Self Portrait | ||||
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Greatest hits album by | ||||
Released | September 4, 2002 | |||
Genre | J-pop | |||
Length | 62:27 | |||
Label | Avex Trax | |||
Hitomi chronology | ||||
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Singles from Self Portrait | ||||
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Self Portrait (stylized as SELF PORTRAIT) is the second greatest hits album by Japanese singer and songwriter Hitomi. It was released through Avex Trax on September 4, 2002, coinciding with the video album Hitomi Live Tour 2002 Huma-Rhythm. The two-disc compilation spanned Hitomi's eight-year career at that point; viewing it as the beginning of a fresh start, she devised a release "atypical" of the traditional greatest hits format.
The first half of Self Portrait showcases material released after her previous compilation, H (1999), whereas the second half features new renditions of her earlier work, as well as one new song: "Vibes". It includes the single "Understanding", released merely weeks after her last album earlier that year, and a live recording of "Flow".
Self Portrait debuted at number one on the Oricon Weekly Charts. It went on to become Hitomi's longest-charting album at twenty weeks, selling 636,000 copies in total and becoming the twenty-first highest selling album of 2002. Self Portrait received generally positive reviews from music critics, who commented on her artistic growth. At the 17th Japan Gold Disc Awards, the release received an accolade for Rock & Pop Album of the Year.
In February 1999, Avex Trax released Hitomi's first greatest hits album, H. It chronicled her work with music producer Tetsuya Komuro, whose managerial role dissolved the year prior as Hitomi sought greater creative control over her career. [1] Hitomi subsequently began working with Zentaro Watanabe and Dai Nagano; her next album Thermo Plastic (1999), matched the prior success she attained under Komuro, which "[laid] to rest fears that she would struggle without her onetime mentor." [2]
In July 2002, the website Yeah!! J-Pop! reported that Hitomi would be releasing a new best album (ベストアルバム), then-untitled. [3] In an interview with CD Data magazine, Hitomi explained that H (1999) felt like she was "looking back on the past," whereas Self Portrait is deemed as a "halfway stage" towards "an ideal I want to reach," further marking the release as "a declaration that I will continue 'sketching' from this point on, too." [4] She developed the compilation after a period of reflection, stating:
"In turning 25, the feeling of wanting to change in my own way grew stronger and stronger. I am understanding that to become an adult is based upon various things. For example, if we assume that there is good and evil, rather than asserting that it's “good” or “bad”... in light of the fact that [good and evil] are coexisting in the world and in mankind, I wonder if one must then grow up."
Hitomi had a desire to introduce fans of "Samurai Drive" and "Love 2000" to songs like "There Is..." and "Taion" (体温, "Body Temperature"), which she considered to be "a selection that make up a key point in [my] past". From this, the idea of rearrangements came about, and Hitomi turned her focus towards fashioning a "rebirth" for her Komuro-era songs. [4] In speaking to Beat Freak, during the album's development, it became a topic that she thought it would be "boring to just release an ordinary best album," noting that little time had passed since H three years prior. [5] Hitomi told the magazine that: "I feel that this best album is like a new start for me. [...] I've been wanting to seek someone different from who I am right now."
Self Portrait is presented as a two-disc release, delineating Hitomi's career into two distinct periods. Whereas the second half of Self Portrait is distinguished by Hitomi's early work under music producer Testuya Komuro, the introductory half chronicles her collaboration with Zentaro Watanabe.
The first disc contains nearly every single from Thermo Plastic (1999), Love Life (2000), and Huma-rhythm (2002), bar "Inner Child", "Wish" and "Made to be in Love" from their triple A-side release with "Kimi no Tonari" (君のとなり). [6] [7] The singles "Maria" and "Kimi no Tonari" are rearrangements found on their parent albums, with the latter being a first press bonus track originally. Furthermore, the disc includes the album tracks "Fat Free" and "Why?".
