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Salomé is a 1922-23 American silent drama film directed by Charles Bryant and Alla Nazimova, who also stars. It is an adaptation of the 1891 Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist at the request of Herod's stepdaughter, Salomé, whom he lusts after.
Victim is a 1961 British neo-noir suspense film directed by Basil Dearden and starring Dirk Bogarde and Sylvia Syms. The first British film to explicitly name homosexuality and deal with it sympathetically, it premiered in the UK on 31 August 1961 and in the US the following February.
The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors of America (MPPDA) from 1922 to 1945. Under Hays's leadership, the MPPDA, later the Motion Picture Association of America (MPAA) and the Motion Picture Association (MPA), adopted the Production Code in 1930 and began rigidly enforcing it in 1934. The Production Code spelled out acceptable and unacceptable content for motion pictures produced for a public audience in the United States.
"New queer cinema" is a term first coined by the academic B. Ruby Rich in Sight & Sound magazine in 1992 to define and describe a movement in queer-themed independent filmmaking in the early 1990s.
This is a list of notable events in the history of LGBT rights that took place in the year 1970.
Turner Classic Movies (TCM) is an American movie-oriented pay-TV network owned by Warner Bros. Discovery. Launched in 1994, Turner Classic Movies is headquartered at Turner's Techwood broadcasting campus in the Midtown business district of Atlanta, Georgia.
The Celluloid Closet is a 1996 American documentary film directed and co-written by Rob Epstein and Jeffrey Friedman, and executive produced by Howard Rosenman. The film is based on Vito Russo's 1981 book The Celluloid Closet: Homosexuality in the Movies, and on lecture and film clip presentations he gave from 1972 to 1982. Russo had researched the history of how motion pictures, especially Hollywood films, had portrayed gay, lesbian, bisexual, and transgender characters.
The Seventh Victim is a 1943 American horror film directed by Mark Robson and starring Tom Conway, Jean Brooks, Isabel Jewell, and Kim Hunter. Written by Charles O'Neal and DeWitt Bodeen, and produced by Val Lewton for RKO Radio Pictures, the film focuses on a young woman who stumbles on an underground cult of devil worshippers in Greenwich Village, New York City, while searching for her missing sister. It marks Robson's directorial debut, and was Hunter's first onscreen role.
Bucharest Pride, known previously as GayFest, is the annual festival dedicated to LGBT rights in Romania, taking place in Bucharest for nearly a week. Current event organizer is Kyle David Kipp. It first took place in 2004 and now occurs in May–June of each year, culminating with the March of Diversity. It is organised by the non-profit organisation ACCEPT, the country's largest lesbian, gay, bisexual and transgender (LGBT) rights organisation. The festival also receives funding from the Romanian Ministry of Health and the National Council for Combating Discrimination, as well as a number of private organisations, such as the Open Society Institute and the British Council in Romania.
Word Is Out: Stories of Some of Our Lives is a 1977 documentary film featuring interviews with 26 gay men and women. It was directed by six people collectively known as the Mariposa Film Group. Peter Adair conceived and produced the film, and was one of the directors. The film premiered in November 1977 at the Castro Theatre in San Francisco and went into limited national release in 1978. It also aired on many PBS stations in 1978.
Lesbian portrayal in media is generally in relation to feminism, love and sexual relationships, marriage and parenting. Some writers have stated that lesbians have often been depicted as exploitative and unjustified plot devices. Common representations of lesbians in the media include butch or femme lesbians and lesbian parents. "Butch" lesbian comes from the idea of a lesbian expressing themselves as masculine by dressing masculine, behaving masculinely, or liking things that are deemed masculine, while "femme" lesbian comes from the idea of a lesbian expressing themselves as feminine by dressing feminine, behaving femininely, or liking things that are deemed feminine.
Algie, the Miner is a 1912 American silent Western film produced by Solax Studios. It was directed by Harry Schenck, Edward Warren, and Alice Guy and stars Billy Quirk, with Clarice Jackson as Miss Lyons. The film was advertised as: "A real live western comedy, showing how a sissy boy won his sweetheart's hands by going out west and making a man of himself".
The Pawnbroker is a 1964 American drama film directed by Sidney Lumet, starring Rod Steiger, Geraldine Fitzgerald, Brock Peters, Jaime Sánchez and Morgan Freeman in his feature film debut. The screenplay was an adaptation by Morton S. Fine and David Friedkin from the 1961 novel of the same name by Edward Lewis Wallant.
The Milwaukee LGBT Film & Video Festival takes place every fall in Milwaukee, Wisconsin. The festival was established in 1987 and is presented by the Film Department in the Peck School of the Arts of the University of Wisconsin–Milwaukee (UWM). Opening night and centerpiece gala screenings take place at the Oriental Theatre located on the East Side of Milwaukee. In 2018 the format of the festival changed to provide screenings throughout the year instead of the concentrated 11 day format primarily screened at the UW Milwaukee Union Theatre.
Historically, the portrayal of lesbian, gay, bisexual, transgender and queer (LGBTQ) people in media has been largely negative if not altogether absent, reflecting a general cultural intolerance of LGBTQ individuals; however, from the 1990s to present day, there has been an increase in the positive depictions of LGBTQ people, issues, and concerns within mainstream media in North America. The LGBTQ communities have taken an increasingly proactive stand in defining their own culture, with a primary goal of achieving an affirmative visibility in mainstream media. The positive portrayal or increased presence of the LGBTQ communities in media has served to increase acceptance and support for LGBT communities, establish LGBTQ communities as a norm, and provide information on the topic.
LGBTQ+ media or gay media refers to media whose primary target audience is members of the LGBTQ community. Secondary targets are LGBTQ+ allies, and in some instances those who oppose gay rights may be targeted as a form of activism. Gay or queer media can also be defined as web sites, films, magazines and other cultural products that were created by queer individuals, or groups that are typically out, meaning that they are public or open about their identity. LGBTQ creators do not always include LGBTQ themes or issues in the media that they produce, but there are often at least subtle references to queerness in these media.
Pre-Code sex films refers to movies made in the Pre-Code Hollywood era, roughly encompassed between either the introduction of sound in the late 1920s or February 1930 and December 1934. This period was marked by an increase of sensationalistic content in pictures made by the major studios in a climate marked by the Great Depression and major debates on morality, often containing sexual references and images that were contrary to the yet to be enforced Hays Code. Pre-Code sex films explored women's issues and challenged the concept of marriage, and aggressive sexuality was the norm. The sexual subject matter of the uncensored period was found within many movie genres, most especially in dramas, crime films, exotic-adventure films, comedies and musicals.
Film censorship in the United States was a frequent feature of the industry almost from the beginning of the U.S. motion picture industry until the end of strong self-regulation in 1966. Court rulings in the 1950s and 1960s severely constrained government censorship, though statewide regulation lasted until at least the 1980s.
Hollywood to Dollywood is an American documentary film that played at 60 film festivals in the U.S., Canada, Scotland, and Australia in 2011 and 2012. Directed by John Lavin, the film follows the cross-country journey of identical twins Gary and Larry Lane to deliver to Dolly Parton a screenplay they wrote, which includes a role for her. Hollywood to Dollywood has won 24 film festival awards and includes 17 Parton songs, two of which were previously unreleased. The film had a one-week theatrical release in New York beginning August 31, 2012, followed a week later in Los Angeles.
Since the transition into the modern-day gay rights movement, homosexuality has appeared more frequently in American film and cinema.
