Smurf Versus Smurf (Schtroumpf Vert et Vert Schtroumpf) | |
---|---|
Date | 1973 |
Series | The Smurfs |
Page count | 46 pages |
Publisher | Dupuis |
Creative team | |
Writers | Peyo, Yvan Delporte |
Artists | Peyo |
Original publication | |
Published in | Spirou magazine |
Date of publication | 1972 |
Language | French |
ISBN | 2-8001-0324-8 |
Translation | |
Chronology | |
Preceded by | Histoires de Schtroumpfs |
Followed by | Smurf Soup |
Schtroumpf Vert et Vert Schtroumpf is the ninth comic album adventure of the Smurfs, written and drawn by Peyo with Yvan Delporte as co-writer. [1] The story is considered a parody on the still ongoing language war between French- and Dutch-speaking communities in the authors' native Belgium. The plot is similar in a way to King Smurf , an earlier adventure, in that the usually harmonious community of Smurfs falls into disarray due to the failure of father-figure Papa Smurf to exercise his leadership. [2]
When released in book form, the French and English versions included a number of one-page stories with the Smurfs undertaking various forms of sport from archery to fishing with comical results.
The title literally means Smurf Green and Green Smurf, as the adjective in French variably could be placed both before and after a noun, also a reference to the Belgian saying chou vert et vert chou, lit cabbage green and green cabbage, "two sides of the same coin", by analogy implying that two things, though presented differently or appearing different, are the same or similar. [3]
From the moment they first appeared in La Flûte à six trous in 1958 it was established that the Smurfs talked in Smurf language, where the term "smurf" was used on an apparently random basis in their speeches: for instance, "It's smurfing a gale today".
Now it is revealed that actual differences in the language exist in the otherwise very homogeneous community of Smurfs: the Smurfs who live in the northern part of their village use the term "smurf" as a noun; while the Smurfs in the south use it as an adjective or verb.
This difference of opinion is raised when Handy Smurf, a Southern Smurf who is the local inventor, asks a Northern Smurf to return his "smurf opener", but he fails to do so on the grounds that it should be called a "bottle smurfer". Instead of agreeing to disagree, they have an increasingly heated argument about which is the correct term to use.
Papa Smurf is locked away in his laboratory, trying to complete a difficult chemical experiment, which keeps him out of the argument. Meanwhile, other Smurfs start debating the linguistic issue. They part, returning to their own sides of the village, failing to agree on the subject, and as a result there is much tension in the air.
One night, during a theatre performance of Little Smurf Riding Hood , the Northern part of the audience keeps interrupting the Southern actors over the use of language, claiming, among other things, that the title should be Little Red Riding Smurf. The arguing and interruptions continue to the point where the play erupts into an all-out fight. Papa Smurf breaks it up, pointing out the silliness of fighting over a matter of words. At first the Smurfs appear to think that he is right, but then start arguing again over whether they should "shake smurfs" or "smurf hands".
The next day, Papa Smurf tries to lift the tension by insisting that they play ball together in a friendly manner. At first it appears to work, but then other Smurfs watching the game begin to divide along lingual lines and the arguments begin again. The tension returns, this time apparently to stay, with insults being traded and both sides trying to assert their indifference and superiority over the other.
One Smurf eventually paints a demarcation line across the middle of the village to separate the two groups. This means that they have to stick to their own sides of the border. In one case, a Smurf finds his house marked in two by the straight demarcation line and goes almost crazy since he cannot figure out if he is of the North or the South: for instance, he cooks a "boiled smurf" on one side of his house and then consumes a "smurfed egg" on the other.
All this time, Papa Smurf has been in his laboratory working on his experiment — the nature of which is never revealed — but when he finally succeeds and calls on the other Smurfs to celebrate, it is already too late: the fuse that was set long ago has exploded with both North and South finally coming to blows in an all-out battle. Papa Smurf's pleas for them to stop are in vain.
