Sara Topham | |
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Born | 1976 (age 45–46) Victoria, British Columbia, Canada |
Occupation | Actress |
Sara Topham (born 1976) is a Canadian actress. She is primarily associated with stage roles at the Stratford Shakespeare Festival in Ontario, Canada.
Sara Topham was born and raised in Victoria, British Columbia, Canada, in 1976. [1] [2] She graduated from drama school at the University of Victoria in 1998. [3]
Topham has played several major stage roles over the course of 13 years (2000 to 2011 and 2013) at the Stratford Shakespeare Festival, specializing in ingénue -type figures in comedies and also sensitive and vulnerable types in dramas. [4]
Topham played Titania and Hippolyta in A Midsummer Night's Dream by Shakespeare at the Shakespeare Theatre Company (2012), Cecily in Travesties by Tom Stoppard at the McCarter Theatre (2012), Miranda in The Tempest by Shakespeare at the Hartford Stage (2012), Gwendolyn in The Importance of Being Earnest at the Roundabout Theatre Company on Broadway (2012), the Governess in The Turn of the Screw by Jeffrey Hatcher adapted from Henry James at the Belfry Theatre (2008), Constanze in Amadeus by Peter Shaffer at Theatre Aquarius, and Mary Hatch in It's a Wonderful Life adapted for the stage at The Grand Theatre in London, Ontario, Canada.
In addition to film adaptations of Twelfth Night (2012) and The Importance of Being Earnest (2011), Topham played Rachel Peabody in Disney's Eloise at Christmastime (2003) and Anna in Dying to Dance (2001).
The Importance of Being Earnest, A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personae to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Some contemporary reviews praised the play's humour and the culmination of Wilde's artistic career, while others were cautious about its lack of social messages. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde's most enduringly popular play.
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John Wood was an English actor, known for his performances in Shakespeare and his lasting association with Tom Stoppard. In 1976, he received a Tony Award for Best Actor in a Play for his performance in Stoppard's Travesties. He was nominated for two other Tony Awards for his roles in Sherlock Holmes (1975) and Rosencrantz and Guildenstern Are Dead (1968). In 2007, Wood was appointed a Commander of the Order of the British Empire in the Queen's New Year Honours List. Wood also appeared in WarGames, The Purple Rose of Cairo, Orlando, Shadowlands, The Madness of King George, Richard III, Sabrina, and Chocolat.
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Seana McKenna is a Canadian actress primarily associated with stage roles at the Stratford Shakespeare Festival.
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This page describes the production history of the Stratford Festival.
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Rebecca Night is an English actress who starred in the title role of James Hawes's BBC Four adaptation Fanny Hill. Rebecca Night and Stockard Channing co-starred as Jessie and Thelma in Marsha Norman's Pulitzer-Prize-winning play 'night, Mother at Hampstead Theatre. On her performance, described by lead theatre critic Mark Shenton: "Night is like a young Julia Roberts... with natural stage chops... It turns out to be a riveting, revealing evening."
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The Importance of Being Earnest is a filmed version of the 2011 Broadway revival production of Oscar Wilde's 1895 play of the same name. The film is directed by and stars Brian Bedford.
George William Needles was an American-born Canadian actor and teacher.
Lucy Peacock is a Canadian actress best known for major stage roles at the Stratford Shakespeare Festival in Canada during the course of over 25 years.
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The Importance of Being Earnest is a three-act opera by Gerald Barry based on the 1895 play of the same name by Oscar Wilde. The opera was given concert performances in Los Angeles in 2011 and in London and Birmingham in 2012, and received its first fully staged performances in 2013 at the Opéra national de Lorraine, Nancy. Its first British staged performance took place at the Linbury Studio Theatre, Covent Garden, in 2013.