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"Seven Pagodas" has served as a nickname for the south Indian city of Mamallapuram, also called Mahabalipuram (old name), since the first European explorers reached it. The phrase "Seven Pagodas" refers to a belief that has circulated in India, Europe, and other parts of the world for over eleven centuries. The group of Monuments at Mahabalipuram, including the Shore Temple built in the 8th century under the reign of Narasimhavarman II, stand at the shore of the Bay of Bengal. Legend has it that six other temples once stood with it.
An ancient Hindu legend explains the pagodas' origin. Prince Hiranyakasipu refused to worship the god Vishnu. The prince's son, Prahlada, loved Vishnu greatly and criticized his father's lack of faith. Hiranyakasipu banished Prahlada but then relented and allowed him to come home. Father and son quickly began to argue about Vishnu's nature. When Prahlada stated that Vishnu was present everywhere, including in the walls of their home, his father kicked a pillar. Vishnu emerged from the pillar in the form of a man with a lion's head, and killed Hiranyakasipu. Prahlada eventually became king, and had a grandson named Bali. Bali founded Mahabalipuram on this site. [1]
The temples' origins have been obscured by time, lack of complete written records, and destruction of architectural proof by invaders. Englishman D. R. Fyson, a long-time resident of Madras (now Chennai), wrote a concise book on the city titled Mahabalipuram or Seven Pagodas, which he intended as a souvenir volume for Western visitors. In it, he states that the Pallava King Narasimharavarman I either began or greatly enlarged upon Mahabalipuram, circa 630. [2] Archaeological evidence has not yet clearly proven whether Narasimharavarman I's city was the earliest to inhabit this location.
About 30 years before the founding of Narasimharavarman I's city, Pallava King Mahendravarman I had begun a series of "cave temples," which were carved into rocky hillsides [3] Contrary to what the name suggests, they often did not begin as natural caves. Mahendravarman I and Narasimharavarman I also ordered construction of free-standing temples, called rathas in the region's language, Tamil. Nine rathas currently stand at the site (Ramaswami, 209). Construction of both types of temples in Mahabalipuram appears to have ended around 640 (Fyson 3). Fyson states that archaeological evidence supports the claim that a monastery (vihara in Tamil) existed in ancient Mahabalipuram. The idea is based on the concept of Sadhus (Saints). Fyson suggests that the Saint's' quarters may have been divided between a number of the city's rathas, based on their division into small rooms. Hinduism's stupam design influence is also apparent in the traditional pagoda shape of the Shore Temple and other remaining architecture (Fyson 5).
Fyson devoted only the next to the last page of his slim book to the actual legend of the seven pagodas (Fyson 28). He recounts a local belief regarding the pagodas, that the god Indra became jealous of this earthly city and sank it during a great storm, leaving only the Shore Temple above water. He also recounts the assertion of local Tamil people that at least some of the other temples can be seen "glittering beneath the waves" from fishing boats (Fyson 28). Whether the six missing pagodas exist does not seem to matter much to Fyson; As he was trying to frame the theory according to his assumption and amusements. He wanted to make his book "The Seven Pagodas" give his beloved city its nickname and fame, and that seems to be the important part for him. However, the six missing temples have continued to fascinate locals, archaeologists, and lovers of legends alike, and have recently returned to the archaeological spotlight.
Indian historian N. S. Ramaswami names Marco Polo as one of the earliest European visitors to Mahabalipuram. Polo left few details of his visit but did mark it on his Catalan Map of 1275 (Ramaswami, 210).
Many Europeans later spoke of the Seven Pagodas following travelers to their colonies in India. The first to write of them was John Goldingham, an English astronomer living in Madras in the late 18th and early 19th centuries. He wrote an account of his visit and the legend in 1798, which was later collected by Mark William Carr in his 1869 book Descriptive and Historical Papers Relating to the Seven Pagodas on the Coromandel Coast. Goldingham mainly described art, statues, and inscriptions found throughout the archaeological site at Mahabalipuram. He copied many of the inscriptions by hand and included them in his essay. Goldingham interprets most of the signs as picture-symbols, and discusses what meaning their shapes may have (Goldingham, 30-43). Benjamin Guy Babington, author of another essay in the same volume, identified several of the figures in Goldingham's copied inscriptions as Telugu letters (Goldingham, 43). Babington's note on the text is included as a footnote to Goldingham's work.
In 1914, British writer J.W. Coombes related the common European belief on the origin of the pagoda legend. According to him, the pagodas once stood on the edge of the shore, and their copper domes reflected sunlight and served as a nautical landmark. He claims that modern people do not know for sure how many pagodas once existed. He believes that the number was close to seven (Coombes, 27).
