"Shame" | ||||
---|---|---|---|---|
Single by The Motels | ||||
from the album Shock | ||||
B-side | "Save the Last Dance for Love" | |||
Released | 1985 | |||
Length | 4:04 | |||
Label | Capitol | |||
Songwriter(s) | Martha Davis | |||
Producer(s) | Richie Zito | |||
The Motels singles chronology | ||||
| ||||
Music video | ||||
"Shame" on YouTube |
"Shame" is a song by American new wave band The Motels, which was released in 1985 as the lead single from their fifth studio album Shock . The song was written by Martha Davis and produced by Richie Zito. "Shame" peaked at number 21 on the US Billboard Hot 100. [1]
Davis was inspired to write "Shame" by the affairs depicted on various soap operas. [2] Referring to the track in the liner notes of Anthologyland in 2000, Davis commented, "Anyone ever been an adulterer?" [3]
"Shame" provided the band with their fourth and final top 40 entry on the US Billboard Hot 100. Davis told the Chicago Tribune in 1985, "We have an album we're very proud of, and things started off really great. 'Shame' took off with amazing radio response the first two weeks. Then it got up to 21 on the charts and choked." [4]
The song's music video was directed by David Fincher and produced by Carol Stewart for the production company Z Street Films. [5] Davis' daughter Maria Paschell designed the costumes for her mother in the video. [6]
Davis originally expressed interest in working with director Michael Mann after seeing his 1983 film The Keep . After Mann proved unavailable, Davis' agent recommended Fincher instead. Davis recalled in 2011, "He came in with all these ideas, and it was all beautiful and I said we'll do it." Davis was also impressed by Fincher's directing of Rick Springfield's 1985 concert film The Beat of the Live Drum. [7]
Speaking of the video's premise, Davis said in 1985, "David had this fixation for billboards and he really wanted to use a live image in a billboard. I had this image about this poor, tired, sort of used woman. She's in this seedy motel room and the beautiful, nice twin is up on the billboard beckoning her to give up her shameful existence. She eventually does and off she goes into billboard land." [8]
The video achieved heavy rotation on MTV, [9] and topped the Cash Box Top 30 Music Videos chart for a single week in October 1985. [10] It was also nominated at the 1985 American Video Awards for "Best Pop Video" and "Best Performance, Female". [11]
On its release, Cash Box described "Shame" as "prime Motels material", noting the song's "moody hooks" and Davis' "sultry vocals". They added, "With subtle synth and guitar shadings filling in the spaces, the broken hearted lyric theme is delivered with passion and finesse." [12] Dave Sholin of the Gavin Report noted the lengthy gap between the band's last US single release and "Shame" but commented, "It's evident that Davis took the time to do it right. Zito highlights [her] composition with a strong arrangement." [13]
7–inch single [14] [15] [16] [17] [18] [19]
7–inch promotional single (US) [20]
12–inch single [21] [22] [23] [24] [25]
12–inch single (New Zealand) [26]
12–inch promotional single (US) [27]
Credits are adapted from the Shock LP inner sleeve notes and 12-inch single sleeve notes. [28] [21]
The Motels
Production
Chart (1985) | Peak position |
---|---|
Australia (Kent Music Report) [29] | 18 |
Canada Top Singles ( RPM ) [30] | 25 |
Netherlands (Tipparade) [31] | 15 |
US Billboard Hot 100 [1] | 21 |
US Hot Adult Contemporary ( Billboard ) [32] | 22 |
US Hot Dance/Disco Club Play ( Billboard ) [33] | 14 |
US Top Rock Tracks ( Billboard ) [34] | 10 |
US Cash Box Top 100 Singles [35] | 25 |
"The Flame" is a power ballad released in 1988 by the American rock band Cheap Trick as the first single from their tenth album, Lap of Luxury. It was written by songwriters Bob Mitchell and Nick Graham, and was produced by Richie Zito. "The Flame" reached number one on the Billboard Hot 100 in July 1988; it also reached number one in Australia and Canada.
"The Promise of a New Day" is a song by American singer and entertainer Paula Abdul, recorded for her second studio album Spellbound (1991) and services as the album's opening track. The track, written by Abdul, Peter Lord, Sandra St. Victor, and V. Jeffrey Smith and produced by Lord and Smith, was released as the album's second official single on July 5, 1991 to radio in the United States. The song lyrically finds the singer singing optimistically about a relationship, with a vague sub-context of improvement of the world. It was also her first single released under her own label, Captive Records.
"Little Sheila" is a song by English rock band Slade, released in 1985 as the fourth and final single from the band's twelfth studio album, Rogues Gallery. The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and was produced by John Punter.
