Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez, known as Diego Rivera, was a prominent Mexican painter. His large frescoes helped establish the mural movement in Mexican and international art.
José Clemente Orozco was a Mexican caricaturist and painter, who specialized in political murals that established the Mexican Mural Renaissance together with murals by Diego Rivera, David Alfaro Siqueiros, and others. Orozco was the most complex of the Mexican muralists, fond of the theme of human suffering, but less realistic and more fascinated by machines than Rivera. Mostly influenced by Symbolism, he was also a genre painter and lithographer. Between 1922 and 1948, Orozco painted murals in Mexico City, Orizaba, Claremont, California, New York City, Hanover, New Hampshire, Guadalajara, Jalisco, and Jiquilpan, Michoacán. His drawings and paintings are exhibited by the Carrillo Gil Museum in Mexico City, and the Orozco Workshop-Museum in Guadalajara. Orozco was known for being a politically committed artist, and he promoted the political causes of peasants and workers.
Ben Shahn was an American artist. He is best known for his works of social realism, his left-wing political views, and his series of lectures published as The Shape of Content.
John Thomas Biggers was an African-American muralist who came to prominence after the Harlem Renaissance and toward the end of World War II. Biggers created works critical of racial and economic injustice. He also served as the founding chairman of the art department at Houston's Texas State University for Negroes, a historically black college.
Lucienne Bloch was a Switzerland-born American artist. She was best known for her murals and for her association with the Mexican artist Diego Rivera, for whom she produced the only existing photographs of Rivera's mural Man at the Crossroads, painted in 1933 and destroyed in January 1934 at Rockefeller Center in New York City.
Joseph Glasco was an American painter, draftsman and sculptor. He is most known for his early figurative drawings and paintings and in later years for deconstructing the figure to develop his non-objective paintings building on abstraction of the 1950s.
Knox Martin was an American painter, sculptor, and muralist.
Augustus Vincent Tack (1870–1949) was an American painter of portraits, landscapes and abstractions.
Gifford Beal was an American painter, watercolorist, printmaker and muralist.
James W. Jack Boynton was an American artist.
United States post office murals are notable examples of New Deal art produced during the years 1934–1943.
Ruth Gikow was an American visual artist known primarily for her work as a genre painter. Her paintings often depict human figures interacting with an urban environment.
Paul Kelpe was a German-born American abstract painter. His constructions integrating found objects into paintings were the first such works created in the United States and he painted two of the five Williamsburg murals, the first abstract murals in the United States. In addition to his mural work for various American government projects, he was an innovative independent painter and university art professor. He was a pioneer of American abstract art, including his work in Chicago during a period in which abstracts were not well accepted or appreciated.
Hideo Noda, also known as Hideo Benjamin Noda and Benjamin Hideo Noda, was a Japanese-American modernist painter and muralist, member of the Shinseisakuha movement in Japan, student of Arnold Blanch, and uncle of Japanese printmaker Tetsuya Noda, as well as alleged communist spy recruited by Whittaker Chambers.
William M. Halsey (1915–1999) was an influential abstract artist in the American Southeast, particularly in his home state of South Carolina. He was represented by the Bertha Schaefer Gallery in New York City (1948–53). His mural studies for the Baltimore Hebrew Congregational Temple were included in Synagogue Art Today at the Jewish Museum, New York City (1952). His work was included in the annual International Exhibition of Watercolors, the Art Institute of Chicago. He had work in the Whitney Museum's Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings (1953). A mid-career retrospective was held at the Greenville County Museum of Art in 1972 and then traveled to the Gibbes Museum of Art, Charleston, South Carolina, and the Florence Museum, Florence, South Carolina.
Sedrick Ervin Huckaby (1975) is an American artist known for his use of thick, impasto paint to create murals that evoke traditional quilts and his production of large portraits that represent his personal history through images of family members and neighbors.
Williamson Gerald Bywaters (1906–1989), known as Jerry Bywaters, was an American artist, university professor, museum director, art critic and a historian of the Texas region. Based in Dallas, Bywaters worked to elevate the quality of Texas art, attracting national recognition to the art of the region.
Caroline Speare Rohland was an American artist and muralist who created three post office murals, as part of the art projects for the New Deal's Section of Painting and Sculpture. In addition to the three murals, Rohland has works in the permanent collections of the Library of Congress, The Honolulu Academy of Art, the New Mexico Museum of Art and the Whitney Museum of American Art.
Lucas Johnson was an American artist and major force in the Texas art scene from the late 1960s to the early 2000s. Largely self-taught, he mastered numerous techniques, including egg tempera, pen and ink drawing, silverpoint, oil and acrylic painting, and the printmaking disciplines of aquatint, etching, lithography, serigraphy, drypoint and mezzotint. He was inspired by politics, music, fishing and the culture of Mexico, where he lived for a decade. His unique vision found expression in a wide range of subjects, from haunting, shamanic beings and quirky aquatic life to enigmatic, volcanic landscapes and still lifes of the orchid species he collected and cultivated.
Ryah Ludins (1896–1957) was a Russian-born American muralist, painter, printmaker, art teacher, and writer. She made murals for post offices and other government buildings during the Great Depression and also obtained commissions for murals from Mexican authorities and an industrial concern. Unusually versatile in her technique, she made murals in fresco, mixed media, and wood relief, as well as on canvas and dry plaster. She exhibited her paintings widely but became better known as a printmaker after prints such as "Cassis" (1928) and "Bombing" drew favorable notice from critics. She taught art in academic settings and privately, wrote and illustrated a children's book, and contributed an article to a radical left-wing art magazine. A career spanning more than three decades ended when she succumbed to a long illness in the late 1950s.