N. S. Ramaswami places much of the responsibility for the myth's European propagation on the poet Robert Southey, who mentioned it in his poem "The Curse of Kehama," published in 1810 (Ramaswami, 205). He refers to the city by another of its popular names, Bali. In his poem, Southey clearly states that more than one of the Seven Pagodas is visible (See stanza 4). Southey told romantic tales of many cultures around the world, including India, Rome, Portugal, Paraguay, and Native American tribes, all of which were based on accounts of others' travels, and his own imagination. "The Curse of Kehama" certainly played a role in rising Orientalism.
Ramaswami's words for European explorers are not entirely negative. He notes that, before Europeans began to visit South India toward the beginning of the British Raj, many of the smaller monuments at Mahabalipuram were partially or entirely covered with sand. The colonizers and their families played an important role in uncovering the archaeological site in their free time. Once early English archaeologists realized the extent and beauty of the site, toward the end of the 18th century, they appointed experienced antiquarians such as Colin Mackenzie to preside over the dig (Ramaswami, 210).
Before the December 2004 tsunami, evidence for the existence of the Seven Pagodas was largely anecdotal. The existence of the Shore Temple, smaller temples, and rathas supported the idea that the area had strong religious significance, but there was little contemporary evidence save one Pallava-era painting of the temple complex. Ramaswami wrote in his 1993 book Temples of South India that evidence of 2000 years of civilization, 40 currently visible monuments, including two "open air bas-reliefs," and related legends spreading through both South Asia and Europe had caused people to build up Mahabalipuram's mystery in their minds (Ramaswami, 204). He writes explicitly that "There is no sunk city in the waves off Mamallapuram. The European name, 'The Seven Pagodas,' is irrational and cannot be accounted for" (Ramaswami, 206).
Anecdotal evidence can be truthful though, and in 2002 scientists decided to explore the area off the shore of Mahabalipuram, where many modern Tamil fishermen claimed to have glimpsed ruins at the bottom of the sea. This project was a joint effort between the National Institute of Oceanography (India) and the Scientific Exploration Society, U.K. (Vora). The two teams found the remains of walls beneath 5 to 8 meters of water and sediment, 500 to 700 meters off the coast. The layout suggested that they belonged to several temples. Archaeologists dated them to the Pallava era, roughly when Mahendravarman I and Narasimharavarman I ruled the region (Vora). NIO scientist K.H. Vora noted after the 2002 exploration that the underwater site probably contained additional structures and artifacts, and merited future exploration (Vora).
Immediately before the 2004 tsunami struck the Indian Ocean, including the Bay of Bengal, the ocean water off Mahabalipuram's coast pulled back approximately 500 meters. Tourists and residents who witnessed this event from the beach recalled seeing a long, straight row of large rocks emerge from the water. As the tsunami rushed to shore, these stones were covered again by water. However, centuries' worth of sediment that had covered them was gone. The tsunami also made some immediate, lasting changes to the coastline, which left a few previously covered statues and small structures uncovered on the shore. [4]
Eyewitness accounts of tsunami relics stirred popular and scientific interest in the site. Perhaps the most famous archaeological finding after the tsunami was a large stone lion, which the changing shoreline left sitting uncovered on Mahabalipuram's beach. Archaeologists have dated it to the 7th century (BBC Staff). Locals and tourists have flocked to see this statue since shortly after the tsunami.
In April 2005, the Archaeological Survey of India (ASI) and the Indian Navy began searching the waters off the coast of Mahabalipuram by boat, using sonar technology (Das). They discovered that the row of large stones people had seen immediately before the tsunami were part of a 6-foot-high (Biswas), 70-meter-long wall. ASI and the Navy also discovered remains of two other submerged temples and one cave temple within 500 meters of the shore (Das). Although these findings do not necessarily correspond to the seven pagodas of myth, they do indicate that a large complex of temples was in Mahabalipuram. This draws the myth closer to reality—and there are likely many more discoveries waiting to be found.
ASI archaeologist Alok Tripathi told The Times of India that, as of his February 2005 interview, sonar exploration had mapped inner and outer walls of the two previously submerged temples. He explained that his team could not yet suggest the functions of these buildings (Das). A.K. Sharma of the Indian Navy could not provide further speculation as to function either, but told The Times of India that the layout of the submerged structures, in relation with the Shore Temple and other exposed structures, closely matched a Pallava-era painting of the Seven Pagodas complex (Das).
