Sayoko Onishi (born April 24, 1968) is a butoh dancer, choreographer and master from Japan, known for the development of the new butoh style, and the foundation of the International Butoh Academy in Palermo, Italy.
Sayoko Onishi was born in Sapporo, Hokkaido on April 24, 1968.
In 1986, she started studying butoh dance in the dance company Hoppo-Butoh Ha, with Ipei Yamada. Later she began an intensive artistic activity under the supervision of Hironobu Oikawa, absorbing the choreographic style of butoh dance. [1]
Since 1990, she has lived in Europe working as a professional choreographer and a dancer, teaching and performing all over the world. Her choreographic projects have been funded by the Deutsche Oper in Berlin, the Amsterdams Fonds voor de kunst, [2] the University of Palermo, [3] the Teatro Comunale di Ferrara. [4]
She has been a guest teacher of butoh and new butoh for the National Academy of Dance , [5] the University of Siena, [6] and the University of Palermo. [7]
In 2000 Sayoko Onishi established in Palermo, Italy where she founded the International Butoh Academy at the presence of master and butoh founder Yoshito Ohno. [8] [9] Sayoko Onishi and Yoshito Ohno are credited as being the first butoh choreographers to speak about New Butoh style. [10] The academy name was changed to New Butoh School in 2007. [11] [12] In 2018 the New Butoh School established in Ruvo di Puglia, Italy. [13] [14] [15]
Onishi's active in Europe in the French company Man'ok & Cie in Nancy (France) since 2009 with the project MA2 (Move Art Two). [16] [17]
With her new butoh style, Onishi [10] is considered one of the most important innovators in the international butoh panorama. [1] [18]
Ju-Ni Hitoe oder die Entdeckung der Seele (Documentary, 1994) [19]
Palermo is a city in southern Italy, the capital of both the autonomous region of Sicily and the Metropolitan City of Palermo, the city's surrounding metropolitan province. The city is noted for its history, culture, architecture and gastronomy, playing an important role throughout much of its existence; it is over 2,700 years old. Palermo is in the northwest of the island of Sicily, by the Gulf of Palermo in the Tyrrhenian Sea.
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Butoh is a form of Japanese dance theatre that encompasses a diverse range of activities, techniques and motivations for dance, performance, or movement. Following World War II, butoh arose in 1959 through collaborations between its two key founders, Tatsumi Hijikata and Kazuo Ohno. The art form is known to "resist fixity" and is difficult to define; notably, founder Hijikata Tatsumi viewed the formalisation of butoh with "distress". Common features of the art form include playful and grotesque imagery, taboo topics, and extreme or absurd environments. It is traditionally performed in white body makeup with slow hyper-controlled motion. However, with time butoh groups are increasingly being formed around the world, with their various aesthetic ideals and intentions.
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Tatsumi Hijikata was a Japanese choreographer, and the founder of a genre of dance performance art called Butoh. By the late 1960s, he had begun to develop this dance form, which is highly choreographed with stylized gestures drawn from his childhood memories of his northern Japan home. It is this style which is most often associated with Butoh by Westerners.
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Kazuo Ohno was a Japanese dancer who became a guru and inspirational figure in the dance form known as Butoh. He is the author of several books on Butoh, including The Palace Soars through the Sky, Dessin, Words of Workshop, and Food for the Soul. The latter two were published in English as Kazuo Ohno's World: From Without & Within (2004).
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Sankai Juku (山海塾) is an internationally known butoh dance troupe. Co-founded by Amagatsu Ushio in 1975, they are touring worldwide, performing and teaching. As of 2010, Sankai Juku had performed in 43 countries and visited more than 700 cities.
Gustavo Collini-Sartor is a butoh dance artist based out of Argentina. Originally an actor, Collini Sartor starred in a production directed by Ellen Stewart at LaMamma Theatre in New York City, and was invited by Ellen Stewart to act in her production of Edipo in Colona in Italy during 1986. That year he met and studied with Kazuo Ohno and Yoshito Ohno then worked with them in Venice, and at the University of Vienna in Austria. While performing with these master artists, Collini-Sartor studied with Grotowski in Italy, at the Centre International Roy Hart in France, and he worked with singer Michio Hiraiama. During this time, Collini-Sartor developed his own style of movement as he began working on the connection between theatre technique and butoh dance.
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Amedeo Amodio is an Italian choreographer and former ballet dancer. Trained at the Teatro alla Scala where he performed notably with Carla Fracci, he was appointed artistic director of the Reggio Emilia based modern ballet company Aterballetto in 1979 and served in that role until 1996. Most recently, in 2003, he accepted a position as artistic director of the ballet company at Teatro Massimo in Palermo, Sicily.
Simona Orinska is a Latvian butoh artist and a contemporary dancer, poet, director and choreographer. She is also a Dance Therapy and Dance Movement Therapy practitioner.
Giuseppe Picone is an Italian principal ballet dancer, choreographer, artistic director of the Ballet Company of Teatro San Carlo in Naples.
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Guido Lauri was an Italian dancer, actor, choreographer, ballet master, company director.
Akira Kasai (1943) is a Japanese butoh dancer and choreographer, who despite being significantly younger than mentors Kazuo Ohno and Tatsumi Hijikata, is considered to be pioneers of the art form along with them. Kasai trained in other forms of dance, but turned to butoh in the 1960s when he met and began to work with these two men. He started his own studio in 1971 but closed it in 1979 to move and study Eurythmy in Germany. He did not dance professionally at the time and for years after his return to Japan in 1986 he stayed off the stage stating that he felt too disconnected from Japanese society to perform. He returned to professional dance in 1994, with the work Saraphita and revived his studio Tenshi kan, now influenced by Eurythmy and other dance principles. He has since performed, choreographed and taught in Asia, the Americas and Europe, but his choreography is sufficiently different from most other butoh that its authenticity has been questioned.
Kō Murobushi was a Japanese dancer and choreographer who was a leading inheritor of Tatsumi Hijikata's original vision of Butoh.
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