building project suffered various financial difficulties. It is one of at least three churches in Rome dedicated to San Carlo, including San Carlo ai Catinari and San Carlo al Corso.
Sant'Agnese in Agone is a 17th-century Baroque church in Rome, Italy. It faces onto the Piazza Navona, one of the main urban spaces in the historic centre of the city and the site where the Early Christian Saint Agnes was martyred in the ancient Stadium of Domitian. Construction began in 1652 under the architects Girolamo Rainaldi and his son Carlo Rainaldi. After numerous quarrels, the other main architect involved was Francesco Borromini.
Andrea Pozzo was an Italian Jesuit brother, Baroque painter, architect, decorator, stage designer, and art theoretician.
Sant'Andrea delle Fratte is a 17th-century basilica church in Rome, Italy, dedicated to St. Andrew. The Cardinal Priest of the Titulus S. Andreae Apostoli de Hortis is Ennio Antonelli.
San Carlo ai Catinari, also called Santi Biagio e Carlo ai Catinari, is an early-Baroque style church in Rome, Italy. It is located on Piazza Benedetto Cairoli, 117 just off the corner of Via Arenula and Via dei Falegnami, a few blocks south of the church of Sant'Andrea della Valle.
Pierre Le Gros was a French sculptor, active almost exclusively in Baroque Rome where he was the pre-eminent sculptor for nearly two decades.
Blessed Ludovica Albertoni is a funerary monument by the Italian Baroque artist Gian Lorenzo Bernini. The Trastevere sculpture is located in the specially designed Altieri Chapel in the Church of San Francesco a Ripa in Rome, Italy. Bernini started the project in 1671, but his work on two other major works—The Tomb of Pope Alexander VII and the Altar of the Blessed Sacrament in St. Peter's Basilica—delayed his work on the funerary monument. Bernini completed the sculpture in 1674; it was installed by 31 August 1674.
San Silvestro al Quirinale is a historic church in central Rome, Italy. It is located near Via XXIV Maggio corner with Via Mazzarino, a few blocks south of the Piazza del Quirinale.
Ludovico Gimignani was an Italian painter, who is mainly known for his altarpieces for churches in Rome.
The Church of the Val-de-Grâce is a Roman Catholic church in the 5th arrondissement of Paris. The church was built as part of a royal abbey by Anne of Austria, the Queen of France, to celebrate the birth of her son, Louis XIV in 1638. Construction began in 1645 under the direction of architect François Mansart and was completed in 1665 by Gabriel Le Duc. The abbey and church were turned into a hospital during the French Revolution and then became part of the Val-de-Grâce Hospital, which closed in 1979. The church is attached to the diocese of the French military and is open to visitors at specified hours. Its dome is a landmark in the skyline of Paris.
San Francesco Borgia is a Roman Catholic church located on Via Crociferi #7, adjacent to the former Collegio Gesuita, and parallel to San Benedetto, and about a block south on Crociferi of the church and convent of San Giuliano, in the city of Catania, region of Sicily, southern Italy. The church is mainly used for exhibits, but still holds much of the original Jesuit artwork.