The second disc is a selection of singles from Go to the Top (1995), By Myself (1996) and Déjà-vu (1997), otherwise known as her Komuro era. Each Komuro song was re-recorded, though new arrangements accompany "Candy Girl", "Busy Now" and "In the Future". "Go to the Top" is a "duet" between Hitomi's original and newly-recorded vocals. In addition, the second disc features a live recording of "Flow" performed at the Nippon Budokan, and new song "Vibes".
The album artwork was photographed by longtime collaborator Hidekazu Maiyama in Sicily, Italy; a photo book chronicling the ten-day shoot was published two months later with the same cover. [5] The concert DVD Hitomi Live Tour 2002 Huma-Rhythm, whose release coincided with the Self Portrait compilation, utilizes a similar photograph.
Hitomi made extensive TV promotions throughout August and September 2002, including a performance of "Flow" on the August 26, 2002, broadcast of Hey! Hey Hey! Music Champ , [8] and subsequent appearances on NHK Sokuhō! Uta no Daijiten! (速報! 歌の大辞テン!) on September 11, and NHK BS2 Hits on! Live on September 19, 2002. The compilation was further supported by a two-day concert at the Yoyogi National Stadium; entitled Hitomi Count Down Live 2002 Self Portrait, it was held on December 30 and 31, 2002, in the venue's second gymnasium. [9]
All lyrics are written by Hitomi except where noted, all arrangement by Zentaro Watanabe except where noted. All music on disc two composed by Tetsuya Komuro except where noted.
No. | Title | Lyrics | Music | Arrangement | Length |
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1. | "Love 2000" (from Love Life, 2000) | Masato Kamato | 4:25 | ||
2. | "There Is..." (from Thermo Plastic, 1999) | Dai Nagao | 4:42 | ||
3. | "Kimi ni Kiss" (キミにKISS) (from Love Life) | Kunio Tago | 5:38 | ||
4. | "Fat Free" (from Love Life) | Tago | 4:07 | ||
5. | "Maria (Love Life Version)" (from Love Life) | Hitomi, Tago | Tago | 5:15 | |
6. | "Taion" (体温) (from Thermo Plastic) | Watanabe | 4:47 | ||
7. | "Is it You?" (from Huma-rhythm, 2002) | Kosuke Morimoto | 4:51 | ||
8. | "Samurai Drive" (from Huma-rhythm) | Ryozo Kobayashi | Cune | 4:21 | |
9. | "Innocence" (from Huma-rhythm) | Masato Kitano | 5:26 | ||
10. | "I Am" (from Huma-rhythm) | Kitano | 4:46 | ||
11. | "Understanding" | Morimoto | Keiji Matsui | 4:52 | |
12. | "Why?" (from Huma-rhythm) | Kitano | 5:20 | ||
13. | "Kimi no Tonari (Thermo Plastic Version)" (君のとなり) (from Thermo Plastic) | Hitomi | Ryo Yoshimata | 3:48 |
No. | Title | Lyrics | Music | Arrangement | Length |
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1. | "Candy Girl (Self Portrait Version)" (from Go to the Top, 1995) | 4:36 | |||
2. | "Busy Now (Self Portrait Version)" (from Déjà-vu, 1997) | Hitomi, Takahiro Maeda | Cozy Kubo | Yukihiro Fukutomi | 4:34 |
3. | "In the Future (Self Portrait Version)" (from By Myself, 1996) | Hitomi, Komuro | 4:43 | ||
4. | "Go to the Top (Now & Then Version)" (from Go to the Top) | Kubo, Komuro | 4:36 | ||
5. | "Problem (Self Portrait Version)" (from Déjà-vu) | Komuro | 4:54 | ||
6. | "By Myself (Self Portrait Version)" (from By Myself) | Ken Shima | 5:00 | ||
7. | "Vibes" | Akio | Akio | 3:08 | |
8. | "Flow (6.14 Budokan Live Version)" | Akinori Suzuki | Tatsumi | 5:29 |
Notes
According to SoundScan Japan, Self Portrait debuted at number one and moved 275,440 copies in its first week. [10] It held steady within the top five in its next two weeks, [11] [12] and marked 541,899 copies in total before it dropped out of the top twenty in its eighth week. [13]