In a desperate move to restore order, Papa Smurf turns to Gargamel, the evil sorcerer and sworn enemy of the Smurfs. Looking him in the eye, Papa Smurf pronounces a magic spell that immediately causes him and Gargamel to exchange their physical appearances: Gargamel becomes Papa Smurf and Papa Smurf becomes Gargamel.
Gargamel's cat Azrael is taken aback when he hears the voice of his master coming from Papa Smurf's body and goes his own way, overwhelmed by confusion.
Papa Smurf (as Gargamel) and Gargamel (as Papa Smurf) return to the Smurf village together where the battle is still ongoing. However, upon seeing Gargamel attack, the Smurfs on both sides reunite to fight against their common archenemy. Papa Smurf (as Gargamel) allows himself to be subdued and tied down. He hoped to teach them a lesson in being united ("smurf for all and all for smurf"), but they mock his claim to actually be Papa Smurf and refuse to release him.
The real Gargamel, in Papa Smurf's body, breaks into the laboratory and finds the magic spell. He thus restores himself and Papa Smurf into their original bodies, freed from the bonds. Gargamel immediately takes the opportunity to chase and seize the Smurfs throughout the village and further into the woods. But then he and the Smurfs come across Azrael who attacks him, thinking that it's still Papa Smurf in Gargamel's body.
All the Smurfs successfully escape from Gargamel's hands, while Gargamel (as usual) fails to find his way back to their village. At first it would seem as if peace has returned but then Papa Smurf overhears another argument about whether it should be a "smurf opener" or a "bottle smurfer". To prevent further clashes, he decrees that all the terms pronounced differently on the north and south sides of the village are now banned from use, so it should henceforth be "an object to unscrew bottles".
However, the Smurfs find it very difficult to use this new politically correct language, since very complicated and descriptive forms of expression are now needed and are subject to different interpretations, meaning that the resolution of the linguistic issue is still a long way off, and that the dialectal differences still persist. [4]
Smurf vs. Smurf was originally published in issues 1808 to 1836 of Spirou magazine in 1972 [5] and then in book form by Dupuis in 1973. As well as the original French, other translations include English (as Smurf Of One And Smurf A Dozen Of The Other), Dutch, German, Swedish, Spanish, Italian, Danish, Serbo-Croatian, Polish, Catalan and Chinese. [6]
In this story, Peyo and Yvan Delporte make open political comments about the still ongoing language conflict between French- and Dutch-speaking communities in Belgium.
The story also illustrates how easily systems with undeveloped institutions fall into disarray as the few authorities that there are suddenly stop functioning: [7] Papa Smurf is the only regular decision-making body in the community of Smurfs and his failure to get involved in the debate leads to the breakdown of order. Brainy Smurf is the only other neutral figure in the plot, but his attempts to resolve the issue with the help of a grammar book fall on deaf ears given the low opinion that the other Smurfs have of him.
Pierre Culliford was a Belgian comics writer and artist who worked under the pseudonym Peyo. His best-known works are the comic book series The Smurfs and Johan and Peewit, the latter in which the Smurfs made their first appearance.
Papa Smurf is one of the protagonists from the comic strip The Smurfs. Most Smurfs are said to be about 100 years old, but at the advanced age of 546, Papa is the oldest Smurf and the leader of all Smurfs. Despite his age, he is still quite energetic. Easily distinguishable from all the other Smurfs, Papa Smurf has a bushy white mustache and beard and is typically dressed in red pants and a matching red Phrygian cap, making him the only Smurf who does not wear white. He was introduced in Peyo's 1958 Johan and Peewit story "La Flûte à Six Trous", the first appearance of the Smurfs.
Smurfette is one of the protagonists from the comic strip The Smurfs. Smurfette was created by the evil wizard Gargamel, the Smurfs' archenemy, in order to spy on them and sow jealousy. However, she decides that she wants to be a real Smurf and Papa Smurf casts a spell that changes her hair from black to blonde as a sign of her transformation. She was the only female Smurf until the creation of Sassette. A Granny Smurf was also later introduced, although it is unclear how she was created. Thierry Culliford, the son of the comics' creator, Peyo, and current head of the Studio Peyo, announced in 2008 that more female Smurfs would be introduced in the stories. Smurfette has stereotypical feminine features, with long blonde wavy hair, long eyelashes, and wears a white dress and white high heels. She is the love interest of almost every Smurf.