Archaeologist T. Satyamurthy of ASI also mentions the great significance of a large inscribed stone the waves uncovered. The inscription stated that King Krishna III had paid for the keeping of an eternal flame at a particular temple. Archaeologists began digging in the vicinity of the stone, and quickly found the structure of another Pallava temple. They also found many coins and items that would have been used in ancient Hindu religious ceremonies (Maguire). While excavating this Pallava-era temple, archaeologists also uncovered the foundations of a Tamil Sangam-period temple, dating back approximately 2000 years (Maguire). Most archaeologists working on the site believe that a tsunami struck sometime between the Tamil Sangam and Pallava periods, destroying the older temple. Widespread layers of seashells and other ocean debris support this theory (Maguire).
ASI also unexpectedly located a much older structure on the site. A small brick structure, formerly covered by sand, stood on the beach following the tsunami. Archaeologists examined the structure, and dated it to the Tamil Sangam period. [5] Although this structure does not necessarily fit in with the traditional legend, it adds intrigue and the possibility of yet-unexplored history to the site.
The current opinion among archaeologists is that yet another tsunami destroyed the Pallava temples in the 13th century. ASI scientist G. Thirumoorthy told the BBC that physical evidence of a 13th-century tsunami can be found along nearly the entire length of India's East Coast. [6]
Mahabalipuram, also known as Mamallapuram, is a town in Chengalpattu district in the southeastern Indian state of Tamil Nadu, best known for the UNESCO World Heritage Site of 7th- and 8th-century Hindu Group of Monuments at Mahabalipuram. It is one of the famous tourist sites in India.
Nallathagudi Srinivasa Ramaswami was an Indian sports journalist who worked for four decades with The Hindu, Mail and Indian Express, and became an assistant editor at all three newspapers. He wrote four books on cricket — Winter of Content, Indian Cricket, Indian Willow and From Porbandar to Wadekar — but was also well-versed in history, social commentary and temple architecture.
Sthalasayana Perumal Temple is at Mahabalipuram. Constructed in the Dravidian style of architecture, the temple is glorified in the Divya Prabandha, the early medieval Tamil canon of the Azhwar saints from the 6th–9th centuries AD. It is one of the 108 Divyadesam dedicated to Vishnu, who is worshipped as Sthalasayana Perumal and his consort Lakshmi as Nilamangai Thayar. The temple is believed to have been built by Pallavas, with later contributions from Medieval Cholas, Vijayanagar kings and Madurai Nayaks.
The Murugan Temple at Saluvankuppam, Tamil Nadu, is a shrine dedicated to Tamil deity Murugan. Archaeologists believe that the shrine, unearthed in 2005, consists of two layers: a brick temple constructed during the Sangam period and a granite Pallava temple dating from the 8th century AD and constructed on top of the brick shrine making it the oldest temple in india. The Archaeological Survey of India (ASI) team which conducted the excavation believe that brick temple could be the oldest of its kind to be discovered in Tamil Nadu.
Nearly 33,000 ancient temples, many at least 800 to 2000 years old, are found scattered all over Tamil Nadu. As per Tamil Nadu Hindu Endowments Board, there are 38,615 temples. Most of the largest Hindu Temples reside here. Studded with complex architecture, variety of sculptures, and rich inscriptions, the temples remain the very essence of the culture and heritage of Tamil land, with historical records dating back to at least 3,000 years.
The Group of Monuments at Mahabalipuram is a collection of 7th- and 8th-century CE religious monuments in the coastal resort town of Mahabalipuram, Tamil Nadu, India and a UNESCO World Heritage Site. It is on the Coromandel Coast of the Bay of Bengal, about 60 kilometres (37 mi) south of Chennai.
Pancha Rathas is a monument complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. Pancha Rathas is an example of monolithic Indian rock-cut architecture. The complex was carved during the reign of King Narasimhavarman I : the idea of realising monolithic buildings, an innovation in Indian architecture, is attributed to this ruler. The complex is under the auspices of the Archaeological Survey of India (ASI) and is part of the UNESCO World Heritage site inscribed by UNESCO as Group of Monuments at Mahabalipuram.
Varaha Cave Temple is a rock-cut cave temple located at Mamallapuram, on the Coromandel Coast of the Bay of Bengal in Kancheepuram District in Tamil Nadu, India. It is part of the hill top village, which is 4 kilometres (2.5 mi) to the north of the main Mahabalipurm sites of rathas and the Shore Temple. It is an example of Indian rock-cut architecture dating from the late 7th century. The temple is one of the finest testimonial to the ancient Hindu rock-cut cave architecture, out of many such caves also called mandapas. Part of the Group of Monuments at Mahabalipuram, the temple is a UNESCO World Heritage Site as inscribed in 1984 under criteria i, ii, iii and iv. The most prominent sculpture in the cave is that of the Hindu god Vishnu in the incarnated form of a Varaha or boar lifting Bhudevi, the mother earth goddess from the sea. Also carved are many mythical figures.