Shock is the fifth studio album by new wave band the Motels. It was recorded during 1984 and 1985, and released in August 1985. It sold approximately 400,000 copies in the United States.
"Walking Down Madison" is a song by Kirsty MacColl featuring Aniff Cousins, released by Virgin Records on 7 May 1991 as the lead single from her third studio album, Electric Landlady. It charted at No. 23 on the UK Singles Chart and impacted a number of Billboard charts.
"Satisfaction" is a song by American singer Laura Branigan, released as the fourth and final single from her third studio album, Self Control (1984). The song's music was written by Bernd Dietrich, Gerd Grabowski and Engelbert Simons, and the English lyrics were written by Mark Spiro and Diane Warren. It was produced by Jack White and Robbie Buchanan.
"Heartbeat Like a Drum" is a song by English new wave band A Flock of Seagulls, released by Jive in 1986 as the second and final single from their fourth studio album Dream Come True. The song was written by Mike Score, Ali Score and Frank Maudsley, and produced by Mike Score and Wayne Brathwaite.
"Remember the Nights" is a song by American new wave band The Motels, which was released in 1983 as the second single from their fourth studio album Little Robbers. The song was written by Martha Davis and Scott Thurston, and produced by Val Garay. "Remember the Nights" peaked at number 36 on the US Billboard Hot 100.
"Shock" is a song by American new wave band The Motels, which was released in 1985 as the second single from their fifth studio album Shock. The song was written by Martha Davis and Scott Thurston, and produced by Richie Zito. "Shock" peaked at number 84 on the US Billboard Hot 100.
"Whose Problem?" is a song by American new wave band The Motels, which was released in 1980 as the third and final single from their second studio album Careful. The song was written by Martha Davis and produced by Carter. "Whose Problem?" failed to chart in the US, but reached number 42 in the UK Singles Chart and number 43 in the Australian Kent Music Report chart.
"Danger" is a song by American new wave band The Motels, which was released in 1980 as the second single from their second studio album Careful. The song was written by Martha Davis and Tim McGovern, and produced by Carter. "Danger" saw limited commercial success in the US, but generated more chart action in Australasia, peaking at number 88 in Australia and 30 in New Zealand.
"Forever Mine" is a song by American new wave band The Motels, which was released in 1982 as the third single from their third studio album All Four One. The song was written by Martha Davis and produced by Val Garay. "Forever Mine" peaked at number 60 on the US Billboard Hot 100.
"Take the L" is a song by American new wave band The Motels, which was released in 1982 as the second single from their third studio album All Four One. The song was written by Marty Jourard, Martha Davis and Carter, and produced by Val Garay. "Take the L" peaked at number 52 on the US Billboard Hot 100.
"Days Are OK", also known as "Days Are OK (But the Nights Were Made for Love)", is a song by American new wave band The Motels, which was released in 1980 as the first single from their second studio album Careful. The song was written by Tim McGovern and produced by Carter.
"Don't Tell Me the Time" is a song by American singer-songwriter Martha Davis, which was released in 1987 as the lead single from her debut solo studio album Policy. The song was written by Davis and produced by Richie Zito. "Don't Tell Me the Time" peaked at number 80 on the US Billboard Hot 100 and number 8 on the Australian Kent Music Report chart.
"Tell It to the Moon" is a song by American singer-songwriter Martha Davis, which was released in 1988 as the second single from her debut solo studio album Policy. The song was written by Diane Warren and produced by Richie Zito. "Tell It to the Moon" failed to chart in the US, but peaked at number 65 on the Australian Music Report chart.
"Two Hearts" is a song by English singer and musician John Parr, released in 1986 as a single from the soundtrack of the 1986 American sports drama film American Anthem. The song, written and produced by Parr, was also included on Parr's second studio album Running the Endless Mile (1986).
"Downtown" is a song by English singer, songwriter and musician Lloyd Cole, released in 1990 as the third and final single from his self-titled studio album. The song was written by Cole and Blair Cowan, and produced by Cole, Fred Maher and Paul Hardiman. It failed to enter the UK Singles Chart but reached number 5 on the US Billboard Modern Rock Tracks chart. The song was included in the soundtrack of the 1990 American psychological thriller film Bad Influence.
"My Bag" is a song by British band Lloyd Cole and the Commotions, released in 1987 as the lead single from their third and final studio album Mainstream (1987). The song was written by the band and produced by Ian Stanley. It peaked at number 46 in the UK Singles Chart and remained in the top 75 for three weeks.
"Hanging on a Heart Attack" is a song by American pop rock band Device, released in 1986 as the lead single from their only studio album 22B3. The song was written by Holly Knight and Mike Chapman, and was produced by Chapman. "Hanging on a Heart Attack" peaked at number 35 on the US Billboard Hot 100.
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