The compilation performed similarly on the Oricon Weekly Album Chart, where it debuted at number one and charted for twenty weeks in total. [14] Self Portrait sold over 636,000 copies in total by the end of 2002. [15] Self Portrait debuted and peaked at number seven on the Japan Top Albums chart according to the October 5, 2002, edition of Billboard magazine. [16]
HTM: Tiartrop Fles | ||||
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Compilation album by Hitomi | ||||
Released | October 16, 2003 | |||
Genre | J-pop | |||
Label | Avex Trax | |||
Hitomi chronology | ||||
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HTM: Tiartrop Fles (stylized as HTM〜TIARTROP FLES〜) is a compilation album by Japanese singer and songwriter Hitomi. It was released on October 16, 2003, through Avex Trax. Promoted as a companion to Self Portrait (2002), the album collects B-sides or coupling songs (カップリング曲) that were not previously included on Love Life (2000), Huma-rhythm (2002) or Self Portrait itself. [17]
Its last four tracks make earlier appearances in other forms, with "Plastic Time Machine (8・2・1 Version)" and "Innocence (Regenerated Version)" being rearrangements, "My Planet" appearing on the Song Nation (2002) charity album, and "Elephant Love" on Doppler (2002) by Atami. "Blade Runner" is technically one-half of a double A-side single.
Tiartrop Fles charted for five weeks on the Oricon, peaking at number nineteen. [14]
All lyrics are written by Hitomi except where noted, all arrangement by Zentaro Watanabe except where noted.
No. | Title | Lyrics | Music | Arrangement | Length |
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1. | "Fighting Girl" (from "Inner Child") | Shintaro Hagiwara | 5:29 | ||
2. | "Blade Runner" (from "Flow/Blade Runner") | Maho Fukami | 3:56 | ||
3. | "7 (Seven)" (from "Samurai Drive") | Dai Nagao | Tasuku | 3:43 | |
4. | "Eien to iu Kategorī" (永遠というカテゴリー) (from "Maria") | Kunio Tago | 4:27 | ||
5. | "Aidoru wo Sagase (La plus belle pour aller danser)" (アイドルを探せ) (from "Love 2000") | Charles Aznavour | Georges Garvarentz | 3:15 | |
6. | "Destiny" (from "Love 2000") | Masato Kamata | 4:32 | ||
7. | "Purasutīkku Taimu Mashīn (8・2・1 Version)" (プラスティックタイムマシーン) (from "Flow/Blade Runner") | Ryōzō Kobayashi | Cune | 4:49 | |
8. | "Innocence (Regenerated Version)" (from "Samurai Drive") | Masato Kitano | Tatsumi Moritoki | 6:39 | |
9. | "My Planet" (from "Understanding") | Tetsuya Komuro | Komuro | 6:39 | |
10. | "Erefanto Rabu (Atami feat. Hitomi)" (エレファントラブ) | Watanabe | 5:06 |
Hitomi Furuya, known professionally as Hitomi, is a Japanese singer-songwriter. She began her career as teen model before making her singing debuting under the helm of Tetsuya Komuro in 1994, who produced Hitomi's earliest work in pop music. Hitomi has striven for artistry over the course of her career, penning "forward-looking" lyrics and becoming known for her "unusual" fashion sense that accompanied a "supermodel allure". Her signature songs include "Candy Girl", "Love 2000" and "Samurai Drive".
I Am... is the fourth studio album by Japanese recording artist Ayumi Hamasaki. It was released on New Years Day, 2002 via Avex Trax and their Taiwan-based headquarters. It was distributed in two physical formats—a standard CD and Playbutton—and for digital consumption. After the September 11, 2001 attacks in New York City, United States, Hamasaki, who started working on her new project, changed the original music and design direction by emphasizing lighter themes than her previous work. As a result, the record delves with hope, peace and love, superimposed on J-Pop-inspired rock music.