The Shore Temple is so named because it overlooks the shore of the Bay of Bengal. It is located near Chennai in Tamil Nadu, south India.
Dharmaraja Ratha is a monument in the Pancha Rathas complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is an example of monolith Indian rock-cut architecture. Dating from the late 7th century, it is attributed to the reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. The entire complex is under the auspices of the Archaeological Survey of India (ASI). It is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984.
Arjuna Ratha is a monument from the Pallava Period at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in Kancheepuram district of Tamil Nadu, India. Dated to the seventh century, it is an example of early Dravidian architecture and of monolith Indian rock-cut architecture dating from the late 7th century during reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. One of the Pancha Rathas, it is believed to have been completed before the Dharmaraja Ratha, and like that and the Bhima Ratha, the stone temple is a replica of an earlier wooden version which preceded it. It is one of the Group of Monuments at Mahabalipuram designated as a UNESCO World Heritage Site since 1984.
Bhima Ratha is a monument in the Pancha Rathas complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is an example of monolith Indian rock-cut architecture. Dating from the late 7th century, it is attributed to the reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. The entire complex is under the auspices of the Archaeological Survey of India (ASI), and is one of the Group of Monuments at Mahabalipuram designated as a UNESCO World Heritage Site since 1984.
The Draupadi Ratha is a monument in the Pancha Rathas complex at Mahabalipuram, previously called Mamallapuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is an example of monolithic Indian rock-cut architecture. Dating from the late 7th century, it is attributed to the reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. The entire complex is under the auspices of the Archaeological Survey of India (ASI), and is one of the Group of Monuments at Mahabalipuram designated as a UNESCO World Heritage Site since 1984.
Nakula Sahadeva Ratha is a monument in the Pancha Rathas complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. It is an example of monolith Indian rock-cut architecture. Dating from the late 7th century, it is attributed to the reign of King Mahendravarman I and his son Narasimhavarman I of the Pallava Kingdom. The entire complex is under the auspices of the Archaeological Survey of India (ASI), and is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984.
Mahishasuramardhini Mandapa is an example of Indian rock-cut architecture dating from the late 7th century, of the Pallava dynasty. It is a rock-cut cave temple located on a hill, near a lighthouse, along with other caves in Mamallapuram. Mamallapuram, also popularly known as Mahabalipuram, is a small village to the south of Chennai, in the state of Tamil Nadu, India. The temple is part of the Group of Monuments at Mahabalipuram, a UNESCO World Heritage Site inscribed in 1984. This Cave Temple has many interesting architectural features of which three exquisitely carved reliefs on the cave walls of three sanctums are prominent. One is of Vishnu reclining on the seven hooded serpent, Adisesha, another of Durga, the main deity of the cave temple Durga slaying the buffalo headed demon Mahishasura, and the third sanctum also has a sculpture of Shiva.
Enadi Siva Temple is a Hindu temple located at Enadi in the Thirumayam taluk of Pudukkottai district in Tamil Nadu, India. Dedicated to Shiva, the temple dates from the early 10th century AD. The architecture resembles the late Pallava and the roof resembles that of Draupadi Ratha in Mahabalipuram.
Ganesha Ratha is a temple in Kancheepuram district, Tamil Nadu, India. It is one of ten rathas ("chariots") carved out of pink granite within the group of monuments of the Pallava Period at Mahabalipuram, a UNESCO-inscribed World Heritage Site since 1984. The ratha is an example of monolith Indian rock-cut architecture dating from the late seventh century during the reign of King Mahendravarman I and his son Narasimhavarman I. Initially constructed with a Shiva Linga, it is now deified with a Ganesha deity after the linga was removed.
The Olakkannesvara Temple is in Mahabalipuram town, overlooking the Coromandel Coast of the Bay of Bengal in Kancheepuram District in Tamil Nadu, India. Like the Shore Temple, the Olakkannesvara Temple is a structural temple. Built in the 8th century, it is situated directly above the Mahishasuramardini mandapa on a hillock which provides scenic views of the town. As the area is within a high security zone because of a nuclear power station a few kilometres to its south, photography is prohibited. The Olakkannesvara Temple is sometimes mistakenly referred to as a Mahishasura temple. It is dedicated to an incarnation of Shiva. It is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984.
Pallava art and architecture represent an early stage of Dravidian art and architecture which blossomed to its fullest extent under the Chola Dynasty. The first stone and mortar temples of South India were constructed during Pallava rule and were based on earlier brick and timber prototypes.
Kuthur Ramakrishnan Srinivasan (1910–1992) was an Indian archeologist, historian and the author of a number of books on Indian history and culture. He was best known for his archeological work on the Cave Temples of Mahabalipuram. The Government of India awarded him the Padma Bhushan, the third highest civilian award, in 1991.
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