The Purple Smurfs is the first album of the original French-language Smurfs comic series created by Belgian artist Peyo. It was first published as an album in 1963, but the stories it contained had already been published in Spirou magazine. The main story Les Schtroumpfs noirs was first published in number 1107 as the first "mini-récit" in the magazine. This was a special supplemental page which readers would remove and fold up in order to create a small booklet. Mini-récits were not included when the issues of Spirou were collected in the quarterly hardcover volumes, so this story is absent from volume 72 of Spirou, though the page containing instructions for creating the booklet is there.
The Smurfs and the Magic Flute is a 1975 Belgian animated film starring the Smurfs, directed by their creator, Peyo. Although the film premiered in 1975 in Belgium and Switzerland, it was not released in the United Kingdom until 1979, and in the United States until 1983, in the wake of the characters' newfound popularity.
The Smurfette is the third album of the original French-language Smurfs comic series. The story has also been made into an episode of the Smurfs animated cartoon show, where the only known significant difference is that Smurfette stays in the village for the rest of the show's run. Apart from the titular story, it contains another one called La Faim des Schtroumpfs.
Gargamel is the main antagonist of the Smurfs show and comic books. He is a wizard and the sworn enemy of the Smurfs.
King Smurf is the second comic book adventure of the Smurfs, and the name of the main fictional character who assumes power in the absence of Papa Smurf. The story was written and drawn by Peyo with Yvan Delporte as co-writer.
The Smurfs is a Belgian comic series, created by cartoonist Peyo. The titular creatures were introduced as supporting characters in an already established series, Johan and Peewit in 1958, and starred in their own series from 1959. More than forty Smurf comic albums have been created, 16 of them by Peyo. Originally, the Smurf stories appeared in Spirou magazine with reprints in many different magazines, but after Peyo left the publisher Dupuis, many comics were first published in dedicated Smurf magazines, which existed in French, Dutch and German. A number of short stories and one page gags have been collected in comic books next to the regular series. By 2008, Smurf comics have been translated into 25 languages, and some 25 million albums have been sold.
The Egg and the Smurfs is the fourth album of the original French-language Smurfs comic series created by Belgian artist Peyo.
The Smurfs and the Howlibird is the fifth album of the original French-language Smurfs comic series created by Belgian artist Peyo.
The Astrosmurf is the sixth album of the original French-language Smurfs comic series created by Belgian artist Peyo.
The Smurf Apprentice is the seventh album of the original French-language Smurfs comic series created by Belgian artist Peyo.
The Smurflings is the thirteenth album of the original French-language Smurfs comic series created by Belgian artist Peyo.
Smurf Soup is the tenth album of the original French-language Smurfs comic series created by Belgian artist Peyo.
The Baby Smurf is the twelfth album of the original French-language Smurfs comic series created by Belgian artist Peyo.
Finance Smurf is the sixteenth album of the original French-language Smurfs comic series created by Belgian artist Peyo. It is Pierre Culliford's last comic book work before his death on December 24, 1992.
The Smurfs is a Belgian comic franchise centered on a fictional colony of small, blue, humanoid creatures who live in mushroom-shaped houses in the forest. The Smurfs was created and introduced as a series of comic characters by the Belgian comics artist Peyo in 1958, wherein they were known as Les Schtroumpfs.
The Aerosmurf is the fourteenth album of the original French-language Smurfs comic series created by Belgian artist Peyo. Apart from the titular one, it contains other four stories: The Gluttony of the Smurfs, The Masked Smurfer, Puppy and the Smurfs and Jokey Smurf's Jokes.
The Strange Awakening of Lazy Smurf is the fifteenth album of the original French-language Smurfs comic series created by Belgian artist Peyo.
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