Loveppears is the second studio album by Japanese recording artist Ayumi Hamasaki. It was released in Japan, Hong Kong and China on November 10, 1999 through Avex Trax and the China Record Corporation, and distributed worldwide on April 10, 2001 by Avex Entertainment Inc. It was entirely written by Hamasaki herself, while the production was handled by Japanese musician Max Matsuura. Musically, Loveppears is a dance album and lyrically focuses on themes of love, frustration of life, loneliness, and individualism.
A Ballads is the second greatest hits compilation by Japanese recording artist Ayumi Hamasaki. It was released physically on March 12, 2003 through Avex Trax, and digitally distributed worldwide on September 14, 2006 by Avex Entertainment Inc. It is her first compilation release in two years since A Best; it premiered three months after her sixth studio album Rainbow. The compilation compiles ballad-inspired singles released by Hamasaki between 1998 and 2003, while the material is divided into new-arrangement remixes and the original versions. With all the tracks written by Hamasaki, it includes two new songs— "Rainbow", which served as the album's promotional single, and a cover version of Japanese singer Yumi Matsutoya's 1975 track "Sotsugyō Shashin".
A Best is the first greatest hits album by Japanese singer-songwriter Ayumi Hamasaki. It was released on March 28, 2001, by Avex Trax and Avex Music Creative Inc. Hamasaki had originally planned to release the greatest hits album after her 2002 studio album I Am..., but the idea was denied by Avex head staff. Instead, Avex released the album in 2001, which caused conflict between the label and Hamasaki. The compilation was released in two different formats including a physical and a digital release. Seven different artworks were released in several editions of the album. The album includes one new track, three re-recorded tracks, and the rest of previously released singles.
Sweet 19 Blues is the second studio album by Japanese recording artist Namie Amuro. The album was released in four different slipcases, with the first three cases limited to 1,000,000 copies each—were put on sale on July 20, 1996, throughout Japan, and were distributed two days later to the rest of Asia by Avex Trax. The album was primarily handled by Japanese producer Tetsuya Komuro, with the assistance of Cozy Kubo, Akio Togashi, Takahiro Maeda, M.C.A.T. and Randy Waldman, it is her debut solo album to date since the spilt of Super Monkey's.
"To Be" is a song by Japanese recording artist Ayumi Hamasaki. It served as the third single from Hamasaki's second studio album Loveppears (1999). The track was released by Avex Trax in Japan and Taiwan on May 12, 1999, and through Avex Entertainment Inc. worldwide in September 2008. It was Hamasaki's final single to be distributed as a Mini-CD, a format that debuted at the start of her career in April 1998. "To Be" was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Musically, it is a J-Pop that was written in third person perspective, much like the content from the parent album.
Song Nation is a charity compilation album featuring some of the most important Japanese performers from the Avex Trax label. The CD was made to raise money for the September 11, 2001 attacks. It was produced by two of the most important record producers of Japan: Masato "Max" Matsuura and Globe's Tetsuya Komuro. A remix album was released titled Song Nation 2: Trance. It contained an additional disc and additional tracks along with of the original tracks from the first Song Nation. A Song Is Born, the track by Ayumi Hamasaki and Keiko was able to peak at #1 on the Oricon chart. Upon its release, the album entered the Oricon Albums Chart at number one with first week sales of over 81 100 copies.
"Sweet 19 Blues" is a song recorded by Japanese recording artist Namie Amuro. The song was composed, written and arranged by Tetsuya Komuro for her same titled debut album. A month after its release, her label Avex Trax released the song as a recut single due to popular demand. The song's subject and the album was about the melancholic passing of another sweet year of youth, which is a particularly Japanese obsession.
"Body Feels Exit" is Namie Amuro's debut solo single on the Avex Trax label. Released nine days after her only album with former label, Toshiba-EMI, "Body Feels Exit" debuted in the top three on the Oricon chart and would be her first of 24 consecutive top ten solo singles.
"Love 2000" is Namie Amuro's 15th single on the Avex Trax label. First pressing privileges came with a bonus remix of the title track. The same remix was later included on a vinyl single released two months after the CD version, as their fourth and final single Genius 2000, Released in Japan on New Year's Day, the single debuted at #4 becoming her 15th consecutive top 10 solo single. The single was certified platinum for 400,000 copies shipped.
