Satisfied | ||||
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Studio album by | ||||
Released | 2007 | |||
Genre | Folk music | |||
Label | Acoustic Disc | |||
Producer | David Grisman, John Sebastian | |||
David Grisman chronology | ||||
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Satisfied is an album by American musicians David Grisman and John Sebastian, released in 2007. The two met 41 years before this recording and were part of The Even Dozen Jug Band in 1964. The album offers a collection of traditional folk songs, mixed with originals by both Sebastian and Grisman. [1] [2]
Review scores | |
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Source | Rating |
Allmusic | [1] |
The Music Box | [3] |
Writing for Allmusic, critic Ronnie D. Lankford, Jr. wrote of the album, "one gains the impression of two friends jamming just for the fun of it, a back-porch authenticity re-created in the studio... As enjoyable as it is to listen to two old friends get together and jam, though, Satisfied is too laid-back, with a number of so-so songs mixed in with classics, and some songs overstay their welcome. The entire project would have been strengthened by a better batch of songs and tighter performances. Fans of Sebastian and Grisman will undoubtedly want to tune in to see what these two old pros have been up to, even if Satisfied does have the sound and feel of a home recording.." [1] Douglas Heselgrave of The Music Box wrote a similar review, writing "In the end, Satisfied is nothing more than a comfortable disc. Like an old armchair that has long since changed its contours to fit the body of the person who always sits in it, Satisfied is well worn and predictable. It is benign rather than challenging. This is not necessarily a bad thing, and many people certainly will enjoy the outing. It’s just that, ultimately, Satisfied — much as its title suggests — says more about how Sebastian and Grisman feel about life, the world, and their place within it than it does about the experience of the listeners who hear it. [3]
A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepipe, jew's harp, and comb and tissue paper. The term jug band is loosely used in referring to ensembles that also incorporate homemade instruments but that are more accurately called skiffle bands, spasm bands, or juke bands because they do not include a jug player.
John Benson Sebastian (born March 17, 1944) is an American singer, songwriter and musician who founded the rock band the Lovin' Spoonful. He made an impromptu appearance at the Woodstock festival in 1969 and scored a U.S. No. 1 hit in 1976 with "Welcome Back."
The Lovin' Spoonful is an American folk rock band formed in Greenwich Village, New York City, in 1964. The band was among the most popular groups in the United States for a short period in the mid-1960s and their music and image influenced many of the contemporary rock acts of their era. Beginning in July 1965 with their debut single "Do You Believe in Magic", the band had seven consecutive singles reach the Top Ten of the U.S. charts in the eighteen months that followed, including the number two hits "Daydream" and "Did You Ever Have to Make Up Your Mind?" and the chart-topping "Summer in the City".
Daydream is the second album by the Lovin' Spoonful, released in 1966. It features two hits, "Daydream", which reached No. 2 in the U.S. Billboard Top 40 charts, and "You Didn't Have to Be So Nice".
The Mugwumps were a 1960s folk rock band, based in New York City. They released one self-titled album in 1967 and two singles. The Mugwumps found little success during their short time together in 1964, and are better known for launching the careers of Cass Elliot and Denny Doherty, who went on to co-found the Mamas & the Papas, and John Sebastian and Zal Yanovsky, who both co-founded the Lovin' Spoonful.
Farewell Aldebaran is a 1969 album by American musicians Judy Henske and Jerry Yester. Originally released on Frank Zappa's Straight record label, it contains an eclectic mix of songs in a wide variety of styles and is also notable for its early use of synthesisers. AllMusic describes the album as "a fusion of folk music, psychedelia, and arty pop, though that only scrapes the surface of the LP's stylistic complexity." Although the album got some good reviews it failed to sell in large quantities, purchasers possibly confused by its eclecticism.
Everything Playing is the fourth studio album and sixth overall by the Lovin' Spoonful, released in 1967.
Jim Kweskin is an American folk, jazz, and blues musician, most notable as the founder of the Jim Kweskin jug band, also known as Jim Kweskin and the Jug Band, with Fritz Richmond, Geoff Muldaur, Bob Siggins and Bruno Wolfe. The Jug Band was a significant part of the folk and blues revival of the 1960s. Maria Muldaur, formerly with the Even Dozen Jug Band, joined the band in 1963. During the five years they were together, the Jug Band successfully modernized the sounds of pre–World War II rural music.
The Lovin' Spoonful Anthology is a compilation album by the folk rock group the Lovin' Spoonful, released in 1990.
Doc & Dawg is a 1997 recording by the American folk music artist Doc Watson and mandolinist David Grisman.
Sittin' Here Pickin' the Blues is the title of a recording by American folk music and country blues artists Doc Watson and Merle Watson, released in 2004. It contains songs taken from albums that Doc and Merle recorded on the Flying Fish label in the 1980s. It contains all the songs from Pickin' the Blues, three from Doc and Merle Watson's Guitar Album, three from Red Rocking Chair and a live version of "Deep River Blues".
The Best of the Lovin' Spoonful is a 1967 compilation album by the Lovin' Spoonful featuring hits and other tracks from their first three albums. It charted the highest of the group's career, hitting number three on the Billboard Top LPs chart.
Good Old Boys is an album by American musician John Hartford, released in 1999.
The Even Dozen Jug Band is the debut and only studio album by the American jug band Even Dozen Jug Band, released in 1964.
"Daydream" is a song by the American folk rock band the Lovin' Spoonful. Written by John Sebastian, it was issued as a single in February 1966 and was the title track of the band's second album, Daydream, released the following month. The song was the Lovin' Spoonful's third consecutive single to enter the top ten in the United States, and it was their best performing to that point, reaching number two. The single's European release coincided with a British and Swedish promotional tour, leading the song to be the band's first major hit outside North America. It topped sales charts in Canada and Sweden, and it was ultimately the band's most successful record in the United Kingdom, where it reached number two.
David Grisman has issued albums with his groups the David Grisman Quintet and Old & In the Way, performed in duos with Jerry Garcia, Andy Statman, Martin Taylor, Hazel Dickens and Alice Gerrard, John Sebastian, Tony Rice, and played in the psychedelic band Earth Opera with Peter Rowan. He has produced solo albums and collaborated with musicians in many genres.
New River is an album by mandolinist David Grisman and jazz pianist Denny Zeitlin that was released in 2001. Half the songs were written by Grisman, half by Zeitlin, with one a collaboration.
Hold On, We're Strummin' is an album by American musicians David Grisman and Sam Bush. It features Grisman and Bush on a number of different instruments. They are accompanied by Sam Grisman, members of the David Grisman Quintet, and other guests.
The Youngbloods is the debut self-titled studio album by the American rock band the Youngbloods, released in 1967. It was also reissued in 1971 under the title Get Together after the popular single from the album. The album peaked at number 131 on the Billboard 200 although two years later the single "Get Together" reached number five and sold more than a million copies.
Today! is the second studio album, but third body of work recorded by folk/country blues musician Mississippi John Hurt. It was released in 1966 by Vanguard Records. This album contains some of the first commercial material recorded after his "rediscovery" in 1963, and is the first he recorded for Vanguard. The album spans several genres and styles of music, ranging from traditional blues and folk songs, to country, to African-American spirituals. Along with Hurt's two previous releases, Today! helped to reveal his work to a wider folk audience. In 2009, the album was one of the twenty-five selections that were added to the Library of Congress' National Recording Registry.