Go to the Top is the debut album by Japanese singer-songwriter Hitomi, released on September 27, 1995, by Avex Trax. The first press edition of the album came with the CD case housed inside a hardback case, similar to a book. The inside of the back of the case contains a mini-photobook. The RIAJ has certified it 2× platinum, recognizing over 500,000+ shipments throughout Japan. On the Oricon charts, the album's peak position was #3, and it stayed on the charts for eight weeks.
"Let's Play Winter" is the debut single by Japanese singer-songwriter Hitomi and was released on November 28, 1994 by Avex Trax. It appears as a remixed version on her 1995 debut studio album Go to the Top and was later included in its original form on the 1999 best-of compilation H and the 2007 three disc set Peace.
Rock 'n' Roll Circus is the eleventh studio album by Japanese recording artist Ayumi Hamasaki. It was released on April 14, 2010, by Avex Trax. It was also released just a little over a year after her 2009 album, Next Level. Rock 'n' Roll Circus marks Hamasaki's eleventh consecutive album to be fully produced by Japanese producer and manager Max Matsuura, while she contributes to the album as the lead vocalist, background vocalist, and songwriter to all songs. Recorded in Japanese with minor phrases in English, Rock 'n' Roll Circus is a rock album with numerous musical elements such as electropop, J-pop, rock, pop ballad, and dance music.
Huma-rhythm is the sixth studio album by Japanese singer Hitomi. It was released on January 30, 2002, through Avex Trax. Following the highly successful Love Life (2000), Hitomi began to notice a "disconnection" between her perception as a public figure and her true self in private. She sought to pursue the core of her being; articulating "our dissatisfaction with society" yet wanting to "live happily as [herself]".
Traveler is the seventh studio album of Japanese singer Hitomi. The album was formally released on May 12, 2004 by the Avex Trax label. This is the first album of Hitomi to be released in the CD+DVD format, which Avex first introduced to their artists in 2003.
"Sailing" is a song by Japanese pop group AAA. It is their 31st single and is included in the group's seventh studio album 777: Triple Seven. The song was written by Mitsuhiro Hidaka and Tetsuya Komuro. The single was released in Japan on February 22, 2012, under Avex Trax in four editions: a CD-only edition, a CD and DVD A edition, a CD and DVD B edition, and a Mu-Mo edition. "Sailing" debuted at number four on the weekly Oricon singles chart. The single charted for six weeks and went on to sell over 45,600 copies in Japan.
"Charge & Go! / Lights" is the 30th single by Japanese pop group AAA. It is included in the group's seventh studio album 777: Triple Seven. "Charge & Go!" was written by Kenn Kato and Mitsuhiro Hidaka. The single was released in Japan on November 16, 2011, under Avex Trax in five editions: a CD-only edition, a CD and DVD A edition, a CD and DVD B edition, a box set edition, and a Mu-Mo edition. "Charge & Go! / Lights" debuted at number five on the weekly Oricon singles chart. The single charted for nine weeks and went on to sell over 52,400 copies in Japan.
"Feel the Love" is a song recorded by Japanese recording artist Ayumi Hamasaki. It was released in six different formats on December 25, 2013 by Avex Trax, Avex Taiwan, and Avex Entertainment Inc. worldwide. It was also her first physical release in three years since her EP–single L (2010), and her first double A-side single, alongside the track "Merry-Go-Round", since "Moon" and "Blossom" that same year. The track was written by the singer, whilst production was handled by Japanese musician and long-time collaborator Max Matsuura with the assistance of DJ Hello Kitty; this marks the singer's first single to be produced with another producer outside of Matsuura. Musically, "Feel the Love" is an electronic dance song that lyrically focuses on love and having a good time.
Tetsuya Komuro Archives refers to two separate box set releases featuring songs from various artists that were produced by the retired Japanese musician Komuro Tetsuya. They were released on June 27, 2018 by the Japanese record label Avex Trax. The box sets were released as Tetsuya Komuro Archives "T" and Tetsuya Komuro Archives "K", with each box set containing fifty songs divided into four separate discs.
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